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betfred nifty fifty results Facebook X Email Print Save Story The first issue of the magazine Giant Robot I ever came across featured the Hong Kong actor Tony Leung Chiu-wai on the cover—this was enough to stand out on a crowded newsstand in the mid-nineteen-nineties. But what caught my attention were the teasers for a random assortment of other stories, about gangs, surfing, shaved ice, orgies. A small tagline in the top right corner read “A magazine for you.” But who was I? I was a teen-ager and desperate to know. I suspected Giant Robot could help me figure it out. For anyone under the age of forty, this level of impressionability might sound a bit silly. But this was a time when there were few things as intoxicating as a bountiful magazine rack, with countless interests, ideologies, identities to try on for size. These days styles and reference points float freely; back then the idea that one could bridge silos, admitting an affection for, say, both punk rock and Hello Kitty, felt jarring. There was something about Giant Robot’s affection for Asian culture—and its allergy to dwelling on what that meant—that drew in many young people, like me, who were searching for a context. It was a magazine that was very serious about some things, and not at all serious about others. Eric Nakamura started Giant Robot in 1994, having recently left his job at Larry Flynt Publications, a Los Angeles media empire that published magazines ranging from VideoGames (where Nakamura had found work right out of college, as an editor) to Rap Pages and Hustler . His experiences at Flynt suggested that making a magazine wasn’t too hard. He put together a sixty-four-page zine, stapled and xeroxed, about the things that fascinated him and his friends: sumo wrestling, the Japanese noise band Boredoms, kung-fu movies, dating. He invited Martin Wong, a kindred spirit he’d seen around at punk shows, to write and to help distribute the two hundred and forty copies of the zine’s initial run. “We were just writing about stuff we liked,” Wong, who was working as an editor at a textbook company at the time, said. “We weren’t trying to define anything or change anything.” For the second issue, Wong wrote about his experience dressing up as Hello Kitty for a Sanrio festival in Southern California, and the surprisingly vitriolic things passersby said to him (“I hate you,” “Get a life”). Wong soon became Giant Robot’s co-editor, and by the fourth issue they had graduated from D.I.Y. folding and stapling to a standard-size, nationally distributed magazine with a full-color cover, albeit one that was still sustained by volunteer labor. In 1996, Giant Robot became a quarterly, and by the late nineteen-nineties they were publishing up to six times a year, with a circulation that peaked in the early two-thousands at around twenty-seven thousand. What attracted people in from the mid-nineties through 2011, when Giant Robot published its final issue, was its mixture of arrogance—the sense that it was made by people with a strident sense of taste—but also curiosity. This run is the subject of “ Giant Robot: Thirty Years of Defining Asian American Pop Culture ,” a lavishly designed hardcover book, just published by Drawn & Quarterly, that collects some of the magazine’s most important articles, as well as memories from contributors and readers. “Giant Robot”—edited by Nakamura, along with Francine Yulo, Tracy Hurren, Megan Tan, and Tom Devlin—reprints a representative cross-section of pieces, arranging them thematically rather than chronologically. Claudine Ko, one of Giant Robot’s most lively contributors in the late nineties and early two-thousands and now an editor for the Times’s T Brand Studio, offers a remarkably comprehensive introduction to the magazine, especially its early days. In Ko’s telling, there was no grand vision, just a constant need to fill pages. In 1996, Wong proposed a piece about Manzanar, the site of one of the concentration camps where people of Japanese descent were imprisoned during the Second World War, which his family often drove past on their ski trips to the nearby Sierra Nevada mountains. Wong and Nakamura—whose father had been incarcerated at the Poston camp, in Arizona—packed their skateboards and decided to take a road trip. The result was “Return to Manzanar,” a solemn yet rebellious piece of writing. Wong notes the names etched into the reservoir walls by “vandal Manzanar internees” and talks with Sue Embrey, who was imprisoned there as a teen-ager, about whether she believes the site is haunted. His piece tries to restore some nuance to the lives of those who were trapped there. It was, he writes, a place where people “gardened, painted pictures, published newspapers, composed poetry, made babies, and played volleyball and baseball,” making the most out of a horrific situation. Wong and Nakamura skate through the park, doing tricks off a monument, wondering what the people driving by thought “at the sight of skateboarders in the middle of hell.” As Nakamura explains to Ko in the book, “It’s taking ownership of an otherwise fucked-up place.” A meandering interview style was characteristic of nineties zines, teaching you as much about the interviewers and their whims as whomever they were talking to. There’s a particularly candid and wide-ranging conversation between Nakamura and Tony Leung Chiu-wai. The actor seems to forget that he’s baring his soul about his lowest moments to what was then just an obscure American zine. “At one time, I wanted to commit suicide because I couldn’t get myself out of my character,” he says, recounting an early moment in his career. “You have to pretend you are others at work, then you get so confused within you.” As the conversation continues, you can almost sense Nakamura’s astonishment that Leung is still on the line, as the actor answers increasingly random questions about how he perfected his hair style and whether he’d ever had a nose ring. When Nakamura and Wong interview the actress Maggie Cheung, they somehow end up talking about her teen years, when she identified with the British mod subculture. They ask her point-blank, “Are you weird?” “I don’t