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GEELONG, Australia, Dec. 23, 2024 (GLOBE NEWSWIRE) -- Carbon Revolution plc (Nasdaq: CREV) (the "Company"), a Tier 1 OEM supplier and the leading global manufacturer of lightweight advanced technology automotive carbon fiber wheels, today announced that it has reached an agreement with Orion Infrastructure Capital ("OIC") for a further US$25 million financing, which will be released in five tranches, each equal to US$5 million, subject to satisfying certain release conditions. In connection with the release of each of the five tranches of US$5 million, the Company will issue to OIC and the lenders under the US$60 million PIUS loan entered into in May 2023 ("Existing Noteholders"), penny warrants to purchase an aggregate number of shares equal to 5.0% of the Company's shares outstanding. The original US$110 million funding agreement with OIC included the US$70 million previously drawn and provided for up to US$40 million of additional funding by OIC, of which this US$25 million has now been secured. In connection with this further US$25 million, Existing Noteholders have also agreed to release up to US$2 million of existing loan reserves in five equal tranches of US$400,000 concurrent with the five OIC funding tranches. Following this combined US$27 million of additional funding, both OIC and the Existing Noteholders have also agreed to partial payment in kind, in lieu of cash, for certain interest payments. The first of these five funding tranches closed on Friday December 20, 2024. The incremental $25 million of capital, reserve release and changes to interest terms, are intended to support the ongoing liquidity of the business and fund the Company as it works to satisfy the demand from Carbon Revolution's OEM customers. The Company is making substantial investments in capacity and throughput and has a number of new programs entering, or expected to enter, production in the near-term. "OIC continues to be a great funding partner for Carbon Revolution, sharing our vision for our world-leading technology," said Jake Dingle, CEO of Carbon Revolution. "This capital supports the ongoing liquidity of the business and underpins the continued delivery of our production capacity increase and the near-term launch of a number of new OEM programs." "We are firm believers in Carbon Revolution and the transformative impact of their lightweighting value proposition," said Chris Leary, Investment Partner & Head of Infra Equity at OIC. "The progress made by the Company on its capacity investments and increasing the efficiency of its production, as the only company capable of producing carbon fiber wheels at scale, has further demonstrated the unparalleled value to automotive OEMs as they modernize their product portfolios." The terms and conditions of the financing are summarized in the Company's filing with the SEC, which can be accessed here . The Company continues to work diligently to file its Annual Report as promptly as practical to regain compliance with Nasdaq Listing Rule 5250(c)(1) as described here . About Carbon Revolution plc Carbon Revolution plc (Nasdaq: CREV) (the "Company" or "Carbon Revolution") is the parent of Carbon Revolution Pty Ltd, an early-stage growth company which has successfully innovated, commercialized and industrialized the advanced manufacture of carbon fiber wheels for the global automotive industry. The Company has progressed from single prototypes to designing and manufacturing lightweight wheels for cars and SUVs in the high performance, premium and luxury segments, for the world's most prestigious automotive brands. Carbon Revolution is creating a significant and sustainable advanced technology business that supplies its lightweight wheel technology to automotive manufacturers around the world. For more information, visit carbonrev.com . Forward-Looking Statements All statements other than statements of historical facts contained in this communication are forward-looking statements. Forward-looking statements may generally be identified by the use of words such as "believe," "may," "will," "estimate," "continue," "anticipate," "intend," "expect," "should," "would," "plan," "project," "forecast," "predict," "potential," "seem," "seek," "future," "outlook," "target" or other similar expressions (or the negative versions of such words or expressions) that predict or indicate future events or trends or that are not statements of historical matters. These forward-looking statements include, but are not limited to, statements regarding the expectation of continued listing of Carbon Revolution's ordinary shares and warrants on Nasdaq, the Company's ability to file its Annual Report and promptly regain compliance with Nasdaq Listing Rule 5250(c)(1), the future financial performance, business strategies, financings and expectations for the Company's business. These statements are based on various assumptions, whether or not identified in this communication, and on the current expectations of Carbon Revolution's management and are not predictions of actual performance. These forward-looking statements are provided for illustrative purposes only and are not intended to serve as, and must not be relied on by any investor as a guarantee, an assurance, a prediction or a definitive statement of fact or probability. Actual events and circumstances are difficult or impossible to predict and may differ from such assumptions, and such differences may be material. Many actual