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By Arpan Chaturvedi NEW DELHI (Reuters) -Adani Group founder Gautam Adani responded for the first time on Saturday to allegations by U.S. authorities that he was part of a $265 million bribery scheme, saying that his ports-to-power conglomerate was committed to world class regulatory compliance. The indictment is the second major crisis to hit Adani in just two years, sending shockwaves across India and beyond. One Indian state is reviewing a power deal with the group, France’s TotalEnergies decided to pause its investments and political rows over Adani have disrupted India’s parliament. “Less than two weeks back, we faced a set of allegations from the U.S. about compliance practices at Adani Green Energy. This is not the first time we have faced such challenges,” Adani said in a speech at an awards ceremony. U.S. authorities have accused Gautam Adani, his nephew and executive director Sagar Adani and managing director of Adani Green, Vneet S. Jaain, of being part of a scheme to pay bribes to secure Indian power supply contracts, and misleading U.S. investors during fundraisings in the country. Adani Group has denied the allegations, describing them as “baseless” and vowing to seek “all possible legal recourse”. “What I can tell you is that every attack makes us stronger and every obstacle becomes a stepping stone for a more resilient Adani Group,” Adani said in the northern Indian city of Jaipur. “In today’s world, negativity spreads faster than facts, and as we work through the legal process, I want to re-confirm our absolute commitment to world class regulatory compliance,” he added, without giving further details. Adani Group’s finance chief on Friday rejected the allegations, while the Indian government said it had not received any U.S. request regarding the case. At one point, Adani Group’s listed companies saw as much as $34 billion wiped off their combined market value, but the stocks have recovered ground as some partners and investors have rallied behind the conglomerate. (Reporting by Arpan Chaturvedi; Editing by Alexander Smith) Disclaimer: This report is auto generated from the Reuters news service. ThePrint holds no responsibilty for its content. var ytflag = 0;var myListener = function() {document.removeEventListener('mousemove', myListener, false);lazyloadmyframes();};document.addEventListener('mousemove', myListener, false);window.addEventListener('scroll', function() {if (ytflag == 0) {lazyloadmyframes();ytflag = 1;}});function lazyloadmyframes() {var ytv = document.getElementsByClassName("klazyiframe");for (var i = 0; i < ytv.length; i++) {ytv[i].src = ytv[i].getAttribute('data-src');}} Save my name, email, and website in this browser for the next time I comment. Δ document.getElementById( "ak_js_1" ).setAttribute( "value", ( new Date() ).getTime() );( MENAFN - GetNews) The Seoul Metropolitan government will host the media art event Winter Festa: 2024 SEOULLIGHT GWANGHWAMUN, under this year's theme,“Luminous Axis,” from December 13, 2024, to January 5, 2025, throughout the Gwanghwamun area. This event will feature a media façade show on an international scale, accompanied by luminous axis sculptures by renowned artists displayed throughout Gwanghwamun Square, as well as various interactive content, all set spectacularly against the stunning backdrop of Gwanghwamun. Together, these elements will provide audiences with a captivating media art experience that harmoniously blends light, art, and technology. Seating areas will be arranged to enhance audience immersion, and various interactive events, such as Wish Light 2025, will be held. Additionally, it will feature various attractions, including a collaborative exhibition with Netflix hit series Squid Game Season 2, as well as a vibrant New Year Countdown. The main exhibition of the Gwanghwamun Media Façade will feature the signature media façade,“Luminous Symphony: The Symphony of Light,” David Hartono's“A Shining Journey,” David Hugonot Petit's“Suprême Ultime (Past - Present – Future),” Javier Cañal Sanchez's“ELEMENTAL SYMPHONY,” Yim Tae Kyu's“erehwon,” and five additional artworks selected through an open call. Video Link: Additionally, a new artwork by actor Ha Jung-woo will be showcased at the Yukjo Plaza Lighting Axis Cube, while media art pieces selected through a student contest will be projected onto the exterior wall of the Sejong Center for the Performing Arts' Atelier Gwanghwa. Visitors can also experience a variety of lighting installations, including citizen participation message videos at Haechi Plaza and media art content at the State Council Site-Historic Heritage Plaza. A variety of attractions and events will take place throughout Gwanghwamun Square, culminating in a New Year Countdown to welcome 2025, which will kick off at 11:30 PM on December 31. 2024 SEOULLIGHT GWANGHWAMUN, running from December 13, 2024, to January 5, 2025, will operate daily from 6:00 PM to 10:00 PM. For more details about the event, please visit the official website at MENAFN13122024003238003268ID1108991890 Legal Disclaimer: MENAFN provides the information “as is” without warranty of any kind. We do not accept any responsibility or liability for the accuracy, content, images, videos, licenses, completeness, legality, or reliability of the information contained in this article. If you have any complaints or copyright issues related to this article, kindly contact the provider above.UnitedHealthcare CEO’s killing prompts many to vent frustrations over insurance