know,” she replies. “I’m just me.” In Ko’s interview with the filmmaker Wong Kar Wai, she remarks that Wong makes Asian people “look cool” compared with their portrayal in American films. He simply says, “Asian people are cool.” Reading Giant Robot , you got the sense that anything was worth reviewing—snacks, books, movies, seven-inch singles, Asian canned coffee drinks—and everyone was worth interviewing, if only so that you could learn a little more about the world around you. One of the odder interviews the magazine published resulted from a letter Nakamura received from an unlikely reader: Wayne Lo, a mass shooter who, in 1992, killed two people and injured four others at Bard College at Simon’s Rock, where he was a student. The two exchanged letters, and Nakamura eventually visited him in prison. His questions about Lo’s memories of the shooting, and the day-to-day routine in prison, are curious and blunt. (“What’s the prison like?” “Are you friends with any guards?”) Lo seems placid and bemused—until the end, when Nakamura asks him about the T-shirt that he famously wore on the night of the crime, which advertised the New York hardcore band Sick of It All. Lo admits that he merely dabbled in punk, and that the shirt was just a coincidence. “I like glam metal,” he tells Nakamura. “Music died when grunge emerged.” Although the book is a vital document, it’s hard to convey the power of a single issue of a magazine. The issues marked a small sliver of time, the bound-and-stapled finality of a set of adventures and editorial decisions. (Many of the early issues are still available for relatively cheap on Giant Robot’s Web site, as well as on eBay.) For me as a reader, the articles were just part of the draw; I pored over the ads, the Top Ten lists, the letters, making sense of the wild juxtapositions from page to page. For years, I’ve had a postcard of the cover of the tenth issue hanging next to my desk. The cover star is Jenny Shimizu, the supermodel and queer icon of the nineties. There are articles about graffiti and L.A. dance music. Yet the centerpiece of the issue is a series of pieces about the Yellow Power movement, full of interviews with activists, community leaders, and artists from the sixties and seventies. Nakamura and Wong maintained a punk detachment from mainstream establishments. The Yellow Power stories open with a preëmptive note to anyone who applies the standards of academic rigor to their work: “We don’t care.” In a 1999 interview with the animator Hayao Miyazaki, Nakamura jokes about the “ New York Times maggots” trying to poach all his questions. Nakamura and Wong continued to grow their own small corner of the world. As the readership grew, Nakamura branched out and opened Giant Robot stores in San Francisco, Los Angeles, and New York, which stocked toys, books, and stationery. The first one is still open on Sawtelle Boulevard, in Los Angeles, across the street from GR2, Nakamura’s art gallery. Even though Giant Robot created a robust online community known as the Robot Lounge, few magazines of its size and scale were prepared for the Internet. Suddenly, arcane knowledge was everywhere. You didn’t need to find an obscure magazine to read about the Cambodian American dominance of Southern California’s doughnut industry or learn the taxonomy of Asian American male haircuts (“fade,” “hedgehog,” “butt cut,” “Republican”). In fact, you could even learn about these pop-culture things in college classes. Around 2011, the debts had piled up, and Nakamura was losing some of the energy to continue publishing. “Being on the cusp of young and old is a difficult place to navigate,” he recalls in “Giant Robot.” “What was GR ? A magazine for younger people or a magazine that aged with its audience? Or was it both?” One of the myths of bygone, fringe subcultures is that they welcomed all, fellow-travellers and the curious alike. But community is as much about exclusion as inclusion, and I remember how acidic even the most modest, self-published zines could be about one another. We weren’t united by some D.I.Y. ethos; you had to show yourself to be more than a sycophant or copycat. I was both these things, and my zines were entry-level approximations of the slightly more prominent ones that I read. I wasn’t as ethical as Bamboo Girl or as romantic as Secret Asian Man . I had no faith in my sense of the esoteric. I carefully gate-kept my influences among my immediate peers in order to seem original. Eventually, Giant Robot offered a lukewarm review of one of my more coherent efforts, which probably made me feel more validated than the editors intended. I looked up to Nakamura and Wong, in that very specific way a twenty-year-old might look up to someone who is twenty-five. I felt that they had discovered some trick to adult life, orienting their days around hanging out and making things. I was drawn to their sheer force of will. When I was a sophomore in college, I interviewed Nakamura once over the phone when he was promoting a sweet, slacker buddy film he’d shot with his cousin, called “Sunsets.” He said something that I’d probably been told thousands of times before, only this time I heard it. Try something big, he said; after all, it’s not like he was a trained filmmaker. If it works out or not, he continued, the experience will nonetheless change you. A few months later, some friends at U.C. Davis invited me to speak on a panel about Asian Americans and zine culture alongside Nakamura and Wong, simply because they knew I’d be excited to finally meet them. Nakamura and Wong had brought along their friend David Choe, who’d done some illustrations for them. This was one of those situations where there were just as many people on the panel as in the audience, but it didn’t matter; in fact, it only made the gathering feel all the more special, as though we were in on some secret hidden in plain sight. After dinner at a Japanese restaurant—I ordered the same thing as Nakamura, because I had never heard of chirashi —I suggested that they come hang out in Berkeley on their drive back to Los Angeles. We drove down the highway in a caravan, reaching the East Bay just as the sun set. For a while, I would remember this as one