negative effects of online games to students
negative effects of online games to students
Defending national champion South Carolina women defeated by UCLA 77-62 for their first loss since the 2023 Final Four
Breyten Breytenbach, who died Sunday, was one of South Africa's most honoured writers, who found beauty in his Afrikaans language but was horrified at the white supremacy imposed by his government. The poet, author and painter had not lived in South Africa for decades, leaving in the early 1960s to settle in Paris, where he became a global voice against apartheid. What was intended to be a short and secret trip back in 1975 led to him spending seven years in jail, two in solitary confinement, after he was betrayed and arrested. French president Francois Mitterrand helped secure his release in 1982 and he returned to France to become a citizen. He travelled back to South Africa regularly, according to his daughter Daphnee Breytenbach, who confirmed his death to AFP. "My father, the South African painter and poet Breyten Breytenbach, died peacefully on Sunday, November 24, in Paris, at the age of 85," she said. "Immense artist, militant against apartheid, he fought for a better world until the end." Breytenbach was born in the small Western Cape town of Bonnievale in 1939 at a time when Afrikaans was emerging with a distinct identity as a language, having been derided as "kitchen Dutch". When in 1964 Breytenbach published his first volume of poetry -- "Die ysterkoei moet sweet", or The Iron Cow Must Sweat -- Afrikaans was not just ascendent but had given the name "apartheid" to South Africa's brutal system of racial segregation. With Afrikaners in power, their language became ever more associated with the regime. "I'd never reject Afrikaans as a language, but I reject it as part of the Afrikaner political identity. I no longer consider myself an Afrikaner," he said in an interview with The New York Times the following year. In his language and politics, Breytenbach pushed back against the strictures of the country in which he was born. He travelled around Europe in his early 20s, eventually settling in 1962 in Paris, where he met his wife, Yolande Ngo Thi Hoang Lien, who was born in Vietnam and raised in France. She was refused a visa to visit South Africa in the late 1960s as she was considered "non-white" by the apartheid system. Breytenbach returned to the country in the early 1970s on a false passport to deliver money to the anti-apartheid struggle and meet white activists. But he was discovered and sentenced to nine years in prison, serving seven. Of his more than 50 books, most are in Afrikaans. His acclaimed 1984 prison memoir, "The True Confession of an Albino Terrorist", is in English. In the book, he recalls the horrors of hearing fellow inmates being hanged, often for political crimes. "Very often –- no, all the time really –- I relive those years of horror and corruption, and I try to imagine, as I did then with the heart an impediment to breathing, what it must be like to be executed. What it must be like to be. Executed," he wrote. His path crossed once, briefly, with another famous inmate. Nelson Mandela was for a time transferred from Robben Island to Pollsmoor prison in Cape Town, where Breytenbach was serving his time. The writer was tasked with preparing new prison clothes for the future president. Breytenbach eventually turned to painting to portray surreal human and animal figures, often in captivity, with his art displayed in Johannesburg, Brussels, Amsterdam, Hong Kong and Paris. His literature gathered several prizes, including the international Zbigniew Herbert International Literary Award (2017), the Mahmoud Darwish Literature Prize (2010) and the Van der Hoogt prize for Dutch literature (1972). "His poems are rich in metaphors and are a complex mixture of references to Buddhism, Afrikaans idiomatic speech, and memories of the South African landscape," according to the Hague-based Writers Unlimited foundation. For all his activism, when democracy arrived in 1994, the older and gray-bearded Breytenbach did not return to embrace the new South Africa. He wrestled with the failings of the democratic government, even with Mandela, despairing at what he called in Harpers magazine in 2008 the "seemingly never-ending parade of corrupt clowns in power at all levels". Breytenbach also taught at the University of Cape Town, the Goree Institute in Dakar and New York University. zm-gs-br/lhd/js
Mumbai: BMC Removes Over 70,000 Illegal Hoardings In 2024, Yet No FIRs Registered Despite 29 Police ComplaintsThe question sounds so basic and friendly. But it’s actually loaded, as many mothers can attest. “Do you just love getting to be home with him all the time?” asks the younger, more put-together woman in the supermarket. “Must be so wonderful.” Wonderful, of course — and sometimes brain-numbing and soul-draining too, some exhausted fulltime moms might reply. Especially if, like Amy Adams’ character in Marielle Heller's “Nightbitch," they’d left their prized art gallery job to this other woman. And so Adams responds, twice, showing in this very opening scene exactly why her typically brave, brutally frank performance lifts this movie from an oddly uneven script to something unequivocally worth seeing. First we get the honest answer, the one no one really gives until later in the shower: she feels “stuck inside of a prison of my own creation,” where she torments herself and ends up binge-eating Fig Newtons to keep from crying. She is angry all the time. Oh and, she has gotten dumber. Then we rewind and director-writer Heller has Adams give her real answer: “I do, I love it! I love being a Mom.” There we are, two minutes and 13 seconds into “Nightbitch” and you may already find yourself wowed by Adams. If not, just wait until her Mother is sitting at a chic restaurant with a bunch of colleagues from the art world, and her fangs come out. And we don’t mean figuratively. We mean literally. Let’s go back to the beginning, shall we? “Nightbitch” is based on the 2021 novel by Rachel Yoder, a feminist fable that the author has said came from her own malaise when pausing work for child-rearing. She sets her tale in an unidentified suburb of an unidentified city. Mother , formerly an admired installation artist, spends her weekdays alone with her adorable, blond 2-year old Son. Husband has a job that seems to bring him home only on weekends. The early scenes depicting Mother’s life are tight and impactful, a contrast to the confused havoc that will come toward the end of the film. Life revolves around