events and circumstances are beyond the control of Carbon Revolution. These forward-looking statements are subject to a number of risks and uncertainties, including (i) the ability to maintain the listing of Carbon Revolution's securities on Nasdaq or any other exchange on which such securities may be listed in the future; (ii) the failure to realize the benefits of being listed on a U.S. securities exchange and publicly-traded in the United States; (iii) Carbon Revolution's liquidity, including its ability to pay its obligations and to issue equity, refinance its indebtedness or otherwise obtain financing at all or on acceptable terms, (iv) risks related to its ability to meet financial covenants and other key covenants under existing financing arrangements or to obtain waivers or forbearance from compliance with such covenants, which could result in the acceleration of outstanding indebtedness, (v) changes in domestic and foreign business, market, financial, political and legal conditions; (vi) risks related to the rollout of Carbon Revolution's business strategy and the timing of expected business milestones; (vii) the effects of competition on Carbon Revolution's future business and the ability of the combined company to grow and manage growth, establish and maintain relationships with customers and retain its management and key employees; (viii) risks related to domestic and international political and macroeconomic uncertainty, including the Russia-Ukraine and conflicts in the Middle East; (ix) the outcome of any legal proceedings that may be instituted against Carbon Revolution; (x) the impact of pandemic and governmental responses on any of the foregoing risks; (xi) risks related to Carbon Revolution's industry; (xii) changes in laws and regulations; and (xiii) those factors discussed in the documents Carbon Revolution filed with the SEC, including the Shell Company Report on Form 20-F. If any of these risks materialize or Carbon Revolution's assumptions prove incorrect, actual results could differ materially from the results implied by these forward-looking statements. There may be additional risks that Carbon Revolution does not presently know or that Carbon Revolution currently believes are immaterial that could also cause actual results to differ from those contained in the forward-looking statements. In addition, forward-looking statements reflect Carbon Revolution's expectations, plans or forecasts of future events and views as of the date of this communication. Carbon Revolution anticipates that subsequent events and developments will cause Carbon Revolution's assessments to change. However, while Carbon Revolution may elect to update these forward-looking statements at some point in the future, Carbon Revolution specifically disclaims any obligation to do so, unless required by applicable law. These forward-looking statements should not be relied upon as representing Carbon Revolution's assessments as of any date subsequent to the date of this communication. Accordingly, undue reliance should not be placed upon the forward-looking statements. For further information, please contact: Investors Investors@carbonrev.com Media Media@carbonrev.comMISSISSAUGA, Ontario — VIQ Solutions Inc. (“ ”, “ ” or the “ ”) (TSX: VQS), a global provider of secure, AI-driven, digital voice and video capture technology and transcription services, today announces the retirement of Susan Sumner as Chief Operating Officer and President of the Company. Ms. Sumner will continue as a part-time advisor to the Company until January 31, 2025. In connection with her retirement, Ms. Sumner has informed the Company that she will resign from her director position on the board of directors of the Company (the “ ”) as of January 31, 2025. Ms. Sumner has served as Chief Operating Officer of VIQ since July 2018, President of VIQ since February 2021, and has been a member of the Board since April 2022. Sebastien Pare, Chief Executive Officer and Director of VIQ stated: “It has been an honor and a privilege to have worked with Susan over the last number of years. Over the years, Susan has offered a lot of time, effort and encouragement while performing her roles at the Company and has been part of moving VIQ forward throughout her time with us. All of us at VIQ thank Susan for her contributions to our success over the years.” For more information about VIQ, please visit . VIQ Solutions is a global provider of secure, AI-driven, digital voice and video capture technology and transcription services. VIQ offers a seamless, comprehensive solution suite that delivers intelligent automation, enhanced with human review, to drive transformation in the way content is captured, secured, and repurposed into actionable information. The cyber-secure, AI technology and services platform are implemented in the most rigid security environments including criminal justice, legal, insurance, government, corporate finance, media, and transcription service provider markets, enabling them to improve the quality and accessibility of evidence, to easily identify predictive insights and to achieve digital transformation faster and at a lower cost. Certain statements included in this press release constitute forward-looking statements or forward-looking information (collectively, “forward-looking statements”) under applicable securities legislation. Such forward- looking statements or information are provided for the purpose of providing information about management’s current expectations