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We’re taking a look back at some of our favourite and most popular Entertainment stories of 2024 , giving you a chance to catch up on some of the great reading you might have missed this year. In this story from October, we count down the 25 best animated films, ideal for inspiration if the kids are already bored with their Christmas presents. For years it was the superheroes who were saving Hollywood. From Spider-Man to Batman to, belatedly, a few women — the comic-book movie became a multibillion-dollar ballast for a business struggling to make money in a world of streaming and smartphones. But then, like Superman faced with kryptonite, said superheroes started to weaken and their fickle audiences moved on as studio execs started to panic. Who, they gasped, would save Hollywood now? Well, step forward ... cartoons. Lots of them. In a previous life the top of the box-office charts would be full of Oscar-worthy adult movies — but the days of cinema being dominated by serious dramatic fare are long gone. Five of the top 20 highest-grossing films worldwide this year were animated — and three of those five were among the top six money-makers. Such is the domination that the biggest film this year is Inside Out 2 , the sequel starring new emotions in the teenager Riley’s brain. It was the fastest film to date to reach US$1 billion (from box offices around the world) and that’s with half the publicity of a film like, say, Barbie , which made far less money. Meanwhile, Despicable Me 4 was the third-highest earner of the year and Kung Fu Panda 4 landed at No 6. “Entering the summer, the marketplace was suffering a malaise — a year-to-date downturn with films not living up to expectations,” says Paul Dergarabedian, an analyst for the global media company Comscore. “Then family movies became the saviour of box office.” This is glorious for Hollywood. In 2020, when Trolls World Tour became the first film of the pandemic to be released at home at the same time as in cinemas, entire pricing structures fell into jeopardy. A family of four in the UK gathered around a TV would pay £20 to stream Trolls World Tour instead of north of £50 for four multiplex tickets and some overpriced popcorn and drinks. Losing that income for ever would have been fatal for the industry, but the success of Inside Out 2 and its ilk has brought back multigenerational family entertainment — something Marvel and DC superhero franchises never pulled off — when studios needed it most. Dave Holstein, a writer on Inside Out 2 , describes the film as “many movies in one. My six-year-old thinks it’s the funniest he’s seen. My mum thinks it’s the saddest. And when my son sees it again in 10 years he’ll have a whole different movie to watch.” By the end of this year the blockbusters with actual actors in them — The Fall Guy , Furiosa: A Mad Max Saga, Dune: Part Two — will be further sidelined by the arrival of Moana 2 (the first Moana earned US$600 million) and Mufasa: The Lion King (the 2019 Lion King reboot took US$1.6 billion). Even the king of rom-coms Richard Curtis is getting in on the act with a cartoon, That Christmas. And The Lord of the Rings: The War of the Rohirrim has no A-listers in sight. Yet this year’s animation boom was not nearly as bright, gaudy and empty as the film posters tended to suggest. Yes, there was dross ( The Garfield Movie ) but more interestingly, more excitingly, it has brought a sense of creative expression and exuberance, as if animation is entering its baroque phase. Lord of the Rings: The War of the Rohirrim is delivered in beautifully rendered anime, making the screen look like the best room in an art gallery; while the masterly and meaningful The Wild Robot , out this weekend, is like watching ET , Finding Nemo and Bambi as drawn by Claude Monet. Inside Out 2 had equal quality, following the rich Pixar tradition of Up, Wall-E and Soul by tackling the biggest topics — such as loneliness and death — in a way that never felt patronising. “One of my favourite films of the past 20 years is Toy Story 3 ,” Miguel Gomes, the Portuguese arthouse film-maker who won best director at the Cannes Film Festival this year, told The Film Stage. “Pixar is closer to the idea of mainstream classical cinema than most of what is made today.” And Gomes’s enthusiasm is the crux of the animation boom, explaining why the backbone of Hollywood profit shifting from superhero to cartoon will become less of a trend and more of an era. Comic-book films lost their audience in the 2020s due to creative stagnation and a dwindling interest in periphery characters ( The Flash? Ant-Man ?), yet animation is a sandbox where artists can draw what they want. Such endless ideas will always have a chance