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World News | Trump Names Andrew Ferguson as Head of Federal Trade Commission to Replace Lina Khan

Zachary Levi says his support for President-elect Donald Trump hasn’t resulted in “career suicide” after all. Appearing on Bill Maher’s “Club Random” podcast this week, the “Shazam!” actor shrugged off the implication that he’d been “canceled” by Hollywood for his endorsement of Trump in the 2024 election. “I hope I haven’t been canceled yet,” Levi said. “I mean, if it happens, it happens.” “I already had multiple jobs that I was in the process of shooting or that I have yet to shoot, and none of those have been compromised,” he added. When Maher pressed for clarification, Levi added, “None of my producers or any of the studios behind those films or projects have called and said, ‘Hey listen, this is a line too far, and we can’t have you associated with the project anymore.’ We’re all still full steam ahead on those.” Though Levi initially supported former presidential candidate Robert F. Kennedy Jr., he formally endorsed Trump in September. At the time, he acknowledged that his stance could “very well could constitute career suicide” given the “very liberal” views of many Hollywood heavyweights. Just weeks later, the actor found himself on the receiving end of backlash from within the Broadway community when he used his former co-star Gavin Creel’s death to promote a conspiracy theory about COVID-19 vaccines. In a video posted to Instagram in October, Levi surmised that Creel, with whom he co-starred in the 2016 revival of “She Loves Me” on Broadway, “would still be alive” if he hadn’t gotten vaccinated against COVID-19. After suggesting that the COVID-19 vaccines were “forced on the American public” despite known side effects including “turbo cancers,” Levi said : “Without a shadow of a doubt, I believe that Gavin Creel would be alive right now — right fucking now — he would still be alive if that stuff didn’t get put into his body.” Creel, beloved by theater fans for his performances in “Hello, Dolly!” and “Into the Woods,” among other musicals, died of a rare and aggressive form of cancer in September. Levi’s claims were quickly condemned by a litany of fellow Broadway performers. Appearing on “ That’s A Gay Ass Podcast ” last week, actor Laura Benanti didn’t hold back when asked about her experience working on “She Loves Me” with Levi. “I never liked him,” Benanti said . “Everyone was like, ‘He’s so great!’ And I was like, ‘No, he’s not. He’s sucking up all the fucking energy in this room. He wants to mansplain everybody’s part to them.’” “For [Levi] to use [Creel’s] memory ― a person he was not friends with ― to use his memory for his political agenda and to watch him try to make himself cry until he had one single tear, which he did not wipe away, I was like, ‘Fuck you forever,’” she added. Other news outlets have retreated behind paywalls. At HuffPost, we believe journalism should be free for everyone. Would you help us provide essential information to our readers during this critical time? We can't do it without you. Can't afford to contribute? Support HuffPost by creating a free account and log in while you read. You've supported HuffPost before, and we'll be honest — we could use your help again . We view our mission to provide free, fair news as critically important in this crucial moment, and we can't do it without you. Whether you give once or many more times, we appreciate your contribution to keeping our journalism free for all. You've supported HuffPost before, and we'll be honest — we could use your help again . We view our mission to provide free, fair news as critically important in this crucial moment, and we can't do it without you. Whether you give just one more time or sign up again to contribute regularly, we appreciate you playing a part in keeping our journalism free for all. Already contributed? Log in to hide these messages. Benanti, a 2009 Tony Award winner for “Gypsy” known for her impressions of Melania Trump on “The Late Show with Stephen Colbert,” also conceded that Levi’s initial claims about “career suicide” were dubious. “Christian, faith-based TV and film is huge. He’s going to be a huge fucking star in that realm,” she said. “He’s going to make more money than he ever has.” Listen to Zachary Levi’s “Club Random with Bill Maher” interview here . His comments on Trump begin around the 5:05 mark. Related From Our Partner