and plans relating to the future. Readers are cautioned that reliance on such information may not be appropriate for other purposes. Forward-looking statements (typically contain statements with words such as “anticipate”, “believe”, “expect”, “plan”, “intend”, “estimate”, “propose”, “project” or similar words, including negatives thereof, suggesting future outcomes or that certain events or conditions “may” or “will” occur). These statements are only predictions. Forward-looking statements in this press release include but are not limited to statements with respect to finding a replacement for Susan Sumner. Forward-looking statements are based on several factors and assumptions which have been used to develop such statements, but which may prove to be incorrect. Although VIQ believes that the expectations reflected in such forward-looking statements are reasonable, undue reliance should not be placed on forward-looking statements because VIQ can give no assurance that such expectations will prove to be correct. Forward-looking statements are necessarily based on a number of opinions, assumptions and estimates that while considered reasonable by the Company as of the date of this press release, are subject to known and unknown risks, uncertainties, assumptions, and other factors that may cause the actual results, level of activity, performance or achievements to be materially different from those expressed or implied by such forward-looking statements, including but not limited to the factors described in greater detail in the “Risk Factors” section of the Company’s annual information form and in the Company’s other materials filed on SEDAR+ at . These factors are not intended to represent a complete list of the factors that could affect the Company; however, these factors should be considered carefully. Such estimates and assumptions may prove to be incorrect or overstated. The forward-looking statements contained in this press release are made as of the date of this press release and the Company expressly disclaims any obligations to update or alter such statements, or the factors or assumptions underlying them, whether as a result of new information, future events or otherwise, except as required by law. Jacob Manning VIQ Solutions Email:7xm app download latest version apk 。

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This screenshot from Donald Trump Truth Social account shows an image of President-elect Donald Trump and first lady Jill Biden attending the ceremony in Notre Dame Cathedral as France’s iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Dec .7, 2024 in Paris. Trump’s recent summit with Canadian Prime Minister Justin Trudeau and visit to Paris for the reopening of the Notre Dame Cathedral were not just exercises in negotiating trade policy and diplomacy. For Trump, they’ve also become fodder for trolling. (Truth Social via AP) This screenshot from Donald Trump’s Truth Social account shows am image of President-elect Donald Trump standing beside a Canadian flag. Trump’s recent summit with Canadian Prime Minister Justin Trudeau and visit to Paris for the reopening of the Notre Dame Cathedral were not just exercises in negotiating trade policy and diplomacy. For Trump, they’ve also become fodder for trolling. (Truth Social via AP) This screenshot from Donald Trump Truth Social account shows an image of President-elect Donald Trump and first lady Jill Biden attending the ceremony in Notre Dame Cathedral as France’s iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Dec .7, 2024 in Paris. Trump’s recent summit with Canadian Prime Minister Justin Trudeau and visit to Paris for the reopening of the Notre Dame Cathedral were not just exercises in negotiating trade policy and diplomacy. For Trump, they’ve also become fodder for trolling. ( Truth Social via AP) This screenshot from Donald Trump Truth Social account shows an image of President-elect Donald Trump and first lady Jill Biden attending the ceremony in Notre Dame Cathedral as France’s iconic cathedral is formally reopening its doors for the first time since a devastating fire nearly destroyed the 861-year-old landmark in 2019, Dec .7, 2024 in Paris. Trump’s recent summit with Canadian Prime Minister Justin Trudeau and visit to Paris for the reopening of the Notre Dame Cathedral were not just exercises in negotiating trade policy and diplomacy. For Trump, they’ve also become fodder for trolling. (Truth Social via AP) Now that’s he’s preparing to return to the Oval Office, Trump is back at it, and his trolling is attracting more attention — and eyerolls.

HONOLULU (AP) — Michael Rataj had 16 points in Oregon State's 74-65 win over Charleston at the Diamond Head Classic on Sunday. Rataj also had 12 rebounds for the Beavers (9-2). Damarco Minor also scored 16 points, going 5 of 11 from the floor, including 2 for 5 from 3-point range, and 4 for 4 from the line. Parsa Fallah shot 6 of 7 from the field and 2 for 3 from the line to finish with 14 points. The Cougars (8-3) were led by Lazar Djokovic, who recorded 13 points, eight rebounds and two steals. Derrin Boyd added 13 points for Charleston. Deywilk Tavarez also had 10 points. Oregon State took the lead with 15:29 to go in the first half and never looked back. The score was 35-26 at halftime, with Fallah racking up 13 points. Oregon State closed out the victory in the final half, while Minor led the way with a team-high 14 second-half points. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .

By MICHELLE L. PRICE and ROB GILLIES NEW YORK (AP) — President-elect Donald Trump’s recent dinner with Canadian Prime Minister Justin Trudeau and his visit to Paris for the reopening of the Notre Dame Cathedral were not just exercises in policy and diplomacy. They were also prime trolling opportunities for Trump. Related Articles National Politics | Trump names Andrew Ferguson as head of Federal Trade Commission to replace Lina Khan National Politics | Biden issues veto threat on bill expanding federal judiciary as partisan split emerges National Politics | Trump lawyers and aide hit with 10 additional felony charges in Wisconsin over 2020 fake electors National Politics | After withdrawing as attorney general nominee, Matt Gaetz lands a talk show on OANN television National Politics | What will happen to Social Security under Trump’s tax plan? Throughout his first term in the White House and during his campaign to return, Trump has spun out countless provocative, antagonizing and mocking statements. There were his belittling nicknames for political opponents, his impressions of other political figures and the plentiful memes he shared on social media. Now that’s he’s preparing to return to the Oval Office, Trump is back at it, and his trolling is attracting more attention — and eyerolls. On Sunday, Trump turned a photo of himself seated near a smiling first lady Jill Biden at the Notre Dame ceremony into a social media promo for his new perfume and cologne line, with the tag line, “A fragrance your enemies can’t resist!” The first lady’s office declined to comment. When Trudeau hastily flew to Florida to meet with Trump last month over the president-elect’s threat to impose a 25% tax on all Canadian products entering the U.S., the Republican tossed out the idea that Canada become the 51st U.S. state. The Canadians passed off the comment as a joke, but Trump has continued to play up the dig, including in a post Tuesday morning on his social media network referring to the prime minister as “Governor Justin Trudeau of the Great State of Canada.” After decades as an entertainer and tabloid fixture, Trump has a flair for the provocative that is aimed at attracting attention and, in his most recent incarnation as a politician, mobilizing fans. He has long relished poking at his opponents, both to demean and minimize them and to delight supporters who share his irreverent comments and posts widely online and cheer for them in person. Trump, to the joy of his fans, first publicly needled Canada on his social media network a week ago when he posted an AI-generated image that showed him standing on a mountain with a Canadian flag next to him and the caption “Oh Canada!” After his latest post, Canadian Immigration Minister Marc Miller said Tuesday: “It sounds like we’re living in a episode of South Park.” Trudeau said earlier this week that when it comes to Trump, “his approach will often be to challenge people, to destabilize a negotiating partner, to offer uncertainty and even sometimes a bit of chaos into the well established hallways of democracies and institutions and one of the most important things for us to do is not to freak out, not to panic.” Even Thanksgiving dinner isn’t a trolling-free zone for Trump’s adversaries. On Thanksgiving Day, Trump posted a movie clip from “National Lampoon’s Christmas Vacation” with President Joe Biden and other Democrats’ faces superimposed on the characters in a spoof of the turkey-carving scene. The video shows Trump appearing to explode out of the turkey in a swirl of purple sparks, with the former president stiffly dancing to one of his favorite songs, Village People’s “Y.M.C.A.” In his most recent presidential campaign, Trump mocked Florida Gov. Ron DeSantis, refusing to call his GOP primary opponent by his real name and instead dubbing him “Ron DeSanctimonious.” He added, for good measure, in a post on his Truth Social network: “I will never call Ron DeSanctimonious ‘Meatball’ Ron, as the Fake News is insisting I will.” As he campaigned against Biden, Trump taunted him in online posts and with comments and impressions at his rallies, deriding the president over his intellect, his walk, his golf game and even his beach body. After Vice President Kamala Harris took over Biden’s spot as the Democratic nominee, Trump repeatedly suggested she never worked at McDonalds while in college. Trump, true to form, turned his mocking into a spectacle by appearing at a Pennsylvania McDonalds in October, when he manned the fries station and held an impromptu news conference from the restaurant drive-thru. Trump’s team thinks people should get a sense of humor. “President Trump is a master at messaging and he’s always relatable to the average person, whereas many media members take themselves too seriously and have no concept of anything else other than suffering from Trump Derangement Syndrome,” said Steven Cheung, Trump’s communications director. “President Trump will Make America Great Again and we are getting back to a sense of optimism after a tumultuous four years.” Though both the Biden and Harris campaigns created and shared memes and launched other stunts to respond to Trump’s taunts, so far America’s neighbors to the north are not taking the bait. “I don’t think we should necessarily look on Truth Social for public policy,” Miller said. Gerald Butts, a former top adviser to Trudeau and a close friend, said Trump brought up the 51st state line to Trudeau repeatedly during Trump’s first term in office. “Oh God,” Butts said Tuesday, “At least a half dozen times.” “This is who he is and what he does. He’s trying to destabilize everybody and make people anxious,” Butts said. “He’s trying to get people on the defensive and anxious and therefore willing to do things they wouldn’t otherwise entertain if they had their wits about them. I don’t know why anybody is surprised by it.” Gillies reported from Toronto. Associated Press writer Darlene Superville contributed to this report.Manipur: INDIA Bloc demands resolution of ethnic strife during Delhi sit-in protest