of the best nights of my life, though it’s not because anything epic happened. So much of that period of life, in your late teens and early twenties, involves cycling through rough drafts on your way to whomever you end up becoming. At one point, they asked me what I did for fun, and I rehashed all the Berkeley spots I’d read about from their magazine. But they wanted to know what I did. Where were my spots? I realized that they weren’t in the business of producing clones of themselves. We were supposed to make our own things, take on our own impossible projects, find our own villains. I remember taking turns thrashing about on a skateboard in a deserted pool hall in Richmond. I studied the records that Nakamura and Wong flipped through at a store in Berkeley, memorizing some titles to investigate later. We also ended up going to see some bands play at a bar, and, since I was underage, one of them slipped me his expired driver’s license. I remember Choe smiling and assuring me that all Asians look the same. Nowadays, many people probably know the Giant Robot name because of the store or the gallery, or the art biennials that Nakamura curates for the Japanese American National Museum. Wong and his wife, Wendy Lau, who was the magazine’s designer, spend most of their free time supporting their sixteen-year-old daughter and her all-female punk band, the Linda Lindas, who just finished touring with Green Day and the Smashing Pumpkins. But Giant Robot’s ambitions were always much more modest, simply creating spaces to hang out, in real life or on the page. There was a time in my life when it felt as though zines were an epidemic, all of us wanting to share some small part of ourselves in a way that felt both fleeting and permanent. We were all so desperate to figure out if we had something significant to say, firing off sentences in every direction, mimicking those who seemed to have it all figured out. Was Giant Robot a vision of what it meant to be Asian American? I was of an age where I wanted definitive answers on such things. But this was a question that the magazine deferred. The editors were too voracious for new encounters, too busy planning the next issue. They offered just one vision of a life among many, not an agenda to be followed. At the heart of youthful admiration, the kind I felt, is a kind of envy—a small sadness that you didn’t think of something first. You are lucky if you ever feel this way, because now you have to do something else—something you will claim as your own. ♦ New Yorker Favorites The killer who got into Harvard . How Steve Martin learned what’s funny . Growing up as the son of the Cowardly Lion . The light of the world’s first nuclear bomb . A thief who stole only silver . Amelia Earhart’s last flight . Fiction by Milan Kundera: “ The Unbearable Lightness of Being .” Sign up for our daily newsletter to receive the best stories from The New Yorker .

South Korea seeks arrest of impeached president YoonAdele says it is time to ‘move on’ after completing her Las Vegas residencyThe Defence Secretary has said that “proscription is not a matter for now” in relation to the UK’s ban on the group that has taken power in Syria. John Healey said that the Government’s “interest” in Hayat Tahrir al-Sham (HTS), is “that they live up to their promises to protect” rights, when he spoke to reporters after a Cobra meeting on Thursday. HTS is banned in the UK because of its past association with al Qaida, the terrorist organisation once led by Osama bin Laden. But its leader, Abu Mohammed al-Golani, cut ties with al Qaida years ago and has sought to present his group as a more moderate and inclusive organisation, leading some to suggest the group should no longer be proscribed. When asked whether the Government was considering the status of the group, Mr Healey said: “Proscription is not a matter for now. “It doesn’t stop us talking to all the parties, and our interest in HTS is that they live up to their promises to protect the rights of all individuals and all groups, to respect international law and to prevent Syria becoming a base for a fresh terrorist threat.” Mr Healey said that Thursday’s meeting was “about making sure we have, as a Government, a laser focus on the role that we can play with allies to see a stable, peaceful transition. “So that the Syrians get the government they need for the future, and the region can see the stability in the future that it also needs.” Cobra meetings are called when ministers or officials need to respond to urgent matters. Following the toppling of the Bashar Assad regime over the weekend, the UK has paused decisions on asylum applications from Syria. Thousands of Syrians have been granted asylum in the UK but, earlier this week, the Home Office said decisions on applications would be paused while events unfold in Damascus. When asked how long the system would be paused for, and whether the move was fair, Mr Healey said on Thursday: “This is early days. “It’s a measure in response to rapidly changing developments, and the most important thing for us now is that the UK plays and will continue to play a full role with allies to see a stable, peaceful, orderly transition and that requires a political process. “It requires dialogue at the heart of it, and today’s ministerial meeting, the Cobra meeting, was about making sure that we do just that.” Earlier on Thursday, G7 leaders said that they “stand with the people of Syria” and “denounce terrorism and violent extremism in all its forms”. In a statement, Sir Keir Starmer and his counterparts said: “The G7 will work with and fully support a future Syrian government that abides by those standards and results from that process.” It went on: “After decades of atrocities committed by the Assad regime, we stand with the people of Syria. We denounce terrorism and violent extremism in all its forms. “We are hopeful that anyone seeking a role in governing Syria will demonstrate a commitment to the rights of all Syrians, prevent the collapse of state institutions, work on the recovery and rehabilitation of the country, and ensure the conditions for safe and dignified voluntary return to Syria of all those who were forced to flee the country.”

