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The new Wireless GO (Gen 3) is the first RØDE wireless system available in a range of colors, ... [+] including red, orange, green, purple, pink, blue, cobalt, clay, lilac, stone, rose and moss. Australia-based audio giant RØDE is having quite a year with lots of innovative product launches including the RØDECaster Video, a new and exciting tool for video production with multi-camera setups. Now it’s the turn of sound recordists to get something new with the launch of RØDE’s Wireless GO (Gen 3) system designed with content creators in mind. Designed and made at RØDE’s Sydney factory, the new Wireless GO (Gen 3) offers plenty of new features and is easy to use. There is 32-bit float on-board recording, Intelligent GainAssist technology and other features aimed at anyone wanting to take their sound to the next level of professionalism. As well as plenty of innovative features, this Wireless GO (Gen 3) is the first RØDE wireless system available in a range of colors, including red, orange, green, purple, pink, blue, cobalt, clay, lilac, stone, rose and moss. RØDE is offering content creators a chance to stamp their own personality on their tech setup. However, the colored range will only be available in limited quantities directly from RØDE. The new RØDE Wireless GO (Gen 3) system consists of two transmitter units with built-in ... [+] omnidirectional microphones, plus a receiver unit that plugs into a camera, computer, tablet, smartphone or audio recorder. “The original Wireless GO established an entirely new category when it was released in 2019,” says RØDE CEO Damien Wilson. “It completely changed the game for creators, giving them a compact and simple solution to recording wireless audio without sacrificing the quality and stability that their craft demands. Now, with the third generation of the iconic wireless mic system, the Wireless GO is more powerful, more colorful and more feature-packed than ever.” Thanks to a slew of innovative features, the RØDE Wireless GO lets users record pristine audio without any worries. The two transmitters have professional-grade microphones built in with an omnidirectional pickup pattern. RØDE has used the same improved design and upgraded preamp circuitry found in the company’s Wireless PRO system. What We Know About Luigi Mangione: ‘Strong Person Of Interest’ In Brian Thompson Charged With Firearm Counts UnitedHealthcare Murder Background: Here’s What We Know About Investigation After Luigi Mangione Detained Apple’s Surprising iPhone Update—Green Bubbles End This Week Now With 32-Bit Float Onboard Recording With 32-bit float onboard recording, audio can be captured directly on each transmitter unit without having to worry about clipping or levels being set too quiet. Clever 32-bit float technology lets you tame or boost gain levels in post-production. It’s game-changing technology and creators can be confident that the sound they are recording will be perfect, even under challenging conditions. Each transmitter has a dedicated button for starting and stopping recording, plus there is over 40 hours of on-board memory. The receiver unit of the RØDE Wireless GO (Gen 3) system has a headphone output that can also work ... [+] with headsets or mics, enabling the camera operator to add commentary if required. Of course, you don’t have to record the audio on the transmitters if you don’t want to because the audio is beamed wirelessly to the receiver unit that plugs directly into a camera or a digital audio recorder. Very little editing is required in post-production because of RØDE’s GainAssist technology, which uses intelligent algorithms to dynamically balance audio levels in real-time, creating smooth output without wild fluctuations sometimes found in a raw recording. GainAssist is available in two modes. Firstly, there is Auto Mode which pretty much does what it says. Then there is Dynamic Mode which produces a well-balanced signal while retaining more of the nuanced dynamics of a recording. Alternatively, you can turn off the two modes and rely on manual gain adjustment with 30dB of flexible output gain control. The Wireless GO also includes a safety channel for recording a second backup version of an audio track at a slightly lower level, protecting the sound capture from being lost should signals be too hot. RØDE claims that all the new features should mean that bad recordings are a thing of the past. Direct Linking To Other RØDE Wireless Products The RØDE Wireless GO has both digital USB-C and analog 3.5mm TRRS output for recording wireless audio directly to a camera, phone, laptop, tablet or almost any other device. The two transmitters can even be linked directly to other RØDE Series IV compatible products, such as the RØDECaster Pro II and Duo, as well as the recently released RØDECaster Video or other wireless receivers in RØDE Series IV lineup. The launch of the RØDE Wireless GO (Gen 3) marks the first time that the Australia-based company has ... [+] released colored versions of its wireless mics and receivers. To make placement of the microphones easy, each unit has an integrated clip for quick and easy attachment to belts, collars, clothing and cold shoe mounts. This design combined with its flexible connectivity makes the Wireless GO handy on location, whether shooting with a DSLR or mirrorless camera or a smartphone recording rig, USB microphone setup or connected to a field recorder. As well as improved microphones, on-board recording, GainAssist and flexible connectivity options, the Wireless GO has other professional features that make it particularly versatile. For example, each of the transmitter units features locking connectors for using an external Lavalier mic. An intelligent plug-in power detection feature extends battery life by automatically powering down, in sync with a connected camera, ensuring the system is always ready to record. The receiver unit has a 3.5mm TRRS jack for headphone monitoring with adjustable output levels. The combo jack is compatible with TRRS microphones, such as headsets or Lavalier mics. Additional features also include merged and split recording modes, marker dropping, customizable buttons and flexible recording