Sam Darnold sensed the backside pressure as soon as he dropped back with Minnesota trailing by four points late in the fourth quarter in Seattle, so he moved into a safe space in the pocket and did precisely what the Vikings would prefer him to do with the game on the line. He threw the ball down the field to Justin Jefferson. The perfectly placed throw near the sideline beat double coverage for a 39-yard touchdown that put the Vikings back in front with 3:51 remaining in a 27-24 victory over the Seahawks on Sunday. “It was a great call,” said Jefferson, who had 10 receptions for 144 yards and two scores, all season highs. “I’m not going to say too much about that play, but something went on where me and Sam were on the same page, and he found me and we went up.” The Vikings were understandably coy about the context around the go-ahead touchdown , when Darnold made a difficult on-the-run pass just over cornerback Tariq Woolen that Jefferson deftly twisted to catch next to his backside hip so he could shield the ball from late-breaking safety Julian Love. Darnold saw Love's shoulders initially shaded inside just enough to believe he couldn't retreat fast enough to prevent Jefferson from getting the ball. Jefferson also applied some improvisation to his route that Darnold clearly and properly read during the play. “I want those guys to have some freedom in those moments,” coach Kevin O'Connell said. “We do a lot of things with Justin and Sam, seeing the coverage and then with some route opportunities to get to at the line of scrimmage, and I think those guys have just gotten so comfortable with that stuff.” Darnold's long-delayed breakout performance under O'Connell has been one of the stories of the NFL this season, one that wouldn't have unfolded as neatly for the third overall pick in the 2018 draft without such synergy between him and his superstar wide receiver. If the Vikings (13-2) win their last two games, they will not only be NFC North champions for the second time in three years but also get the No. 1 seed and the lone first-round bye in the NFC for the playoffs. “Every single game we’re finding different ways to overcome adversity, overcome the different stuff defenses have thrown towards us," Jefferson said. “Sam has done a great job being a leader.” The pass rush was strong, with Andrew Van Ginkel recording two sacks and pressure leading to both interceptions of Seahawks quarterback Geno Smith. The Vikings were credited with eight hits on Smith. The Vikings converted only three of 12 third downs, their second-worst rate of the season. Story continues below video Theo Jackson, who saw significant playing time at safety with Harrison Smith out, had the game-sealing interception with 49 seconds left. Tight end Josh Oliver has played 47% of the snaps the last two games, his two lowest usage rates of the season. He dropped the only pass he was thrown on Sunday. The defense ought to get a big boost this week with the expected return of the 13-year veteran Smith from his first absence in two years when he was sidelined at Seattle with a foot injury. Linebacker Ivan Pace, who has missed four games on injured reserve with a hamstring strain, is also on track to be back with his return to practice. Backup defensive lineman Jalen Redmond, who didn't play against the Seahawks because of a concussion, has made progress through the protocol, O'Connell said. Backup cornerback Fabian Moreau, who was inactive at Seattle with a hip injury, will continue to be evaluated throughout the week. 13.6% — That's the third-down conversion allowance rate for the Vikings over the last two games, with Chicago and Seattle combining to go just 3 for 22. The Vikings rank second in the NFL in third-down defense at 33.7% for the season and also rank second on fourth down at 36.7%. The Vikings host Green Bay on Sunday, with the kickoff moved to the late afternoon showcase spot on Fox. If Minnesota loses to the Packers, the Lions will clinch the NFC North and the Vikings would open the playoffs on the road as the No. 5 seed at best. Even if the Lions were to lose at San Francisco on Monday night, the Vikings would need to win at Detroit on Jan. 5 to take the division title. AP NFL: https://apnews.com/hub/NFL

Anne-Mette Elkjær Andersen Joins Tannenbaum Helpern as Partner in the Firm's Corporate Practice GroupBank leaders want to see results from AI investments. Here's what McKinsey says will separate the winners and the losers.Maxillofacial surgery Market Current Trends, Growth Status, Top Major Players And Forecast To 2024-2031 |

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No. 21 Nebraska women lose the 3-point battle, and an entertaining game, to CreightonThe speculation over has come to an end. Universal revealed Monday that Nolan will adapt , the epic poem from Homer that follows Odysseus’ journey home after the Trojan war. “ ’s next film ‘The Odyssey’ is a mythic action epic shot across the world using brand new IMAX film technology,” said the studio. “The film brings Homer’s foundational saga to IMAX film screens for the first time and opens in theaters everywhere on July 17, 2026.” Matt Damon, Tom Holland, Zendaya, Robert Pattinson, Lupita Nyong’o, Anne Hathaway and Charlize Theron star in the feature. Nolan has delved with period pieces before, including best piture winner , which told the story of the creation of the Atomic Bomb, and , an adaptation of Christopher Priest’s novel centering on two rival magicians amid the backdrop of 1890s London. But is a marked change of pace for the filmmaker. Homer’s epic poem dates back to the 8th century BC and tells of gods, goddesses and monsters — the type of material foreign to Nolan’s work so far. Still, the filmmaker has dealt with plenty of fantastical material, including making Batman believable for post-9/11 audiences, and bringing realism to sci-fi notions such as shared dreams in and intergalactic travel in . Nolan began his year winning his first Oscars in his decades-long career thanks to , which netted him statues for best picture and best director. Nolan ended it with another honor, officially being knighted by King Charles in a ceremony last week. THR Newsletters Sign up for THR news straight to your inbox every day More from The Hollywood Reporter