As the doors of St Giles Cathedral in Edinburgh closed at 11am, you could hear a pin drop inside its historic walls. Around 500 invited guests gathered on Saturday to remember the life of Scotland’s former first minister Alex Salmond, after his sudden death at the age of 69. Former Prime Minister Gordon Brown, First Minister John Swinney, and figures from across politics, business and entertainment had all taken their seats. But Mr Salmond’s successor Nicola Sturgeon, who she once described as her mentor, was not present. The pair had a spectacular fall out and the rift never healed. Mr Swinney was met by a chorus of ‘boos’ as he entered the service, showing tensions remain between supporters of Mr Salmond and the party he used to lead. The splendour of the 900-year-old church added to the sense of occasion, as the cathedral’s choir took to their feet to perform ‘God Be In My Head’. There was a reading in Gaelic by Josh Robertson, a young independence activist, and close friend, Tory MP David Davis, and SNP MSP Fergus Ewing gave readings. Some of the most moving movements of the one hour ceremony came during the musical performances, which all encapsulated Mr Salmond’s love of Scotland. There was time to quietly reflect when Alasdair Fraser on the fiddle and Natalie Haas on the cello performed ‘Theme for Scotland’ and ‘The Referendum’. The personal and the political were weaved together throughout the ceremony. Mr Salmond’s niece Christina Hendry recalled memories of her ‘Uncle Alex’, including visiting the Turriff Show with her uncle and her sister where “he was the one asking us to go on the rides with him”. Perthshire-based singer and songwriter Dougie MacLean followed with a performance of his 1978 song ‘Caledonia’ and its yearning for home. Long-time friend and Acting Alba leader Kenny MacAskill told the congregation – which included Mr Salmond’s widow Moira – that Mr Salmond had been a “giant of a man”. Mr MacAskill, a former SNP minister who quit the party to join Alba, said the cause of independence was Mr Salmond’s “guiding light, his north star”. Sapphire fishing disaster off coast of Peterhead remembered Duncan Hamilton KC, who served as a political adviser and legal counsel to Mr Salmond, said he was “proud to be a fishing MP and fiercely loyal to those he represented in his beloved north-east”. He recalled an interview Mr Salmond gave in 2017 in which he said he wanted to be remembered for his , which sank off the coast of Peterhead on October 1, 1997. Mr Hamilton told the congregation: “He said this: ‘If I go to the Pearly Gates and my maker says, ‘What did you ever do with your life as an MP and all the rest of it?’ I might well say, ‘I helped raised the Sapphire’.” He added: “Some of those families are here today. The point is this – he understood that politics is about people – and that at its core it is about community.” He added: “Alex Salmond will forever be a pivotal figure in Scotland’s story. He changed a nation. He inspired a country.” Scottish band The Proclaimers got feet tapping across the cathedral for their performance of Cap in Hand – a pro-independence song which features the line: “I can’t understand why we let someone else rule our land, cap in hand”. Brothers Craig and Charlie Reid said: “We’re going to do this for Alex, with love and respect and eternal gratitude for everything you did for our country.” Led by piper Hamish Moore, the congregation poured out into the square outside St Giles which was lined with hundreds of people paying their respects. Chants of ‘Alex, Alex, Alex’ and the ‘The dream shall never die’ rang out across the square. Geoff Aberdein, former chief of staff to Mr Salmond, said the memorial was a “hugely fitting” tribute. Asked how his former boss will be remembered, he said: “He transformed Scotland. He pushed Scotland almost to the brink of independence and in his resignation speech, he said the dream of independence shall not die. “It’s now for others to ensure it stays alive.”Narayana Murthy, along with seven other engineers, founded Infosys in 1981 from a one-bedroom apartment in Pune. The office was later moved to Bengaluru. Published: December 11, 2024 2:59 AM IST By Edited by Narayana Murthy, along with seven other engineers, founded Infosys in 1981 from a one-bedroom apartment in Pune. The office was later moved to Bengaluru. For breaking news and live news updates, like us on or follow us on and . Read more on Latest on . Topics