of welcoming new fans, especially those who grew up with gaming culture. This is a key factor in why animation is having a moment — because the future of cinema depends on convincing Gen Z and Gen Alpha that a multiplex remains as appealing as it did before various devices littered the home. The signs are encouraging: 37 per cent of the audience at Inside Out 2 ′s opening weekend was made up of 18 to 34-year-olds, an age group who go to the cinema without parents but, crucially, without kids. Why are they watching a cartoon? Because for younger fans animation is serious storytelling, with their most beloved yarns in gaming on Xbox and PlayStation spun via that medium. Studios know this. They have been trying and failing to bring video games to the big screen for at least 20 years, since before Angelina Jolie played Lara Croft in 2001. But rather than mimic stories, what if they tried for the essence of a video game instead? The feel and the look — the myriad possibilities? That is what we have seen in animation this year, because if studios were able to transpose what people enjoy about consoles on to the big screen, then Hollywood will own the next generation. It will save itself. The 25 best animated films ranked - from Snow White to Up The Times critics pick their favourite cartoons that you can watch now. We’re living in an animation boom. Family-friendly cartoons are taking over the box office, with two of the biggest movies of 2024 so far being Inside Out 2 and Despicable Me 4 . The Pixar film, about the emotions inside a teenager’s brain, became the highest-grossing animated film ever, raking in over US$1.6 billion since its release. And now The Wild Robot hits cinemas, a new animated film from DreamWorks about a robot named Roz. It has already been praised by critics as a masterpiece. But what’s the best animated film? Here our critics rank the top 25 of all time — from Up to Waltz with Bashir . Did they get it right? 25. Frozen (2013, Disney+) Disney spent ten years trying to adapt Hans Christian Andersen’s fairytale The Snow Queen and the result was this shimmering, frosted fantasy. It tells a simple yet compelling tale of two sisters, one with icy powers, and a snowman named Olaf who likes summer days. It has become a cultural touchstone that has spread its icy tips across the globe with merchandise, stage shows and ice shows — until Frozen 2 in 2019 it was the highest grossing animated film. Crammed with earworms, this is the movie your children won’t let you forget, no matter how hard you try to, err, let it go. 24. Inside Out (2015, Disney+) It’s a perennial question: what actually goes on inside our heads? Pixar’s imaginative film follows Riley, an ice-hockey obsessed 11-year-old, as she moves to San Francisco. But she isn’t the star of the show. Instead, viewers get a peek inside her mind where anthropomorphised versions of emotions — Joy, Sadness, Fear, Disgust, Anger — struggle to keep control. It’s an abstract premise delivered with giddy, colourful characters. The film is at once a tearjerker and pure joy. Its sequel became the highest-grossing animated film ever. 23. The Jungle Book (1967, Disney+) In 1967 Disney needed a hit: the response to the studio’s previous feature The Sword in the Stone (1963) had been lacklustre and Walt had died of lung cancer at 65 the year before. Luckily they had this lively animated adaptation of the Rudyard Kipling classic in the bag. Stuffed with exuberant characters and a jumpin’ score, this film is pure fun. The star is Baloo, the loveable bear, and his infectious track The Bare Necessities . It was the last film overseen by Walt Disney — a magical note to bow out on. 22. James and the Giant Peach (1996, Disney+) Henry Sellick’s adaptation of Roald Dahl’s classic about a boy riding in a giant, runaway peach with a crew of ugly bugs matches Dahl’s mixture of spikiness and sparkiness almost exactly — the storytelling has a helium bounce thanks to inspired voice work by Simon Callow, Joanna Lumley, Richard Dreyfuss and Miriam Margolyes. The best Dahl adaptation before Wes Anderson got to work. 21. Monsters Inc (2001, Disney+) It’s not your typical plot for a children’s film: monsters elicit screams from children to power their glistening metropolis. Yet this is packed with warmth and cheerful high energy, delivered by a hairy blue-purple monster called Sulley, voiced by John Goodman, and his green pal Mike (Billy Crystal). At its heart it’s a tale of confronting one’s fears, but it never becomes bogged down. It’s full of gleeful gags and silliness (odorants called Wet Dog and Low Tide). How did it lose the Oscar to Shrek? A travesty. 