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Mariah Carey sparks romance rumors with Anderson .Paak as they hold hands entering Aspen restaurant Have YOU got a story? Email tips@dailymail.com By CHRISTINE RENDON FOR DAILYMAIL.COM Published: 23:10, 23 December 2024 | Updated: 23:22, 23 December 2024 e-mail View comments Mariah Carey and Anderson .Paak raised eyebrows as they were seen enjoying dinner together in Aspen. In photos obtained by TMZ , the Leave The Door open singer, 38, sweetly held her hand as they entered Catch Steak restaurant on Sunday evening. He even gently had his hand wrapped her around her waist as they ducked into the eatery and, ever the gentleman, appeared to hold the door open for her. While the duo's display may have suggested they were an item, sources insisted to TMZ the two are not dating, and the musicians were even observed leaving the restaurant separately. Mariah, 55, and Anderson are currently collaborating on a new musical project, and the duo have been hitting up a recording studio in Aspen as of late, according to insiders. On Thursday, the duo were reportedly enjoying a dinner break from all their hard work at Catch. Mariah Carey raised eyebrows as she was seen entering an Aspen restaurant hand in hand with fellow musician Anderson .Paak Anderson has been giving social media followers a sneak peak of their musical collaboration, and over the summer shared video of him and Mariah at the legendary Electric Lady music studios in the Big Apple. Narrating the video, Anderson told fans: 'Oh my God Mariah Carey. Listen, you ever be star-struck, like when a star strikes you? That's what it was. But I couldn't just freeze up. We had to get into the studio and just make something.' Read More Anderson .Paak files for divorce from wife Jae Lin Anderson linked up with Mariah again this past Halloween - he shared a snap of himself dressed as a member of Daft Punk as he celebrated the holiday alongside Carey. Mariah was last in a long-term relationship with back-up dancer Bryan Tanaka however they went their separate ways last year, while in January Anderson filed for divorce from Jae Lin after more than 10 years of marriage. Anderson shares two sons with Jae, his second wife - Soul and Shine. The singer recently released his directorial debut, K-Pops!, which starred himself and his eldest son. The feature was inspired by what the singer, who is of mixed Black and Korean heritage, described as 'funnier aspects of the experience' of growing up biracial. The performer previously spoke to Hypebeast about why he chose to cast Soul in the feature. Anderson has been giving social media followers a sneak peak of their musical collaboration, and over the summer shared video of him and Mariah at the legendary Electric Lady music studios in the Big Apple Anderson linked up with Mariah again this past Halloween - he shared a snap of himself dressed as Daft Punk as he celebrated the holiday alongside Carey 'I wanted to write a movie that would explore that dynamic and those familial relationships. And also, I get to sneak in quality time with my son while shooting,' he said. Meanwhile, the 'Queen of Christmas' has been spending the last few days in snowy Aspen after wrapping her Christmas Time Tour. The tour was announced in August and it celebrated the 30th anniversary of her timeless holiday hit, All I Want For Christmas Is You. The first show was on November 6 in Highland, California, and the closing concert was December 17 in Brooklyn. Meanwhile, the 'Queen of Christmas' has been spending the last few days in snowy Aspen after wrapping her Christmas Time Tour Mariah's setlist was rounded out with 26 songs and the concert was around 90 minutes-long. Audiences enjoyed renditions of the superstar's biggest, most recognizable songs as well as holiday classics. It's become customary for Carey to promote her mid-90s Christmas album during the last two months of the year. The lead single is ubiquitous around the holiday season as fans annually push it back to the top of the music charts. Mariah Carey Share or comment on this article: Mariah Carey sparks romance rumors with Anderson .Paak as they hold hands entering Aspen restaurant e-mail Add commentIn the Federal Parliament this week, Labor and the Coalition - the Coles and Woolies of Australian politics - are in the process of and make it harder for new independent candidates and political parties to enter politics. or signup to continue reading Just as oligopolies like hurt consumers and the economy, if the only competitive options in an electorate are the two major parties that undermines democracy and limits Australian citizens' choices about who represents them. On the face of it, stricter donations and spending caps for elections sound like sensible ideas, but the duopoly is in the detail. Essentially, Labor and Coalition politicians are together rushing through more than 200 pages of legislation, without any proper public or parliamentary scrutiny, that will deliver tens of millions of dollars in additional public funding for the major parties, while tilting the playing field against independents and minor parties. New polling by The Australia Institute reveals more than four out of five voters believe proposed changes to Australian electoral laws should be reviewed before they are voted on by parliament. The changes are not due to start until the election after next, around 2028, so the unseemly haste to ram them through in the last sitting weeks of the year smacks of contempt for voters and contempt for the parliament. said the changes are designed to take big money out of Australian politics, but the reality is the changes will not only deliver big money to Labor and the Coalition, but the legislation does not include . This means that the major parties are stitching up a massive increase in public funding for political parties, while it will still be perfectly legal to lie in a political ad. Major party politicians voting together to give political parties more money will almost certainly reduce trust in