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Judge in Alex Jones' bankruptcy case orders new hearing on The Onion's bid for InfowarsCHENNAI: As avid readers flood the halls of the 48th Chennai Book Fair in Nandanam, one cannot miss the stall set by K Kumar, an associate professor in the Department of Tamil at Presidency College, and Manikandan, his student, both are visually impaired. The stall, located right at the first entrance of the fair, runs under ‘Bharathi Trust,’ an Adambakkam-based foundation for visually impaired persons. The stall houses 120 Braille books, and the books written by visually impaired people are for sale. The content in Braille ranges from Sangam and Bhakthi literature to government orders for the rights of the visually impaired. The rest of the books are authored by visually impaired people. The 47-year-old professor has written 12 books, covering themes like politicians, TRB exam and Vallalar. They are written using the software recommended for visually impaired people. “This stall is set up to give awareness about Braille writing and to educate about the visually impaired writers. Blind people are often looked upon with sympathy by others, and we want to educate people about their hidden talents,” said Kumar. “Stalls featuring braille books are set up at the Chennai Book Fair for the first time so people can recognise their literature,” said SK Murugan, secretary of BAPASI. Kumar completed his higher studies and completed his PhD at the Presidency College and became a teacher through the TRB exam in 2007. He says that he has been passionate about social service since his student days, which pushed him to become the secretary for the College Students and Graduates Association of Blind secretary for two years. He decided to continue it and has brought many initiatives for visually impaired students to be provided with Braille textbooks. “Presidency College gives importance to the differently abled people, and around 100 people graduate every year, supported by the Tamil Nadu government. Bharathi Trust takes care of 10 visually impaired college girls each year and provides them with stay and education under Bharathi Illam in Adambakkam for those who cannot afford accommodation. They are also given training for exams like TNPSC, UPSC, and TRB to have a secure future,” Kumar added.

KIRKLAND LAKE - A snowy December night delivered an unforgettable experience for a Northern family and paramedics. On Dec. 7, Kirkland Lake’s Bella Batisse, who was 38 weeks pregnant, went to the hospital with contractions. She was checked over by a doctor, who decided to transfer her by ambulance to the Temiskaming Hospital in New Liskeard. En route, paramedics Brandi Ouellette and Natasha Albert of the District of Timiskaming Social Services Administration Board (DTSSAB) realized that the baby would arrive before arriving in New Liskeard. “The call came in the middle of the night during a snowstorm. We were travelling down Highway 11 with lights and sirens blazing, it was a Code 4 emergency,” Ouellette said in a joint statement to TimminsToday with Albert. A Code 4 is defined as a life-threatening situation which requires paramedics to drive with lights and sirens on to get to the hospital as quickly as possible. “It quickly became clear that the little one wasn’t going to wait for the hospital. We made the decision to pull over on the side of the highway, keeping our lights on for safety,” the paramedics said. “Thanks to the skilled support of nurse Ana, who happened to be travelling with us, we were able to safely deliver a healthy baby boy right there on the roadside.” Weighing in at five pounds six ounces, the yet-to-be-named baby boy arrived in the world at 12:36 a.m. on Dec. 8 near Aidie Creek Falls, about halfway to New Liskeard from Kirkland Lake. “As paramedics, we are trained to handle emergencies and prepare for everything that could go wrong. Often, we’re faced with severe injuries, illnesses, and loss. But this past weekend, everything went right,” the paramedics said. “It’s a rare experience to assist in the birth of a baby, and this was a first for both Natasha and me.” It was a rollercoaster of emotions for the paramedics. “Everyone came together seamlessly. Most importantly, mom did an incredible job, and we were fortunate to have such a positive outcome,” they said. Mary-Ann Toppi, the great aunt of the newborn, shared that Batisse and her baby are doing well and expressed the family’s immense gratitude. “We are forever grateful for Ana and the paramedics,” she said. “We’re just all so relieved that although everything unfolded so eventfully, everyone is safe and healthy.” The DTSSAB shared Batisse’s birth story in a Facebook post on Tuesday (Dec. 10), which has been getting a lot of attention. Kirkland Lake’s Bella Batisse delivered her son during a snowstorm on the way to the New Liskeard hospital. Supplied photo Toppi said the positive feedback on the post has been heartwarming. “I am happy to see the positive feedback for our first responders on the social media post. They do hero work on a daily basis. They deserve the recognition and appreciation,” she said. “Our family is forever grateful for them and the service they provide for our community.” Ouellette and Albert said this experience serves as a reminder for drivers to slow down when you see the lights of a first responder. “You never know what critical situation might be unfolding inside that vehicle,” they said. Toppi said Batisse and her baby boy, whose name has yet to be decided, are now home in Kirkland Lake adjusting to life as a family of four.

