slot online game real money
Cybersecurity expert Dr. Dave Chatterjee hosts The Cybersecurity Readiness Podcast series. Here, he offers insights from industry leaders to improve cybersecurity at individual, organizational, and national levels, reaching listeners in over 100 countries. Photo courtesy of Dr. Dave Chatterjee DURHAM, N.C., Dec. 16, 2024 (GLOBE NEWSWIRE) -- Cybersecurity thought leader Dr. Dave Chatterjee has launched The Cybersecurity Readiness Podcast series , establishing a global platform for advancing cybersecurity awareness and preparedness. Now in its third year, the series has achieved significant milestones with over 70 episodes and over 10,000 downloads across 105 countries. The podcast series delivers insightful and accessible discussions on improving cybersecurity readiness across various levels. Through engaging conversations with subject matter experts, business and technology leaders, educators, and members of user communities, Chatterjee presents a comprehensive yet approachable analysis of the cybersecurity landscape. In a recent episode, he examines the risks of rapid cloud adoption, uncovering that cloud configuration errors cause 95% of cybersecurity breaches. Another compelling discussion features Mike Manrod, chief information security officer (CISO) of Grand Canyon Education, and Ori Eisen, chief executive officer (CEO) of Trusona, who share strategies to reduce social engineering attacks on IT help desks. The series also explores crucial educational initiatives, featuring Laurie Salvail, executive director of CYBER.ORG, discussing implementing cybersecurity education for K-12 students through a program funded by the Cybersecurity and Infrastructure Security Agency (CISA). The podcast's influence extends beyond traditional audiences, serving as a valuable resource for practitioners and academics. Educational institutions incorporate episodes into classrooms and corporate training sessions, while researchers reference them in publications. "I aim to make cybersecurity discussions mainstream, as shown by the podcast's format and content selection," Dr. Dave Chatterjee shares. "The podcast can connect technical knowledge with real-world application by focusing on practical insights and strategic implications." To maximize impact, the host distributes episodes through platforms such as Apple Podcasts, Spotify, RSS Feed, Amazon Music, and Audible, and its website, https://www.cybersecurityreadinesspodcast.com/ . Meanwhile, all episode summaries and discussion highlights are available at https://www.dchatte.com/cybersecurity-resources/ . Industry professionals consistently praise the podcast's value. One listener describes it as "a great source of inspiration and learning," highlighting its balance of technical knowledge and strategic implications. Another expert commends the series for its "depth of pragmatic advice and actionable insight." In recognition of his contributions, Dr. Chatterjee is scheduled to do a virtual webcast on January 31, 2025 as part of the RSA Conference, one of the largest security conferences in the world. This provides an opportunity to share his expertise with an expanded global audience. The podcast series is available on major podcast platforms. For more information about the podcast and Dr. Dave Chatterjee's work, visit https://www.dchatte.com/ . About Dr. Dave Chatterjee As a distinguished cybersecurity and information technology management expert, Dr. Dave Chatterjee brings over two decades of expertise to the field. His influential book, "Cybersecurity Readiness: A Holistic and High-Performance Approach," published by Sage is endorsed by distinguished practitioners and academics. Dr. Dave Chatterjee is currently an Adjunct Associate Professor in the Engineering, Graduate, and Professional Programs at the Pratt School of Engineering at Duke University. His leadership roles include former Chairman of the Society for Information Management (SIM) and former Cybersecurity Collaborative Atlanta Chapter board member. Dr. Chatterjee also participated in a CISO SWAT team that addressed critical cybersecurity challenges. Additionally, he is renowned for developing the Commitment-Preparedness-Discipline (CPD) framework for cybersecurity readiness and provides expert consulting in strategic cybersecurity governance, awareness, and education. Contact information Name: Dr. Dave Chatterjee Email: dave.chatterjee@duke.edu Company: Duke University Website: https://www.dchatte.com/ A photo accompanying this announcement is available at https://www.globenewswire.com/NewsRoom/AttachmentNg/ecd35f84-630a-4e59-aa03-3a85e75f3aea © 2024 Benzinga.com. Benzinga does not provide investment advice. All rights reserved.Last month, Cynthia Erivo and Ariana Grande created social media’s new favorite meme during an interview with journalist Tracy Gilchrist as they promoted their movie musical, "Wicked." One exchange from the conversation went massively viral after Gilchrist mysteriously informed the film’s stars that fans were “holding space” for the lyrics of “Defying Gravity,” one of the