government unless the public is included in the process. The Australia Institute estimates that the major parties could receive $30 million more to spend on election campaigns, and an extra $14 million for administrative expenses. If the bill passes, total public funding of parties and candidates would exceed $150 million per three-year election cycle. Nor do the changes prevent "cash-for-access" payments to ministers and shadow ministers and similar financial advantages exploited by the major parties. You could have dinner with the prime minister four times a year at the going rate of $5000 before hitting the $20,000 donation cap. Similar changes at the state level of politics have led to perverse outcomes allowing major parties to "pile in" to target seats in defiance of spending caps. Meanwhile, new entrants will struggle to compete under stricter donation caps and spending limits. No one wants billionaires like and to be able to unduly sway elections with money, but neither should the deck be stacked against new independents and minor parties. One of the greatest strengths of Australian democracy is our preferential voting system. Unlike the United States, where the only choice is between the Republicans and Democrats, Australian voters are electing more and more independents and minor parties to state and federal parliaments. There has been a steady decline in voters choosing the major parties over the past 40 years and it shows no signs of stopping. Senator Jacqui Lambie, first elected as part of the Palmer United Party, won re-election in her own right. Independent member Helen Haines succeeded Cathy McGowan in Indi, proving the community independents have real staying power. Pauline Hanson's One Nation experiences peaks and troughs. The Greens are well established in the Senate and last election won four seats in the lower house. It is clear that when Australian voters are given a real variety of democratic choices, many look beyond the major parties. And it's important to remember that money isn't everything, after all, and failed to net a single seat for his party in 2019. Labor and the Coalition are not proposing to get rid of preferential voting, but limiting the ability of new candidates and minor parties to compete on a level playing field will likely achieve a similar result. There are some worthwhile reforms in the legislation, for example lowering the donation disclosure threshold to $1000 and counting payments to attend fundraisers and functions as donations. That closes the outrageous loophole that meant a donation made in good faith for no consideration was treated more stringently than a payment to get access to a politician. The previous disclosure threshold of about $17,000 meant a lot of donations were never revealed, even when they came from powerful vested interests or wealthy backers. The bill also introduces real-time disclosure so we will no longer wait up to 18 months to find out who funded parties and politicians. One solution is for the government to carve off these non-controversial and already-tested reforms from the rest of the bill, and pass them now, while the more risky changes go through the proper process of scrutiny. Many Australians vote for Labor and the Coalition, just like many people shop at Coles and Woolies. Ahead of a federal election that is likely to deliver a minority government, with the Greens and independents in the balance of power, the parliament just got a reminder that Labor and the Coalition can and do vote together all the time. The crossbench only comes into play when the opposition decides to block legislation, as the Coalition says it will on the proposed international student cap. That's the way democracy works. But if Labor and the Coalition team up to pass these massive electoral changes before the parliament can properly scrutinise the details, they will be ripping off voters just as surely as has been gouging consumers. Ebony Bennett is deputy director for The Australia Institute and a former Greens media advisor and a regular columnist for The Canberra Times. Ebony Bennett is deputy director for The Australia Institute and a former Greens media advisor and a regular columnist for The Canberra Times. DAILY Today's top stories curated by our news team. 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( MENAFN - USA Art News) In recent years, the art world has witnessed a significant transformation, driven largely by technological innovations and the increasing accessibility of digital tools. In the United States, this transition has been pronounced, with digital art emerging as a formidable force in the contemporary art landscape. As a diverse collection of practices and styles, digital art is shaping how artists create, distribute, and engage with audiences. This article explores the current trends in digital art, highlights notable U.S. digital artists, and offers insights into the future of this dynamic medium. Understanding Digital Art Digital art encompasses a vast array of artistic practices that employ digital technology as a crucial part of the creative process. This includes everything from digital painting, 3D modeling, and animation to generative art and interactive installations. The evolution of digital art is deeply intertwined with advancements in technology, as tools like graphic design software, virtual reality (VR), augmented reality (AR), and artificial intelligence (AI) become more sophisticated and accessible. Current Digital Art Trends NFTs and Blockchain Technology Perhaps one of the most significant trends in digital art is the rise of Non-Fungible Tokens (NFTs). Operating on blockchain technology, NFTs have revolutionized how digital artworks are bought, sold, and owned. In 2021, high-profile NFT sales captured headlines, with digital artists like Beeple selling a single artwork for an astonishing $69 million at a Christie's auction. This trend has significantly impacted U.S. digital artists, providing them with new avenues for monetization and establishing their work in the traditional art market. As NFT marketplaces expand and evolve, artists continue to