the playground and the home, with occasional trips to storytime at the library where she notes, in narration, that she has no interest in the company of other moms — why should they be friends just because they're moms? In fact, Mother lives in solitude, and director Heller does a nice job illustrating how that feels you can almost feel the weight of the afternoon coming around, at this comfortable but hardly ostentatious home, when it’s too early for dinner and you’ve done all the activities already and you wonder if you can make it through the day. Then things start to get weird. In the bathroom mirror, Mother starts noticing things. Her teeth are getting sharper. There’s something weird coming out of an apparent cyst at the bottom of her spine. She finds extra nipples. And that’s before she starts eating rare meat. Somewhow Adams, who also produces here, makes these things seem, if not quite natural, then logical. What's happening is that Mother’s frustration is becoming ferocious. Dangerously ferocious. But also — empowering. At night, or so she thinks, she is a wild dog. Aspects of the film work wonderfully. Mother’s relationship with Son is lovely, largely due to a decision to let the young boys talk freely, with the adult actors reacting to their words. It lends a grounding realism to a film that quickly veers surreal. Less successful is the relationship between Mother and Husband , which takes on too much importance as the film goes on, in a baffling way, rather than Mother’s transformation. More importantly, a story that posits itself on such a tantalizing idea — that by transforming into a dog, Mother discovers her true nature and power —resorts late in the game to a safer story about a marriage that never seemed appealing enough for us to care about anyway. It doesn't help that it's hard to grasp the distracting subplot about Mother’s own mother. None of this takes away from the strength of Adams’ performance. You believe her love for her child as much as you believe her resentment for what he is taking away from her. And Adams can make almost any line work, including one about a walnut. But we digress. It’s an irony that for reasons of storytelling, characters have generic names — because Adams is such a singular and particular, talent. The journey she embarks upon is bizarre indeed, but you won’t regret taking it with her. “Nightbitch,” a Searchlight Pictures release, has been rated R by the Motion Picture Association “for language and some sexuality. “ Running time: 98 minutes. Two stars out of four. This article was generated from an automated news agency feed without modifications to text.
LOS ANGELES (AP) — Defending national champion South Carolina women defeated by UCLA 77-62 for their first loss since the 2023 Final Four.The authorities of Obafemi Awolowo University (OAU), Ile-Ife, on Thursday announced that a total of 7,368 students will graduate at the university’s 48th Convocation Ceremonies, scheduled for Thursday, December 12 to Saturday, December 14, 2024. The graduating students, who represent 13 faculties, include 215 First Class Honours, 2,197 Second Class Upper Division, and 2,691 Second Class Lower Division. The institution also revealed that eminent personalities, including Nigeria’s First Lady, Mrs. Oluremi Tinubu, will be among the Honorary Award recipients for honorary doctorates in recognition of their contributions to humanity in various ways during the ceremony. The Vice Chancellor of the university, Professor Adebayo Simeon Bamire, made these announcements at a press conference held in Ile-Ife in preparation for the event. Professor Bamire explained, “We will be awarding Bachelor’s Degrees to our graduating students in five faculties: Administration, Arts, Education, Law, and Social Sciences.” He continued, “On the second day, Friday, December 13, 2024, we will confer Bachelor’s Degrees to students in eight faculties: Agriculture, Basic Medical Sciences, Clinical Sciences, Dentistry, Environmental Design and Management, Pharmacy, Science, and Technology.” “The grand finale of this Convocation will take place on Saturday, December 14, 2024, with the conferment of Postgraduate Diplomas, Master’s Degrees, Master of Philosophy, and Doctor of Philosophy Degrees.” “On the third day, Saturday, December 14, 2024, we will honor distinguished Nigerians of exceptional integrity by conferring Honorary Doctorate Degrees (PhD, Honoris Causa) across various academic departments of our university.” ALSO READ: NAHCON promises to disburse more refunds to Nigerian pilgrims Professor Bamire, who congratulated the graduating students, noted that some first-class students might be considered for automatic employment if such opportunities arise. “Specifically, we will confer Honorary Awards on five exceptional individuals who have made significant contributions to humanity by uplifting the less privileged and advancing societal progress through their talents, financial resources, and material support.” He mentioned the following individuals by name: Senator Remi Tinubu, Nigeria’s First Lady; Dr. Akin Ogunbiyi; and Prince Karl Olutokun Toriola, the CEO of MTN Nigeria Communications Plc. Get real-time news updates from Tribune Online! Follow us on WhatsApp for breaking news, exclusive stories and interviews, and much more. Join our WhatsApp Channel now
The Gophers football program has added a second receiver commitment in two days via the NCAA transfer portal. Nebraska transfer Malachi Coleman pledged to Minnesota on Tuesday and will have three years of eligibility at the U. ADVERTISEMENT “Let’s rock,” he posted on social media. Coleman was a top 70 recruit in the nation out of Lincoln (Neb.) East in the class of 2023, but didn’t play much in 2024. Listed at 6-foot-4 and 190 pounds, Coleman played in only one game in 2024, using his redshirt season. As a true freshman in 2023, Coleman had eight receptions for 139 yards and one touchdown. In 2023, he received an average grade out 58.0 by Pro Football Focus and was primarily a split receiver for 332 out of 335 total offensive snaps. Coleman follows two other wideouts to Minnesota: Logan Loya (UCLA) on Monday and Jaovn Tracy (Miami of Ohio) on Dec. 15. ______________________________________________________ This story was written by one of our partner news agencies. Forum Communications Company uses content from agencies such as Reuters, Kaiser Health News, Tribune News Service and others to provide a wider range of news to our readers. Learn more about the news services FCC uses here .None
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