musical’s most iconic songs. Gilchrist asked Grande and Erivo if they knew that “people are taking the lyrics of ‘Defying Gravity’ and really holding space with that and feeling power in that,” which prompted an emotional response from Erivo. Neither of them seemed to know exactly how to reply, and Grande took hold of Erivo’s finger as they looked at one another. In a new " Variety " feature with director Jon M. Chu, they discussed the moment and what was going on in their minds. “I was surprised, because I had no idea. I hadn’t been looking that much,” Erivo said. At the time, Gilchrist asserted that she had seen people treating the song with reverence because she works in “queer media.” “I honestly didn’t know what that meant—am I also in queer media, maybe?” Erivo explained. “Work! Let’s both be there.” Grande chimed in, “I didn’t know what any part of it meant. I didn’t understand the first sentence, and then I definitely didn’t understand how you responded. And I just wanted to be there. Because I knew something big was happening, and I didn’t know how to be there.” “After a while, I didn’t know how to be there,” Erivo replied. About the finger grab, Grande said, “I’m going to grab this, because she looks like you might need something. I don’t know what the tapping was about.” Erivo then said it was simply “tension.” Grande praised Gilchrist despite the shared confusion in the moment, saying, “She’s also an amazing interviewer and a lovely person. That goes without saying...I feel really relieved that the world had the same experience with this moment that I did, because I felt like, ‘Oh, I’m not broken.’” After the clip first went viral, Gilchrist clarified her meaning with Variety , saying, “‘Holding space’ is being physically, emotionally and mentally present with someone or something,” and that people were “finding solace or inspiration” in the song following Donald Trump’s election.
One of my top shows of 2024 actually premiered in 2021. That’s because it took a couple of years for the Australian series “The Newsreader” to make its way Stateside. Alas, it was only legal to stream in the U.S. for a handful of weeks in September and then — pffft! — it was gone before most people had even heard of it. Well, I have great news. The show will be available once again, this time via Sundance Now (accessible through the AMC+ streaming platform), which has licensed the first season. Premiering Dec. 19, it stars Anna Torv (“Fringe”) and Sam Reid (“Interview with the Vampire”) as TV reporters in Melbourne, circa 1986. At the outset, Reid’s character exudes big loser energy, which is such an amusing contrast to his work as Lestat. The show is unexpectedly funny and terrifically Machiavellian in its portrayal of small-time office politics, and I’m thrilled audiences in the U.S. will get another shot at watching it. Overall, 2024 offered a modestly better lineup than usual, but I’m not sure it felt that way. Too often the good stuff got drowned out by Hollywood’s pointless and endless pursuit of rebooting intellectual property (no thank you, Apple’s “Presumed Innocent” ) and tendency to stretch a perfectly fine two-hour movie premise into a saggy multi-part series (“Presumed Innocent” again!). There were plenty of shows I liked that didn’t make this year’s list, including ABC’s “Abbott Elementary” and CBS’ “Ghosts” (it’s heartening to see the network sitcom format still thriving in the streaming era), as well as Netflix’s “A Man on the Inside” (Ted Danson’s charisma selling an unlikely premise) and Hulu’s “Interior Chinatown” (a high-concept parody of racial stereotypes and cop show tropes, even if it couldn’t sustain the idea over 10 episodes). Maybe it just felt like we were having more fun this year, with Netflix’s “The Perfect Couple” (Nicole Kidman leading a traditional manor house mystery reinterpreted with an American sensibility) and Hulu’s “Rivals” (the horniest show of 2024, delivered with a wink in the English countryside). I liked what I saw of Showtime’s espionage thriller “The Agency” (although the bulk of episodes were unavailable as of this writing). The deluge of remakes tends to make me cringe, but this year also saw a redo of Patricia Highsmith’s “The Talented Mr. Ripley” on Netflix that was far classier than most of what’s available on the streamer. Starring Andrew Scott, I found it cool to the touch, but the imagery stayed with me. Shot in black and white, it has an indelible visual language courtesy of director of photography Robert Elswit, whether capturing a crisp white business card against the worn grain wood of a bar top, or winding stairways that alternately suggest a yawning void or a trap. As always, if you missed any of these shows when they originally premiered — the aforementioned titles or the Top 10 listed below — they are all available to stream. Top 10 streaming and TV shows of 2024, in alphabetical order: The least cynical reality show on television remains as absorbing as ever in Season 4, thanks to the probing questions and insights from the show’s resident therapist, Dr. Orna