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SQUEEZING a bright-blue piping bag with my right hand, I attempt to disgorge an ornate ring of forest green buttercream around the base of my vanilla sponge cake. For the last 90 minutes, my friend James and I have been mixing cake batter, folding buttercream, and getting creative with fondant icing as if we’re contestants on the hit Channel 4 show, The Great British Bake Off. 3 Hope gets creative mixing cake batter and folding buttercream Credit: Supplied 3 Hope shows off her finished cake before the head baker's inspection Credit: Supplied Thankfully, Paul Hollywood won’t be carving our vanilla sponge to smithereens because we’re on a day out at The Big London Bake East, in Haggerston, East London. Here, you can tackle Bake Off-style challenges with friends or colleagues, under the watchful guidance of an expert baker. Creative fun, no experience required. Ideal for birthdays, work days out or other occasions. Our Christmas theme is a Festive Wreath Cake. READ MORE ON BAKE OFF butter up Great British Bake Off bosses issue major update on Channel 4 show’s future she's off Shock Moment Alison Hammond suffers awkward fall on Bake Off leaving fans stunned Sponge layers But the first challenge was finding the elusive tent. Its entrance is hidden behind a retro fridge door, leading to a bar where we enjoy a festive cocktail before the main event. Inside the main baking tent, which looks just like the one on TV, are 12 baking stations, each equipped with every baking utensil a baker could wish for. Pine garlands decorated with fairy lights hang from the walls, while a Christmas playlist gets us properly into the festive spirit. Most read in Best of British JINGLE BELLES Inside UK's 'poshest train' as it gets set to arrive in Glasgow for Christmas FEELING FESTIVE Scots Xmas market named Europe's most beautiful & tops another festive list WANDER-FUL Idyllic 4.5-mile walk between two of Scotland's most beautiful seaside villages INN LOVE Inside the stunning hotel with exquisite food and a Treetop Spa All our ingredients have been pre-weighed and we’re given a comprehensive list of instructions – there’s no room for any Christmas miracles here. Easy air fryer bakes with Lucy Parissi After our head baker gives us a rundown of what we’re producing that day, we’re left to bake. While making the cake batter and buttercream icing is simple enough, the real fun is had in Creation Corner. As the name suggests, one corner of the room is filled with cake-decorating supplies – liquid flavourings and decorative toppings like crushed Oreo , ground Biscoff, tiny pretzels, chocolate-covered nuts and dried fruits. Every so often our head baker – channelling the TV show’s vibe as created by Paul Hollywood and fellow judge Prue Leith , as well as hosts Alison Hammond and Noel Fielding – tells us how long is left on the clock. But despite the time pressure, it’s all about fun here and we order another cocktail to our station using the QR code on the bench. We harness the festive feeling in the room to give our cake its finishing touches – adding the charming Christmas characters my friend James has crafted using fondant. Even though it feels like it has all passed in a flash, our time is then up and our cakes are to be judged and a winner decided. The head baker cuts into each cake , commenting on the sponge layers, buttercream and decoration. Our sponge and buttercream are both complimented, which leaves me pleased. We aren’t named star bakers, but the fact we get to take our scrumptious cake home is reward enough. Read more on the Scottish Sun COMIC'S CASTLE Still Game star takes £150,000 hit to offload luxury £4m Scots castle HITTING THE HIGH NOTES Much-loved pub named best music bar in Scotland We feel like winners, regardless. Christmas Bake Specials at The Big London Bake East from £49.90pp. Also available at their London South, Manchester and Birmingham venues. See thebigbakes.com. 3 The Big London Bake East, in Haggerston, East London, is a great day out Credit: SuppliedLike a football off McBride's helmet, the Cardinals aren't getting many lucky bounces these days