options. These extra features push the Wireless GO into the professional wireless microphone sector. The optional Charge Case+ can keep the RØDE Wireless GO (Gen 3) system batteries topped up and it ... [+] can also be used as a dock for transferring recordings from the transmitters' built-in memory and for updating firmware. A Case For Charging Alongside the launch of the Wireless GO (Gen 3), RØDE is also launching an optional dedicated charging and travel case. The RØDE Charge Case+ is a compact travel case for the Wireless GO (Gen 3) and keeps the two transmitters and receiver safe and secure in storage or when on location. The Charge Case+ also includes an integrated rechargeable battery that can hold two full charges for all three devices, delivering up to 21 hours of use and allows for easy data access to the complete system when transferring recordings from the transmitters. The case also functions as a dock for adjusting settings and updating system firmware. This third generation of RØDE’s Wireless GO system packs in a lot of versatility and includes a clutch of powerful features and improvements designed to make capturing great sound as easy as possible, letting creators get on with the important job of producing engaging content rather than fiddling around with technology. I’ll have a full review for you soon. Pricing & Availability: The RØDE Wireless GO (Gen 3) is available now from usual RØDE retailers and online stores, as well as direct from RØDE. The price for the Wireless GO (Gen 3) is $299 and the new RØDE Charge Case+ is priced at $89. Tech Specs: Key Features:

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WILMINGTON, Del. (AP) — Attorneys for Meta shareholders asked a Delaware judge Monday to sanction the company's former Chief Operating Officer Sheryl Sandberg and fellow Facebook board member and current White House chief of staff Jeff Zients for deleting emails related to the Cambridge Analytica privacy scandal , despite being told to preserve such records. The plaintiff attorneys contend that Sandberg and Zients used personal email accounts to communicate about key issues relating to their 2018 shareholder lawsuit that alleged Facebook officers and directors violated both the law and their fiduciary duties in failing for years to protect the privacy of user data. “Although Sandberg and Zients received a litigation hold requiring them to preserve documents from these accounts, they both knowingly and permanently destroyed electronically stored information from such sources,” attorneys said in a court filing. The plaintiffs say the former board members were either “reckless or intentional” in destroying documents, noting that Sandberg deleted communications to and from her Gmail account after only 30 days, even after being notified of the “litigation hold” to preserve documents. Zients never disabled an auto-delete function on his email account, even though he, too, received a litigation hold and consulted with lawyers, they said. The plaintiffs argue that Sandberg and Zients should be prohibited from testifying about information they sent or received using their personal email accounts. They also say the burden of proof for any affirmative defense they present should be raised to a standard of “clear and convincing evidence,” instead of the lower standard of a “preponderance” of the evidence. Sandberg was deposed last week. Plaintiff attorney Max Huffman said Zients is “busy” and will be deposed in February “after there’s an effective transition in Washington.” Defense attorney Berton Ashman described the email deletions as “unfortunate” but argued that the plaintiffs have not shown that they were prejudiced in any way. “There’s no intent here to destroy relevant or responsive information,” Ashman told Vice Chancellor J. Travis Laster, adding that there no “trove of missing emails.” “There’s no grand scheme or suggestion of bad behavior,” he added. Ashman said the vast majority of emails that Sandberg and Zients sent or received using their personal accounts were also received by other individuals at Facebook. He suggested that any emails that may have been deleted have been made available to the plaintiffs from other sources at Facebook. Huffman, the plaintiffs’ lawyer, said Sandberg does not deserve the benefit of the doubt. “She unilaterally controlled what was kept and what was destroyed,” he told the judge. Laster, who is scheduled to preside over a non-jury trial in April, said he wanted to see a transcript of Sandberg’s deposition before ruling on the motion for sanctions. Last year, the judge rejected a defense motion arguing that the lawsuit should be dismissed because the plaintiffs did not first demand that Facebook’s board take legal action before filing litigation themselves. He agreed with the plaintiffs that such a demand would have been futile because of doubts that a majority of the relevant Facebook board members, many with close personal and business ties to Mark Zuckerberg, would be willing to confront the CEO and founder of the company over its privacy failures. Laster noted that, in deciding on a motion to dismiss, he was required to accept the allegations in the complaint as true. The complaint alleges that Facebook officials repeatedly and continually violated a 2012 consent order with the Federal Trade Commission under which Facebook agreed to stop collecting and sharing personal data on platform users and friends without their consent. Facebook later sold user data to commercial partners in direct violation of the consent order and removed disclosures from privacy settings that were required under consent order, the lawsuit alleges. The company’s conduct resulted in significant fines from regulators in Europe and culminated in the Cambridge Analytica scandal in 2018. That case involved a British political consulting firm hired by Donald Trump’s 2016 presidential campaign that paid a Facebook app developer for the personal information of tens of millions Facebook users. The fallout led to Facebook agreeing to pay unprecedented $5 billion penalty to settle FTC charges that the company violated the 2012 consent order by deceiving users about their ability to protect their personal information.