explore the potential of blockchain to authenticate digital creations and offer unique ownership experiences to collectors. Virtual Galleries and Online Exhibitions With the Covid-19 pandemic accelerating the shift to online platforms, virtual galleries and exhibitions have become more commonplace. Artists have adopted sophisticated digital tools to curate immersive experiences that replicate the feel of traditional galleries. Platforms like Spatial and Artland allow for interactive experiences, enabling artists to present their work to global audiences without geographical barriers. This trend is not only democratizing access to art but also fostering community engagement as artists connect with viewers in innovative, digital environments. Augmented and Virtual Reality Experiences The integration of AR and VR in the art world is pushing the boundaries of creativity. U.S. digital artists are increasingly using these technologies to create immersive installations that challenge traditional notions of viewing art. For instance, AR applications allow viewers to experience artworks in their own spaces, bridging the gap between the physical and digital worlds. Meanwhile, VR provides entirely new environments for exploration, enabling artists to tell stories and engage audiences in ways that were previously unimaginable. Generative Art and AI Collaborations Generative art, where artists use algorithms and code to create outcomes, has gained traction in the digital art community. Artists are exploring the relationship between creativity and technology by collaborating with AI programs to generate artworks. This innovative fusion blurs the lines between human creativity and machine learning, challenging conventional artistic practices and raising questions about authorship and originality. American artists such as Refik Anadol and Mario Klingemann are at the forefront of this movement, creating stunning visuals that harness the power of AI to push the boundaries of artistic expression. Social Media as a Platform for Artists The role of social media in the promotion and dissemination of digital art cannot be overstated. Platforms like Instagram, TikTok, and Twitter have become vital tools for artists to share their work, connect with audiences, and build their brand. The dynamic nature of social media allows for real-time interaction and instant feedback, helping artists gauge public interest and evolve their practices. Moreover, social media influencers are increasingly collaborating with digital artists, amplifying their reach and showcasing diverse perspectives within the art community. Notable U.S. Digital Artists As the digital art scene in the USA continues to flourish, several artists have gained recognition for their innovative practices: Beeple (Mike Winkelmann): A pioneer in the NFT space, Beeple is known for his surreal digital collages and groundbreaking sale at Christie's. His work often tackles contemporary issues, expressed through a blend of humor and existential commentary. Refik Anadol: A leader in generative and AI art, Anadol creates mesmerizing visual experiences that translate data into moving images, exploring the intersection of technology and human experience. Krista Kim: An artist focusing on digital meditation and aesthetics, Kim's work encompasses light and color within digital environments, promoting mindfulness through ever-evolving visual experiences. Mina Tandon: Known for her captivating animated works, Tandon blends digital technology with traditional drawing practices, further exploring the notion of rhythm and movement in the digital realm. The Future of Digital Art The future of digital art in the USA looks brighter than ever, driven by continued advancements in technology and evolving cultural attitudes towards creativity. Here are some predictions for where the medium is headed: Integration Across Disciplines: As traditional art forms increasingly intersect with digital practices, we can expect more collaborations between artists of various disciplines. This fusion will lead to hybrid forms of expression that resonate with diverse audiences. Increased Accessibility: Technological advancements will likely democratize access to digital creation tools, allowing a broader range of voices to participate in the art world. As user-friendly software becomes more available, aspiring artists can experiment and develop their skills without significant financial barriers. Sustainability and Ethical Practices: The digital art community is becoming increasingly aware of environmental and ethical issues, particularly concerning the energy consumption associated with blockchain technologies like NFTs. As art collectors and creators prioritize sustainability, we may see innovative solutions that address these concerns while promoting creative expression. Evolving Ownership Models: The concept of ownership in art will continue to evolve as artists explore new ways to engage with their audience. Crowdfunding, community-driven projects, and fractional ownership models may reshape how digital artists build relationships with collectors. Continued Growth of Immersive Experiences: With the rise of AR, VR, and mixed reality technologies, immersive art experiences will become more prevalent. These formats will challenge audience perceptions and foster deeper emotional connections between art and viewer. The rise of digital art in the USA represents a revolutionary shift in the way art is created, consumed, and understood. As technological advancements pave the way for innovative practices, emerging artists are seizing opportunities to express their visions and connect with audiences. By embracing these trends, the future of digital art promises to be vibrant and multifaceted, reflecting the evolving landscape of creativity in an increasingly digital world. The journey of digital art continues to unfold, and for U.S. digital artists, the possibilities for growth, collaboration, and exploration are limitless. MENAFN23122024005694012507ID1109025680 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.

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