Every few years, an asteroid that’s about the size of a bus strikes Earth. These rocks are much smaller than the one that drove dinosaurs to extinction , but they can still have a significant impact. And yet, their relatively small sizes made it difficult for surveys to spot them in advance. Now, an international team of astronomers has located more than 100 of these so-called “decameter” asteroids, named because they measure tens of meters in diameter, or roughly 30 to 1,600 feet across. For the study, published Monday in the journal Nature , they employed an image processing technique originally used to search for exoplanets. As a result, they spotted the smallest asteroids ever detected in the main belt , a vast field of rubble between Mars and Jupiter. “These asteroid findings fill an important knowledge gap for tracing the source of meteorites and larger potentially hazardous asteroids in Earth’s vicinity,” study co-author Richard Binzel , a physicist at MIT, tells Sky & Telescope ’s David L. Chandler. Compared to larger asteroids, decameter asteroids have less stable orbits, making it much more likely for them to depart from the main asteroid belt and slam against another cosmic entity, such as Earth. But even a tiny asteroid can cause real damage—the famous Chelyabinsk meteor that exploded over Russia in 2013 was a small decameter asteroid. These events can send “shockwaves through entire regions,” according to a statement from MIT. Given the potential risks, NASA and collaborators like the European Space Agency (ESA) have long worked on developing an early detection system for observing and tracking asteroids. When an asteroid somewhat bigger than a cat flew over Siberia last week, the ESA was able to issue an alert around half a day in advance . While not perfect, our ability to spot asteroids before they hit is improving, astrophysicist Alan Fitzsimmons of Queens University Belfast in Northern Ireland said to New Scientist ’s Matthew Sparkes about the recent warning. In general, the new method for spotting decameter asteroids is expected to contribute greatly toward scientists’ databases as they further refine these warning systems. The research team sifted through existing images of the TRAPPIST-1 star system taken by the James Webb Space Telescope , which had initially been captured to find exoplanets. The method they used, called the “shift and stack” technique, assembles dozens to hundreds of images of fast-moving objects. Eventually, the frames collect into a faint picture that emerges from background noise, or the other random objects that are not the subject of investigation. Usually, this would only be possible if the observer had a good idea of what orbit a certain object moves in, which isn’t the case for asteroids. The MIT team was able to bypass this complication by depending on “powerful computational tools” designed for graphic processing to “search blindly,” testing every possible direction and reasonable speed for the asteroids, explains lead author Artem Burdanov , a research scientist at MIT, to Sky & Telescope . “We decided to push the limits to see how faint objects we could find with this telescope.” From the initial search results, Burdanov and his colleagues found more than 1,000 candidates. Then, they reviewed each image to narrow the list down, eventually confirming the discovery of 138 new decameter asteroids. And they’re hoping to find thousands more in the “archives” of astronomy data that have yet to be analyzed, using the same method, MIT planetary scientist Julien de Wit , a co-author of the study, tells the publication. “This is a totally new, unexplored space we are entering, thanks to modern technologies,” Burdanov adds in the statement. “It’s a good example of what we can do as a field when we look at the data differently. Sometimes there’s a big payoff, and this is one of them.” Get the latest stories in your inbox every weekday. Gayoung Lee | | READ MORE Gayoung Lee is a science journalist from South Korea, now based in New York. Her main interest lies in exploring the unlikely connections between science and everyday life.