Guralnik. Everything is so charged. And yet the show has a soothing effect, predicated on the idea that human behavior (and misery) isn’t mysterious or unchangeable. There’s something so optimistic in that outlook. Whether or not you relate to the people featured on “Couples Therapy” — or even like them as individuals — doesn’t matter as much as Guralnik’s reassuring presence. Created by and starring Diarra Kilpatrick, the eight-episode series defies categorization in all the right ways. Part missing-person mystery, part comedy about a school teacher coming to grips with her impending divorce, and part drama about long-buried secrets, it has tremendous style right from the start — sardonic, knowing and self-deprecating. The answers to the central mystery may not pack a satisfying punch by the end, but the road there is as entertaining and absorbing as they come. We need more shows like this. A comedy created by and starring Brian Jordan Alvarez (of the antic YouTube series “The Gay and Wondrous Life of Caleb Gallo”), the show has a sensibility all its own, despite a handful of misinformed people on social media calling it a ripoff of “Abbott Elementary.” There’s room enough in the TV landscape for more than one sitcom with a school setting and “English Teacher” has a wonderfully gimlet-eyed point of view of modern high school life. I’m amused that so much of its musical score is Gen-X coded, because that neither applies to Alvarez (a millennial) nor the fictional students he teaches. So why does the show feature everything from Laura Branigan’s “Gloria” to Exposé’s “Point of No Return”? The ’80s were awash in teen stories and maybe the show is using music from that era to invoke all those tropes in order to better subvert them. It’s a compelling idea! It’s streaming on Hulu and worth checking out if you haven’t already. A one-time tennis phenom accuses her former coach of coercing her into a sexual relationship in this British thriller. The intimacy between a coach and athlete often goes unexplored, in real-life or fictional contexts and that’s what the show interrogates: When does it go over the line? It’s smart, endlessly watchable and the kind of series that would likely find a larger audience were it available on a more popular streamer. There’s real tenderness in this show. Real cruelty, too. It’s a potent combination and the show’s third and strongest season won it an Emmy for best comedy. Jean Smart’s aging comic still looking for industry validation and Hannah Einbinder’s needy Gen-Z writer are trapped in an endless cycle of building trust that inevitably gives way to betrayal. Hollywood in a nutshell! “Hacks” is doing variations on this theme every season, but doing it in interesting ways. Nobody self-sabotages their way to success like these two. I was skeptical about the show when it premiered in 2022 . Vampire stories don’t interest me. And the 1994 movie adaptation starring Tom Cruise and Brad Pitt wasn’t a persuasive argument to the contrary. But great television is great television and nothing at the moment is better than this show. It was ignored by Emmy voters in its initial outing but let’s hope Season 2 gets the recognition it deserves. Under showrunner Rolin Jones, the adaptation of Anne Rice’s novels is richly written, thrillingly inhabited by its cast and so effortlessly funny with a framing device — the interview of the title — that is thick with intrigue and sly comedy. I wouldn’t categorize the series as horror. It’s not scary. But it is tonally self-assured and richly made, rarely focused on the hunt for dinner but on something far more interesting: The melodrama of vampire existence, with its combination of boredom and lust and tragedy and zingers. Already renewed for Season 3, it has an incredible cast (a thrilling late-career boost for Eric Bogosian) and is well worth catching up with if you haven’t already. It’s been too long since the pleasures of banter fueled a romantic comedy in the spirit of “When Harry Met Sally.” But it’s all over the place in “Nobody Wants This,” one of the best shows on Netflix in recent memory. Renewed for a second season, it stars Kristen Bell as a humorously caustic podcaster and Adam Brody as the cute and emotionally intelligent rabbi she falls for. On the downside, the show has some terrible notions about Jewish women that play into controlling and emasculating stereotypes. You hate to see it in such an otherwise sparkling comedy, because overall Bell and Brody have an easy touch that gives the comedy real buoyancy. I suspect few people saw this three-part series on PBS Masterpiece, but it features a terrific performance by Helena Bonham Carter playing the real-life, longtime British soap star Noele “Nolly” Gordon, who was unceremoniously sacked in 1981. She’s the kind of larger-than-life showbiz figure who is a bit ridiculous, a bit imperious, but also so much fun. The final stretch of her career is brought to life by Carter and this homage — to both the soap she starred in and the way she carried it on her back — is from Russell T. Davies (best known for the “Doctor Who” revival). For U.S. viewers unfamiliar with the show or Gordon, Carter’s performance has the benefit of not competing with a memory as it reanimates a slice of British pop culture history from the analog era. The year is 1600 and a stubborn British seaman piloting a Dutch ship washes ashore in Japan. That’s our entry point to this gorgeously shot story of power games and political maneuvering among feudal enemies. Adapted from James Clavell’s 1975 novel by the married team of Rachel Kondo and Justin Marks, it is filled with Emmy-winning performances (for Anna Sawai and Hiroyuki Sanada; the series itself also won best drama) and unlike something like HBO’s far clunkier “House of the Dragon,” which tackles similar themes, this feels like the rare show created by, and for, adults. The misfits and losers of Britain’s MI5 counterintelligence agency — collectively known as the slow horses, a sneering nickname that speaks to their perceived uselessness — remain as restless as ever in this adaptation of Mick Herron’s Slough House spy novels. As a series, “Slow Horses” doesn’t offer tightly plotted clockwork spy stories; think too deeply about any of the details and the whole thing threatens to fall apart. But on a scene-by-scene basis, the writing is a winning combination of wry and tension-filled, and the cumulative effect is wonderfully entertaining. Spies have to deal with petty office politics like everyone else! It’s also one of the few shows that has avoided the dreaded one- or two-year delay between seasons, which has become standard on streaming. Instead, it provides the kind of reliability — of its characters but also its storytelling intent — that has become increasingly rare. Nina Metz is a Tribune critic.Omnicom Group is in advanced negotiations to acquire direct U.S. rival Interpublic Group in a deal that could merge two Madison Avenue giants and fundamentally recalibrate the advertising industry as it grapples with the ongoing decline of many of its traditional practices. The two companies could announce as early as Monday that Omnicom plans to purchase Interpublic in an all-stock deal that could value the latter at between $13 billion and $14 billion without debt, according to a person familiar with the situation. Representatives for Omnicom and Interpublic did not respond to queries seeking comment. The Wall Street Journal previously reported on the pact. The pact will bolster Omnicom's standing among a handful of large holding companies that dominate the sector, but have been struggling to develop new lines of revenue as the industry's best-known products — glitzy TV commercials and print ads — are seen as less effective in spurring consumer purchases and response. Omnicom is known for its longstanding relationships with blue-chip marketers such as PepsiCo and Apple, and houses units such as BBDO, TBWA Worldwide and Omnicom... Brian SteinbergKyverna Therapeutics, Inc. Investors Who Have Lost Money Should Contact Block & Leviton to Find Out How They Might Recover Money Through A Recent Securities Lawsuit
Information on these pages contains forward-looking statements that involve risks and uncertainties. Markets and instruments profiled on this page are for informational purposes only and should not in any way come across as a recommendation to buy or sell in these assets. You should do your own thorough research before making any investment decisions. FXStreet does not in any way guarantee that this information is free from mistakes, errors, or material misstatements. It also does not guarantee that this information is of a timely nature. Investing in Open Markets involves a great deal of risk, including the loss of all or a portion of your investment, as well as emotional distress. All risks, losses and costs associated with investing, including total loss of principal, are your responsibility. The views and opinions expressed in this article are those of the authors and do not necessarily reflect the official policy or position of FXStreet nor its advertisers. The author will not be held responsible for information that is found at the end of links posted on this page. If not otherwise explicitly mentioned in the body of the article, at the time of writing, the author has no position in any stock mentioned in this article and no business relationship with any company mentioned. The author has not received compensation for writing this article, other than from FXStreet. FXStreet and the author do not provide personalized recommendations. The author makes no representations as to the accuracy, completeness, or suitability of this information. FXStreet and the author will not be liable for any errors, omissions or any losses, injuries or damages arising from this information and its display or use. Errors and omissions excepted. The author and FXStreet are not registered investment advisors and nothing in this article is intended to be investment advice.Trump lawyers ask NYC judge to toss Stormy Daniels hush money case
None
- Previous: slot machine game online
- Next: is online slot gambling legal