20. Fantastic Mr Fox (2009, Disney+) This stop-motion animation and ingenious adaptation of Roald Dahl’s novel comes from the mind of one of Hollywood’s most idiosyncratic directors: Wes Anderson. The director, a lifelong Dahl fan who read the book as a child in Texas, teams up with the co-writer Noah Baumbach to dream up a story that extends beyond the poultry-stealing fox (voiced by George Clooney) and greedy farmers. This is a world of misfits, disaffected parents and troubled teenagers. Plus, there’s a farmhand voiced by the pop singer Jarvis Cocker. 19. Alice (1988, Mubi) The Czech surrealist Jan Svankmajer’s stop-motion version of Lewis Carroll’s Alice’s Adventures in Wonderland is one to give even adults the jitters. Alice’s transformations unfold with the logic of a bad dream, in which everyday objects — playing cards, china dolls, croquet mallets — take on spooky life and significance. Sure, there is some live action there, but it’s directed in a way that never distracts from the spectacular animation. Knocks the Disney version into a mad hatter’s hat. 18. My Neighbor Totoro (1988, Netflix) Hayao Miyazaki’s magical film is about two sisters who move to a creaky house near the hospital where their mother is being treated. They explore a visually enchanting world of their invention, a fantasy realm with a big, cuddly forest spirit and a “catbus”. Its friendly characters delight children, but its themes of wonderment and the thrill of exploration are great enough to awaken anyone’s inner child. The stage adaptation became a monster hit in the West End. 17. Pinocchio (1940, Disney+) Walt Disney didn’t like the Pinocchio of Carlo Calodi’s source novel very much and invented the character of Jiminy Cricket to give him a conscience, thus bequeathing to the studio its theme song: When You Wish Upon a Star , sung heartbreakingly by the singer-comedian Cliff Edwards. But the film remains one of the darker Disneys, and is all the more memorable for it. Remember how terrifying it is when Pinocchio transforms into a donkey? 16. Waltz with Bashir (2008, buy/rent Apple TV) Think animation can’t tackle challenging subject matter? Just watch this haunting movie, which brings to life the dreams and traumatic memories of the Israeli soldiers who fought with Lebanese forces against the Palestine Liberation Organisation and Syria in the 1982 Lebanon war. The Israeli director Ari Folman uses his shattered recollections as a soldier during the conflict and interviews with others who were there to create a nightmarish vision, a vivid and brutal portrait of the horrors of war. Still as pertinent as ever, this is a stunning anti-war film. 15. The Wild Robot (2024, in cinemas now) Chris Sanders has crafted a joyous film — warm, wise and funny — about oddball parenting. It tells the story of a robot (Lupita Nyong’o) who is washed up on the shore and has to adapt to its new surroundings. The director has focused his movie on the emotions and experience of parenthood, particularly when those parents happen to be slightly different. Anybody who has found themselves thrust into parenthood without a user’s manual — which is to say, just about everybody — will feel understood. Knockouts don’t come much cleaner than this. 14. Watership Down (1978, buy/rent Apple TV) Martin Rosen’s labour-of-love adaptation of Richard Adams’s bestseller about a warren of Hampshire rabbits forced into exile, featuring the voices of John Hurt, Richard Briars and Nigel Hawthorne, is not for those craving Disney cuteness. It’s a bloody, tooth-and-claw survival epic, bristling with violent predators and lurking threats, aimed at old souls who can still hum the tune to Art Garfunkel’s melancholy theme song, Bright Eyes . 13. Up (2009, Disney+) Is there a more traumatic movie scene than the first ten minutes of this animation? It captures the life of Carl (voiced by Ed Asner), the 78-year-old widower, from first love to the death of his wife. Heartbreaking. Next up, an adventure to visit the mythical lost worlds of South America, courtesy of the thousands of balloons he ties to the roof of his house. His companion is a freckled eight-year-old named Russell (Jordan Nagai). The film, which opened at Cannes in 2009, has a simple message: you’re never too old for an adventure. Just wonderful. 12. The Incredibles (2004, Disney+) Brad Bird’s retro-futurist hymn to space-age architecture, Bond villain lairs, couturiers inspired by the costume designer Edith Head (“Dahlink!”) and jetpacks — what more could you want? The zippiest Pixar, as well as the funniest, The Incredibles is executed with more craft, invention and wit than most of the superhero movies it spoofs. 