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1,000 tons of gold deposit that’s largest in world discovered in China: ReportDonald Trump has vowed to dismantle as many DEI programs as possible when he returns to the White House. Yet, there’s one domain where diversity, equity, and inclusion aren’t just surviving—they’re thriving. The world of video games. “Call of Duty,” one of the most iconic gaming franchises in history, recently introduced Rossi, its first nonbinary character with they/them pronouns. Some might dismiss this as mere virtue signaling, but it’s part of a far larger agenda. As mainstream media declines, gaming — a market of 212 million US players —has become the perfect platform for DEI tenets to flourish. DEI ideology first took root in universities, and today’s game developers are its natural byproducts. Earlier this year, footage surfaced of Dani Lalonders, an associate narrative designer at EA’s Seattle-based Cliffhanger Games, openly bragging about excluding white people from her team for being “hard to work with.” This is hardly an isolated incident. “Pokémon Legends: Arceus,” for instance, was accused by Vice of promoting colonialism (it doesn’t). And “Super Mario Kart” has faced allegations of “white privilege,” despite Mario and Luigi being a pair of blue-collar plumbers trying to save a princess. “Grand Theft Auto 6,” set to drop next year, looks poised to trade its edgy legacy for a dose of wokeness. A former employee of maker Rockstar Games hinted fans might be “upset” by GTA’s new direction. And the trailer suggests why. It predominantly depicts African-American communities in a move many long-time fans dismissed as blatant identity politics. Some viewers lamented on Reddit the near-absence of white characters and accused Rockstar Games of pushing a political agenda. Lucia’s introduction as a Latina lead only intensified the backlash. For DEI advocates, video games are appealing not just for their global player base, but for the amount of hours young, impressionable audiences spend immersed in these virtual worlds. A quarter of Americans game 3-7 hours a week, another 25% play 8-12 hours, and 25% exceed 13 hours. Unlike TV shows, there are no ad breaks, no pauses — just relentless, uninterrupted engagement. Sweet Baby Inc ., a major player in gaming, may carry a cutesy name. However, the Montreal-based company has been instrumental in spreading harmful ideologies throughout the industry. With its focus on game writing and diversity consulting, Sweet Baby has influenced titles like “God of War: Ragnarök,” “Marvel’s Spider-Man 2” and “Alan Wake 2.” In “Ragnarök,” their politics are unmistakable, with the Norse goddess Angrboda reimagined as black . The Norse were many things, but black wasn’t one of them. Compare that with the company Ubisoft — where many Sweet Baby employees once worked. The company is committed to accurate representation; so much so that their digital recreation of Notre Dame Cathedral became a critical reference for restoring the landmark after the 2019 fire. The backlash against Sweet Baby has been brutal. On Steam, a digital gaming community, over 450,000 users have rallied behind a list titled “Sweet Baby Inc. detected,” boycotting any game influenced by the company’s ideology. Some folks, however, applaud this focus on identity. “Spider-Man 2,” another Sweet Baby “triumph,” was praised by The Gamer for its relentless promotion of “queerness.” The author of the piece, Jade King, described the game as “fruity,” praising the “distinct LGBTQ+ representation everywhere you look, from walls of street art to smaller side quests.” Ms. King also praised the bisexuality of the character Black Cat calling it a perfect fit — a seductive thief who lures vulnerable men into her web, exploits them, and then flips the script by choosing to love another woman instead. Is this a video game or a low-budget adult film? Meanwhile, “Dragon Age: The Veilguard,” a brand-new fantasy role-playing game, allows users to create trans or non-binary heroes, reflecting gaming’s relentless push to make every narrative a vehicle for identity politics. With only 0.5% of young adults identifying as transgender, this isn’t representation; it’s a distortion of reality. The once-meritocratic world of gaming has been replaced by divisive ideology and bland storytelling. Complex characters and compelling narratives have given way to lifeless avatars designed to tick ideological boxes, reducing games to a dull binary of oppressors and oppressed. ‘ Gaming was once a sanctuary for creativity and exploration. But like mainstream media and academia, it’s been hijacked by gatekeepers more obsessed with quotas than quality. Mario and Luigi are barely scraping by; at this rate, the brothers might soon be out of work entirely.