DETROIT – Rewriting a narrative. Undoubtedly, the Detroit Lions are having an amazing season, yet is it enough to break the seven-year streak of losses during its Thanksgiving tradition ? “Oh yeah, no question,” Tom Bassett said. “The bears should really wish they weren’t coming to town.” Fans certainly hope so ahead of the Lions vs Bears game on Thursday (Nov. 27) at Ford Field. “Prediction? I’m going to say 34-6,” Marie Fachini-Kurily said. The gritty team is currently on a historic nine-game winning streak, which has been the longest since 1934. “We got to come too cocky because it’s our house. Ain’t nobody going to come in our house and beat us,” Basam Petros said. --> ‘If I could remove them, I would’: Sportsbooks wish they could stop Detroit Lions Super Bowl bets At Fanatic U, the sports apparel store anxiously awaits the match between the Lions and their NFC North rivals. “I feel [really] good about it. I think they break the jinx, and I think the team is ready,” said Mike “Rocky” Rochwell, a store employee. Meanwhile, the Wojtowicz’s, who have no ties to Michigan, drive most years from North Carolina for the Thanksgiving face-off. They believe they’ll witness history in person. “ Dan Campbell has just got these guys so focused – look at all the injuries we’ve had. Next man up, bam – they’re doing their jobs,” Ron Wojtowicz said. “The Bears are in trouble.” --> Detroit Lions list 4 players on final injury report ahead of Thanksgiving showdown vs. Bears

Back in April, Billboard magazine, the music industry’s recordkeeper for chart success, took the chance to try to predict what would be the song of the summer. At the time the publication considered Beyoncé’s “Texas Hold ’Em” and Ariana Grande’s “We Can’t Be Friends” to be front-runners, as well as “Like That,” the collaboration by rappers Future, Metro Boomin and Kendrick Lamar. Two weeks after Billboard asked what would be the song of 2024’s summer, Drake released “Push Ups.” The track insulted a number of people in the rap industry, but Drake took particular aim at Lamar, going so far as to mock his height and shoe size. Drake came at Lamar directly the following week with “Taylor Made Freestyle.” And on the last day of April, Lamar responded with the six-minute dissertation “Euphoria.” Eventually Billboard selected Post Malone’s “I Had Some Help” featuring Morgan Wallen as the “song of the summer.” Lamar’s chart topper “Not Like Us” — the fourth track in his back and forth with Drake — was somehow ranked third. I was a little shocked. To be honest, I thought the “song of summer” conversation was over in June after Lamar performed “Not Like Us” five times at his Pop Out concert at the Forum. Two Americas, I guess. Then again, “Not Like Us” is not a song, it’s a revelation as Lamar would say. A rather prescient one, considering how much racial tension and identity politics shaped the general election, particularly after Vice President Kamala Harris became the nominee. On “Like That” and “Euphoria,” Lamar threw haymakers at Drake. However, by the time we heard “Us,” Lamar was simply using Drake as a symbol to provoke a larger conversation about authenticity, accountability and manhood. Through that lens, including “Us” on a best-of-summer list is akin to referring to the locs on my head as a hairstyle — technically true, yet culturally tone-deaf. “Let me tell you what that record did do. It united the West,” Snoop Dogg said recently on the podcast “The Champs,” adding it made “everybody out here start looking at each other like how much love we got for each other ... so we should speak on that.” Absolutely. We certainly don’t have a problem talking about conflicts in hip-hop — whether a beef between two stars or a clash between Bloods and Crips. So why can’t we acknowledge the love? While other forms of music are routinely acknowledged for their healing power, the vulnerability embedded in the lyrics of hip-hop is often overlooked. And because of that, the humanity of the artist rapping those lyrics is easily overlooked. Lamar’s seven Grammy nominations this year, the Super Bowl gig lined up for next year and the streaming records are all outstanding. And none of that would have been possible without the social commentary that accompanies the music. This includes “GNX,” the surprise album Lamar released Friday. While he does continue to hammer away at Drake personally, the power of Lamar was always his ability to make a single story about an individual feel like an analogy about all of us. Where “Not Like Us” left off, “TV Off” and “Man at the Garden” picked up in terms of production value and searing observations. It’s funny to think that back in April, Lamar was somewhere minding his own business before Drake came for his crown — and missed. Since then, the culture has gone back and forth between headlines about something outlandish from the election and social media going crazy about another Kendrick Lamar surprise. Song of the summer? Record of the year? Those monikers couldn’t begin to encapsulate just how brilliant and bright Lamar has been in a year full of dark moments. Think of it this way: In 2012, LeBron James won the regular season MVP, an NBA title, Finals MVP and Olympic gold in London. Only one other player had accomplished all of that in a single year — Michael Jordan. That’s when the debate over who is better began in earnest. After cementing his legacy with a historic summer, James started the following season wearing a pair of gold gym shoes in honor of his Olympic achievement and officially announcing his arrival among the game’s greatest. As life would have it, the week before that game, Lamar announced his arrival among the greats as well, dropping “Good Kid, m.A.A.d City.” And like James he’s been breaking records ever since. However unlike for James, the debate over the greatest in Lamar’s game is over. @LZGranderson