11. The Nightmare Before Christmas (1993, Disney+) This started life as a poem that Tim Burton wrote while working as a junior animator at Disney. It became a witty, dark, wonderfully inventive fable about a takeover of Christmas by a village of spindly Halloween ghouls. The film mixes dark barbs and twinkly charm. Burton’s Edward Gorey-style designs receive cantering accompaniment in Danny Elfman’s antic score so that the production at times seems possessed by some mischievous spirit. 10. Spider-Man: Into the Spider-Verse (2018, Neon) After a torrent of half-baked superhero films, this animation felt refreshing. Produced by The Lego Movie ’s Phil Lord and Christopher Miller, its innovative design, quick-witted humour and mind-bending storytelling took modern animation into a different universe. At the centre of the tale is Miles Morales, a Brooklyn schoolboy, who teams up with all sorts of spider heroes, including a jaded middle-aged Spider-Man and a radioactive pig. The Oscar winner for best animated feature is busy but never overwhelming. It’s zippy, entertaining — and proved there was life yet in caped crusaders. 9. Wallace & Gromit: The Wrong Trousers (1993) Before Nick Park’s work acquired the scale and spectacle of Hollywood features, The Wrong Trousers with its techno trousers and penguin arch-villain got the balance with the more humdrum, homespun elements of the series exactly right. The film may be just 30 minutes long, but it took eight months to make. And the climax, featuring a death-defying run round a train set is an unimprovable mixture of thrills and slapstick. Buster Keaton would be proud. 8. Beauty and the Beast (1991, Disney+) Howard Ashman was dying of Aids when he wrote the lyrics for this glorious film with the composer Alan Menken. The duo had resurrected Disney’s fortunes in the 1980s with The Little Mermaid , but this was their magnum opus, a tale of a headstrong bibliophile who is held captive by a beast. Steeped in enchanting moments and bursting with colourful characters, this film looks gorgeous and combines the traditions of the past with the spectacle of a Broadway musical. It earned the first best picture Oscar nomination for an animated movie, an impressive feat for a medium so often dismissed. 7. Wall-E (2008, Disney+) One small step for a robot, one giant leap for animation. Pixar’s epic space adventure, about the last robot left on Earth, was an impressive move forward in technology, proving that animation could make you forget what you’re watching isn’t real. Andrew Stanton, who started his career as a writer on Toy Story , directs the tale of a droid clearing up the mess that mankind left behind while they’re getting fat on space cruises. Much of it unfolds like a silent movie with the whirring bot’s only accompaniment, at the start, an old Betamax tape of Hello, Dolly! . The artistic risk pays off — it’s animation’s 2001: A Space Odyssey. 6. Snow White (1937, Disney+) The Citizen Kane of animated features, the one that proved that a full-length animated feature was even possible, swept along by the obsession and storytelling verve of Walt Disney. While making it, he could practically run the entire film — every cut, fade-out, line of dialogue — in his sleep. The big gamble to make this — Walt’s “folly” — paid off and more than just a film, a new form was born. Adriana Caselotti, who was the voice of Snow White, was not credited for her role. She went on to have small parts in The Wizard of Oz and It’s a Wonderful Life (singing in Martini’s bar). 5. The Lion King (1994, Disney+) Of all the more recent Disneys The Lion King is the one with the simplicity of old — it’s basically Bambi in Africa — but the desert landscapes, soaring songs and basso profundo of James Earl Jones all give Rob Minkoff and Roger Allers’s film an epic sweep worthy of that continent. So dedicated were the animators that lions were brought into the studio to study. The voice work is among Disney’s best and Jeremy Irons’s Scar the most seductive Disney bad guy since Shere Khan. 4. Spirited Away (2001, Netflix) This film, which won the director Hayao Miyazaki his first Oscar, centres on ten-year-old Chihiro, whose family’s move to a new town takes a fantastical turn. Her parents have turned into pigs and she’s soon on a journey with supernatural beings, including a six-legged man and a grotesque sludge creature in a psychedelic bath house. It knows that it’s weird, that it’s not very Disney — but that doesn’t stop us from admiring its beauty and brashness. This is animation as art and Miyazaki’s most outlandish and ambitious Studio Ghibli picture. 3. Bambi (1942, Disney+) Completed in the aftermath of the death of Walt Disney’s mother, Bambi ’s purity of line and emotion make it the most poetic of all the Disneys. The storytelling has the economy and enchantment of fable. The first Disney feature to do without humans, except as a threat, it’s a film children can just pour themselves into. They are Bambi and Thumper. Originally there was a shot in the scene where Bambi’s mother dies, but the screenwriter Larry Morey felt that it was more powerful to have it happen off screen. 