ST. PAUL, Minn. (AP) — Josh Norris broke a tie on a power play with 7:18 left, Leevi Merilainen made 30 saves in his fifth NHL game and the Ottawa Senators beat the Minnesota Wild 3-1 on Sunday night. Ottawa has won seven of its past nine games, while the Wild have lost five of their past seven. The Senators won in Minnesota for the first time since 2016. With starter Linus Ullmark and backup Anton Forsberg out with injuries, the Senators have been relying on Merilainen and Mads Sogaard since before the NHL holiday break. Frederick Gaudreau opened the scoring for Minnesota late in the first period. Ridly Greig tied it early in the second. Claude Giroux added an empty-netter. Takeaways Senators: A team that finds itself surprisingly in a playoff position after missing the postseason the past six seasons topped a Western Conference contender in Minnesota. Norris has been a big part of the Senators’ surge and now ranks second on the team with 14 goals. Wild: A lower-body injury kept Kirill Kaprizov out of his second straight game, but Joel Eriksson Ek returned after missing 11 games with a lower-body injury. The Wild are 17-5-4 with Eriksson Ek in the lineup and 5-6-0 without him. Key moment The Wild killed one penalty midway through the third, but Jared Spurgeon went to the box seconds later on a holding call. Norris scored on the power play. Up next The Senators’ nine-game trip continues Thursday at Dallas night. The Wild host Nashville on Tuesday night. ___ AP NHL: https://apnews.com/hub/nhl Phil Ervin, The Associated PressJeeno Thitikul has a $4M finish to win LPGA finale and Maverick McNealy wins first PGA Tour titleJohn Healey said that the Government’s “interest” in Hayat Tahrir al-Sham (HTS), is “that they live up to their promises to protect” rights, when he spoke to reporters after a Cobra meeting on Thursday. HTS is banned in the UK because of its past association with al Qaida, the terrorist organisation once led by Osama bin Laden. But its leader, Abu Mohammed al-Golani, cut ties with al Qaida years ago and has sought to present his group as a more moderate and inclusive organisation, leading some to suggest the group should no longer be proscribed. When asked whether the Government was considering the status of the group, Mr Healey said: “Proscription is not a matter for now. “It doesn’t stop us talking to all the parties, and our interest in HTS is that they live up to their promises to protect the rights of all individuals and all groups, to respect international law and to prevent Syria becoming a base for a fresh terrorist threat.” Mr Healey said that Thursday’s meeting was “about making sure we have, as a Government, a laser focus on the role that we can play with allies to see a stable, peaceful transition. “So that the Syrians get the government they need for the future, and the region can see the stability in the future that it also needs.” Cobra meetings are called when ministers or officials need to respond to urgent matters. Following the toppling of the Bashar Assad regime over the weekend, the UK has paused decisions on asylum applications from Syria. Thousands of Syrians have been granted asylum in the UK but, earlier this week, the Home Office said decisions on applications would be paused while events unfold in Damascus. When asked how long the system would be paused for, and whether the move was fair, Mr Healey said on Thursday: “This is early days. “It’s a measure in response to rapidly changing developments, and the most important thing for us now is that the UK plays and will continue to play a full role with allies to see a stable, peaceful, orderly transition and that requires a political process. “It requires dialogue at the heart of it, and today’s ministerial meeting, the Cobra meeting, was about making sure that we do just that.” Earlier on Thursday, G7 leaders said that they “stand with the people of Syria” and “denounce terrorism and violent extremism in all its forms”. In a statement, Sir Keir Starmer and his counterparts said: “The G7 will work with and fully support a future Syrian government that abides by those standards and results from that process.” It went on: “After decades of atrocities committed by the Assad regime, we stand with the people of Syria. We denounce terrorism and violent extremism in all its forms. “We are hopeful that anyone seeking a role in governing Syria will demonstrate a commitment to the rights of all Syrians, prevent the collapse of state institutions, work on the recovery and rehabilitation of the country, and ensure the conditions for safe and dignified voluntary return to Syria of all those who were forced to flee the country.”

British ska great brings the English Beat back to BerkeleyBy HILLEL ITALIE NEW YORK (AP) — Even through a year of nonstop news about elections, climate change, protests and the price of eggs, there was still time to read books. Related Articles Books | Nikki Giovanni, poet and literary celebrity, has died at 81 Books | Percival Everett, 2024 National Book Award winner, rereads one book often Books | Gift books for 2024: What to give, and what to receive, for all kinds of readers Books | Our critic’s picks: Best mystery fiction books of 2024 Books | 10 best books of 2024: The surprising reads that stuck U.S. sales held steady according to Circana, which tracks around 85% of the print market, with many choosing the relief of romance, fantasy and romantasy. Some picked up Taylor Swift’s tie-in book to her blockbuster tour, while others sought out literary fiction, celebrity memoirs, political exposes and a close and painful look at a generation hooked on smartphones. Here are 10 notable books published in 2024, in no particular order. Asking about the year’s hottest reads would basically yield a list of the biggest hits in romantasy, the blend of fantasy and romance that has proved so irresistible fans were snapping up expensive “special editions” with decorative covers and sprayed edges. Of the 25 top sellers of 2024, as compiled by Circana, six were by romantasy favorite Sarah J. Maas, including “House of Flame and Shadow,” the third of her “Crescent City” series. Millions read her latest installment about Bryce Quinlan and Hunter Athalar and traced the ever-growing ties