2. The Iron Giant (1999, buy/rent Apple TV) The characters of Ted Hughes’s The Iron Man are transplanted from 1950s England to rural Maine with barely a scratch, unlike the crash-landed robot. Like Steven Spielberg’s ET: the Extra-Terrestrial , the film is the simplest of love stories — boy finds robot, boy loses robot, robot slowly reassembles himself screw by screw — told with such sweetness and charm you could forget there’s a cold war going on. It began as a musical with the Who guitarist Pete Townshend involved. 1. Toy Story 3 (2010, Disney+) The first Toy Story , the first computer-generated feature film, was a mix of groundbreaking tech, narrative ingenuity and heart — the space ranger Buzz proving he’s the real deal by soaring around the bedroom, or as he calls it “falling with style” — but it was Toy Story 3 that had us reaching for the tissues. There is an escape from Colditz, a great Barbie-Ken subplot (with voice work from Michael Keaton and Jodie Benson) and a backstory for Ned Beatty’s Lots-o’-Huggin’ Bear that is a small masterpiece of storytelling and heart-tugging pathos. It became the second Pixar film (after Up ) to receive an Academy award nomination for best picture. Don’t bother with the mediocre fourth film — this goodbye is the equal of the one in Brief Encounter . Pixar has taken us on a journey with these toys, and this film was a flawless conclusion. Written by: Jonathan Dean, Tom Shone and Jake Helm © The Times of London Share this article Reminder, this is a Premium article and requires a subscription to read. Copy Link Email Facebook Twitter/X LinkedIn Reddit

Notre Dame defensive lineman Rylie Mills will miss the rest of the season with a knee injury, head coach Marcus Freeman confirmed Monday. Mills, a 6-foot-5, 295-pound senior, sustained the injury during Friday's 27-17 win against Indiana in the first round of the College Football Playoff in South Bend, Ind. The No. 7 Fighting Irish (12-1) are preparing to face No. 2 Georgia (11-2) in the quarterfinals at the Sugar Bowl in New Orleans on New Year's Day. Mills hurt his right knee while recording a sack in the third quarter against the Hoosiers. He leads the Fighting Irish with 7.5 sacks in 13 games this season. He also has 37 tackles, including 8.5 for loss. Mills has tallied 17 sacks, 131 tackles and two fumble recoveries in 62 games since making his Notre Dame debut in 2020. --Field Level Media

I'm A Celeb fans left raging over 'twist' as they brand episode 'most rigged ever'

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WASHINGTON — American Airlines briefly grounded flights nationwide Tuesday because of a technical problem just as the Christmas travel season kicked into overdrive and winter weather threatened more potential problems for those planning to fly or drive. Government regulators cleared American flights to get airborne about an hour after the Federal Aviation Administration ordered a national ground stop for the airline. The order, which prevented planes from taking off, was issued at the airline's request. The airline said in an email that the problem was caused by trouble with vendor technology that maintains its flight operating system. An American Airlines employee wearing looks toward quiet check-in counters Tuesday in the American terminal at Miami International Airport in Miami. Dennis Tajer, a spokesperson for the Allied Pilots Association, a union representing American Airlines pilots, said the airline told pilots at 7 a.m. Eastern that there was an outage affecting the system known as FOS. It handles different types of airline operations, including dispatch, flight planning, passenger boarding, as well as an airplane's weight and balance data, he said. Some components of FOS have gone down in the past, but a systemwide outage is rare, Tajer said. Flights were delayed across American's major hubs, with only 37% leaving on time, according to Cirium, an aviation analytics company. Out of the 3,901 domestic and international American Airlines flights scheduled for Tuesday, 19 were canceled. Cirium noted that the vast majority of flights departed within two hours of their scheduled departure time. A similar percentage — 36% — arrived at their destinations as scheduled. Meanwhile, the flight-tracking site FlightAware reported that 3,712 flights entering or leaving the U.S., or serving domestic destinations, were delayed Tuesday, with 55 flights canceled. It did not show any flights from American Airlines. Cirium said Dallas-Fort Worth, New York's Kennedy Airport and Charlotte, North Carolina, saw the greatest number of delays. Washington, Chicago and Miami experienced considerably fewer delays. Travelers wait in line for security checks Tuesday at the Los Angeles International Airport in Los Angeles. Amid the travel problems, significant rain and snow were expected in the Pacific Northwest at least into Christmas Day. Showers and thunderstorms developed in the South. Freezing rain was reported in the Mid-Atlantic region near Baltimore and Washington, and snow fell in New York. Because the holiday travel period lasts weeks, airports and airlines typically have smaller peak days than they do during the rush around Thanksgiving, but the grind of one hectic day followed by another takes a toll on flight crews. Any hiccups — a winter storm or a computer outage — can snowball into massive disruptions. That is how Southwest Airlines stranded 2 million travelers in December 2022, and Delta Air Lines suffered a smaller but significant meltdown after a worldwide technology outage in July caused by a faulty software update from cybersecurity company CrowdStrike. Many flights during the holidays are sold out, which makes cancellations even more disruptive than during slower periods. That is especially true for smaller budget airlines that have fewer flights and fewer options for rebooking passengers. Only the largest airlines, including American, Delta and United, have "interline agreements" that let them put stranded customers on another carrier's flights. An American Airlines employee wearing a Santa Claus hat walks through the American terminal Tuesday at Miami International Airport in Miami. This will be the first holiday season since a Transportation Department rule took effect that requires airlines to give customers an automatic cash refund for a canceled or significantly delayed flight. Most air travelers were already eligible for refunds, but they often had to request them. Passengers still can ask to get rebooked, which is often a better option than a refund during peak travel periods. Finding a last-minute flight on another airline tends to be expensive. An American spokesperson said Tuesday was not a peak travel day for the airline — with about 2,000 fewer flights than the busiest days — so the airline had somewhat of a buffer to manage the delays. The groundings happened as millions of travelers were expected to fly over the next 10 days. The Transportation Security Administration expects to screen 40 million passengers through Jan. 2. Airlines expect to have their busiest days on Thursday, Friday and Sunday. American Airlines employees check in travelers Tuesday in the American terminal at Miami International Airport in Miami. Many flights during the holidays are sold out, which makes cancellations more disruptive than during slower periods. Even with just a brief outage, the cancellations have a cascading effect that can take days to clear up. About 90% of Americans traveling far from home over the holidays will be in cars, according to AAA. "Airline travel is just really high right now, but most people do drive to their destinations, and that is true for every holiday," AAA spokesperson Aixa Diaz said. Gasoline prices are similar to last year. The nationwide average Thursday was $3.04 a gallon, down from $3.13 a year ago, according to AAA. Charging an electric vehicle averages just under 35 cents per per kilowatt hour, but varies by state. Transportation-data firm INRIX says travel times on the nation's highways could be up to 30% longer than normal over the holidays, with Sunday expected to see the heaviest traffic. "It's not the destination, it's the journey," said American essayist Ralph Waldo Emerson. Ralph clearly was not among the travellers on one of more than 350 cancelled or 1,400 delayed flights after a worldwide tech outage caused by an update to Crowdstrike's "Falcon Sensor" software in July of 2023. U.S. airlines carried nearly 863 million travellers in 2023, with Canadian carriers accounting for another 150 million, many of whom experienced lost luggage, flight delays, cancellations, or were bumped off their flights. It's unclear how many of them were compensated for these inconveniences. Suffice it to say, posting a crabby rant on social media might temporarily soothe anger, but it won't put wasted money back in pockets. Money.ca shares what to know in order to be compensated for the three most common air travel headaches. Bags elected to go on a vacay without you? Check off the following: If you expect a large payout, think again. Tariffs (air carrier contracts) limit the compensation amounts for "loss of, damage to, or the delay in delivery of baggage or other personal property." In the case of Air Canada, the maximum payout is $1,500 per passenger in the currency of the country where the baggage was processed. To raise that