of “Maasverse,” the overlapping worlds of “Crescent City” and her other series, “Throne of Glass” and “A Court of Thorns and Roses.” If romantasy is for escape, other books demand we confront. In the bestselling “The Anxious Generation,” social psychologist Jonathan Haidt looks into studies finding that the mental health of young people began to deteriorate in the 2010s, after decades of progress. According to Haidt, the main culprit is right before us: digital screens that have drawn kids away from “play-based” to “phone-based” childhoods. Although some critics challenged his findings, “The Anxious Generation” became a talking point and a catchphrase. Admirers ranged from Oprah Winfrey to Arkansas Gov. Sarah Huckabee, who in a letter to state legislators advocated such “commonsense recommendations” from the book as banning phones in schools and keeping kids off social media until age 16. Bob Woodward books have been an election tradition for decades. “War,” the latest of his highly sourced Washington insider accounts, made news with its allegations that Donald Trump had been in frequent contact with Russian leader Vladimir Putin even while out of office and, while president, had sent Putin sophisticated COVID-19 test machines. Among Woodward’s other scoops: Putin seriously considered using nuclear weapons against Ukraine, and President Joe Biden blamed former President Barack Obama, under whom he served as vice president, for some of the problems with Russia. “Barack never took Putin seriously,” Woodward quoted Biden as saying. Former (and future) first lady Melania Trump, who gives few interviews and rarely discusses her private life, unexpectedly announced she was publishing a memoir: “Melania.” The publisher was unlikely for a former first lady — not one of the major New York houses, but Skyhorse, where authors include such controversial public figures as Woody Allen and Trump cabinet nominee Robert F. Kennedy Jr. And its success was at least a minor surprise. Melania Trump did little publicity for the book, and offered few revelations beyond posting a video expressing support for abortion rights — a break from one of the cornerstones of GOP policy. But “Melania” still sold hundreds of thousands of copies, many in the days following her husband’s election. Taylor Swift was more than a music story in 2024. Like “Melania,” the news about Taylor Swift’s self-published tie-in to her global tour isn’t so much the book itself, but that it exists. And how well it sold. As she did with the “Eras” concert film, Swift bypassed the established industry and worked directly with a distributor: Target offered “The Eras Tour Book” exclusively. According to Circana, the “Eras” book sold more than 800,000 copies just in its opening week, an astonishing number for a publication unavailable through Amazon.com and other traditional retailers. No new book in 2024 had a better debut. Midnight book parties are supposed to be for “Harry Potter” and other fantasy series, but this fall, more than 100 stores stayed open late to welcome one of the year’s literary events: Sally Rooney’s “Intermezzo.” The Irish author’s fourth novel centers on two brothers, their grief over the death of their father, their very different career paths and their very unsettled love lives. “Intermezzo” was also a book about chess: “You have to read a lot of opening theory — that’s the beginning of a game, the first moves,” one of the brothers explains. “And you’re learning all this for what? Just to get an okay position in the middle game and try to play some decent chess. Which most of the time I can’t do anyway.” Lisa Marie Presley had been working on a memoir at the time of her death , in 2023, and daughter Riley Keough had agreed to help her complete it. “From Here to the Great Unknown” is Lisa Marie’s account of her father, Elvis Presley, and the sagas of of her adult life, notably her marriage to Michael Jackson and the death of son Benjamin Keough. To the end, she was haunted by the loss of Elvis, just 42 when he collapsed and died at his Graceland home while young Lisa Marie was asleep. “She would listen to his music alone, if she was drunk, and cry,” Keough, during an interview with Winfrey, said of her mother. Meanwhile, Cher released the first of two planned memoirs titled “Cher” — no further introduction required. Covering her life from birth to the end of the 1970s, she focuses on her ill-fated marriage to Sonny Bono, remembering him as a gifted entertainer and businessman who helped her believe in herself while turning out to be unfaithful, erratic, controlling and so greedy that he kept all the couple’s earnings for himself. Unsure of whether to leave or stay, she consulted a very famous divorcee, Lucille Ball, who reportedly encouraged her: “F— him, you’re the one with the talent.” A trend in recent years is to take famous novels from the past, and remove words or passages that might offend modern readers; an edition of “The Adventures of Huckleberry Finn” cuts the racist language from Mark Twain’s original text. In the most celebrated literary work of 2024, Percival Everett found a different way to take on Twain’s classic — write it from the perspective of the enslaved Jim. “James,” winner of the National Book Award, is a recasting in many ways. Everett suggests to us that the real Jim was nothing like the deferential figure known to millions of readers, but a savvy and learned man who concealed his intelligence from the whites around him, and even from Twain himself. Salman Rushdie’s first National Book Award nomination was for a memoir he wished he had no reason to write. In “Knife,” he recounts in full detail the horrifying attempt on his life in 2022, when an attendee rushed the stage during a literary event in western New York and stabbed him repeatedly, leaving with him a blinded eye and lasting nerve damage, but with a spirit surprisingly intact. “If you had told me that this was going to happen and how would I deal with it, I would not have been very optimistic about my chances,” he told The Associated Press last spring. “I’m still myself, you know, and I don’t feel other than myself. But there’s a little iron in the soul, I think.”

Old Cartoon Shows Us How Much Energy Has Changed Since 1977