limit, purchase a Declaration of Higher Value for each leg of the trip. The charge is $0.50 for each $100, in which case the payout limit is $2,500. For Delta Air Lines, passengers are entitled to up to $3,800 in baggage compensation, though how much you'll receive depends on your flight. Delta will pay up to $2,080 for delayed, lost, and damaged baggage for international travellers, almost half of what U.S. domestic passengers can claim. If your flight is marked delayed for more than 30 minutes, approach the gate agent and politely request food and hotel vouchers to be used within the airport or nearby. Different air carriers and jurisdictions have their own compensation policies when flights are delayed or cancelled. For example, under European Union rules, passengers may receive up to 600 Euros, even when travelling on a non-EU carrier. Similarly, the DOT states that travellers are entitled to a refund "if the airline cancelled a flight, regardless of the reason, and the consumer chooses not to travel." However, US rules regarding delays are complicated. Some air carriers, such as Air Canada, do not guarantee their flight schedules. They're also not liable for cancellations or changes due to "force majeure" such as weather conditions or labour disruptions. If the delay is overnight, only out-of-town passengers will be offered hotel accommodation. Nevertheless, many airlines do offer some compensation for the inconvenience. If your flight is marked delayed for more than 30 minutes, approach the gate agent and politely request food and hotel vouchers to be used within the airport or nearby. In terms of cash compensation, what you'll get can differ significantly based on things like departure location, time, carrier, and ticket class. The DOT offers a helpful delay and cancellations dashboard designed to keep travellers informed about their compensation rights. The dashboard is particularly helpful because, as the DOT states on its website, "whether you are entitled to a refund depends on a lot of factors—such as the length of the delay, the length of the flight, and your particular circumstances." The Canadian Transportation Agency is proposing air passenger protection regulations that guarantee financial compensation to travellers experiencing flight delays and cancellations, with the level of compensation varying depending on the situation and how much control the air carrier had. The proposed regulations include the following: The airline is obligated to complete the passenger's itinerary. If the new ticket is for a lower class of service, the air carrier would have to refund the cost difference; if the booking is in a higher class of service, passengers cannot be charged extra. If the passenger declines the ticket, the airline must give a full refund, in addition to the prescribed compensation. For overnight delays, the air carrier needs to provide hotel accommodation and transportation free-of-charge. Again, if you are unsatisfied, the Canadian Transportation Agency or Department of Transportation may advocate on your behalf. Passengers get bumped because airlines overbook. When this happens, the air carrier must compensate you. For international flights in the US, the rate is 200% of your one-way fare to your final destination, with a $675 maximum. If the airline does not make travel arrangements for you, the payout is 400% of your one-way fare to a maximum of $1,350. To qualify, you must check-in by the stated deadline, which on international flights can be up to 3 hours ahead. Keep in mind that if you accept the cash, you are no longer entitled to any further compensation, nor are you guaranteed to be rebooked on a direct flight or similar type of seat. Don't be too quick to give up your boarding pass. Negotiate for the best compensation deal that would include cash, food and hotel vouchers, flight upgrade, lounge passes, as well as mileage points. But avoid being too greedy—if the gate attendant is requesting volunteers and you wait too long, you'll miss the offer. According to Air Canada's tariff, if a passenger is involuntarily bumped, they'll receive $200, in cash or bank draft, for up to a two-hour delay; $400 for a 2-6 hours delay; and $800 if the delay is over six hours. (Air Canada was forced to raise its payouts in 2013 due to passenger complaints.) The new rules would raise the payout significantly: $900 for up to six hours; $1,800 for 6-9; and $2,400 for more than nine hours, all to be paid within 48 hours. Statistically speaking, Delta Airlines is the carrier most likely to bump. A few years ago, Delta raised its payout maximum to $9,950, while United Airlines tops out at $10,000. This story was produced by Money.ca and reviewed and distributed by Stacker. Get local news delivered to your inbox!