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As the highly anticipated UEFA Champions League matchday approaches, football fans around the world are buzzing with excitement for the upcoming clashes between some of Europe's top teams. Among the standout fixtures set to unfold, Liverpool will be looking to secure their sixth consecutive victory, Atletico Madrid will lock horns with Inter Milan, and Real Madrid will once again face off against their perennial rivals, Paris Saint-Germain.

This week, Minister of Racing Winston Peters announced the end of greyhound racing in the interests of animal welfare . Soon after, a law to criminalise killing of redundant racing dogs was passed under urgency in Parliament . The next day, the minister introduced the Racing Industry Amendment Bill to preserve the TAB's lucrative monopoly on sports betting which provides 90 percent of the racing industry's revenue. "Offshore operators are consolidating a significant market share of New Zealand betting - and the revenue which New Zealand's racing industry relies on is certainly not guaranteed," Peters told Parliament in support of the Bill. But offshore tech companies have also been pulling the revenue rug out from under local news media companies for years, and there has been no such speedy response to that. Digital platforms offer cheap and easy access to unlimited overseas content - and tech companies' dominance of the digital advertising systems and the resulting revenue is intensifying. Profits from online ads shown to New Zealanders go offshore - and very little tax is paid on the money made here by the likes of Google and Facebook. On Tuesday, Media Minister Paul Goldsmith did introduce legislation to repeal advertising restrictions for broadcasters on Sundays and public holidays. "As the government we must ensure regulatory settings are enabling the best chance of success," he said in a statement. The media have been crying out for this low-hanging fruit for years - but the estimated $6 million boost is a drop in the bucket for broadcasters, and little help for other media. The big bucks are in tech platforms paying for the local news they carry. Squeezing the tech titans In Australia, the government did it three years ago with a bargaining code that is funnelling significant sums to news media there. It also signalled the willingness of successive governments to confront the market dominance of 'big tech'. When Goldsmith took over here in May he said the media industry's problems were both urgent and acute - likewise the need to "level the playing field". The government then picked up the former government's Fair Digital News Bargaining Bill, modelled on Australia's move. But it languishes low down on Parliament's order paper, following threats from Google to cut news out of its platforms in New Zealand - or even cut and run from New Zealand altogether. Six years after his Labour predecessor Kris Faafoi first pledged to follow in Australia's footsteps in support of local media, Goldsmith said this week he now wants to wait and see how Australia's latest tough measures pan out . (The News Bargaining Incentive announced on Thursday could allow the Australian government to tax big digital platforms if they do not pay local news publishers there) Meanwhile, news media cuts and closures here roll on. The lid keeps sinking in 2024 "I've worked in the industry for 30 years and never seen a year like it," RNZ's Guyon Espiner wrote in the Listener this week, admitting to "a sense of survivor's guilt." Just this month, 14 NZME local papers will close and more TVNZ news employees will be told they will lose jobs in what Espiner described as "destroy the village to save the village" strategy. Whakaata Māori announced 27 job losses earlier this month and the end of Te Ao Māori News every weekday on TV. Its te reo channel will go online-only. Digital start-ups with lower overheads than established news publishers and broadcasters are now struggling too. "The Spinoff had just celebrated its 10th birthday when a fiscal hole opened up. Staff numbers are being culled, projects put on ice and a mayday was sent out calling for donations to keep the site afloat ," Espiner also wrote in his bleak survey for the Listener . Spinoff founder Duncan Grieve has charted the economic erosion of the media all year at The Spinoff and on its weekly podcast The Fold . In a recent edition, he said he could not carry on "pretending things would be fine" and did not want The Spinoff to go down without giving people the chance to save it. "We get some (revenue) direct from our audience through members, some commercial revenue and we get funding for various New Zealand on Air projects typically," Greive told Mediawatch this week. "The members' bucket is pretty solid. The commercial bucket was going quite well, and then we just ran into a brick wall. There has been a real system-wide shock to commercial revenues." "But the thing that we didn't predict which caused us to have to publish that open letter was New Zealand on Air. We've been able to rely on getting one or two projects up, but we've missed out two rounds in a row. Maybe our projects ... weren't good enough, but it certainly had this immediate, near-existential challenge for us." Critics complained The Spinoff has had millions of dollars in public money in its first decade. "While the state is under no obligation to fund our work, it's hard to watch as other platforms continue to be heavily backed while your own funding stops dead," Greive said in the open letter. The open letter said Creative NZ funding had been halved this year, and the Public Interest Journalism Fund support for two of the Spinoff's team of 31 was due to run out next year. "I absolutely take on the chin the idea that we shouldn't be reliant on that funding. Once you experience something year after year, you do build your business around that ... for the coming year. When a hard-to-predict event like that comes along, you are in a situation where you have to scramble," Grieve told Mediawatch . "We shot a flare up that our audience has responded to. We're not out of the woods yet, but we're really pleased with the strength of support and an influx of members." Newshub shutdown A recent addition to the Spinoff's board - Glen Kyne - has already felt the force of the media's economic headwinds in 2024. He was the CEO of Warner Brothers Discovery NZ and oversaw the biggest and most comprehensive news closure of the year - the culling of the entire Newshub operation . "It was heart-wrenching because we had looked at and tried everything leading into that announcement. I go back to July 2022, when we started to see money coming out of the market and the cost of living crisis starting to appear," Kyne told Mediawatch this week. "We started taking steps immediately and were incredibly prudent with cost management. We would get to a point where we felt reasonably confident that we had a path, but the floor beneath our feet - in terms of the commercial market - kept falling. You're seeing this with TVNZ right now." Warner Brothers Discovery is a multinational player in broadcast media. Did they respond to requests for help? "They were empathetic. But Warner Brothers Discovery had lost 60-70 percent of its share price because of the issues around global media companies as well. They were very determined that we got the company to a position of profitability as quickly as we possibly could. But ultimately the economics were such that we had to make the decision." Smaller but sustainable in 2025? Or managed decline? Kyne did a deal with Stuff to supply a 6pm news bulletin to TV channel Three after the demise of Newshub in July. He is one of a handful of people who know the sums, but Stuff is certainly producing ThreeNews now with a fraction of the former budget for Newshub. Can media outlets settle on a shape that will be sustainable, but smaller - and carry on in 2025 and beyond? Or does Kyne fear media are merely managing decline if revenue continues to slump? "It's slightly terrifying because the downward pressures are going to continue into next year. Three created a sustainable model for the 6pm bulletin to continue. "Stuff is an enormous newsgathering organisation, so they were able to make it work and good luck to them. I can see that bulletin continuing to improve as the team get more experience." No news is really bad news If news can't be sustained at scale in commercial media companies even on reduced budgets, what then? Some are already pondering a 'post-journalism' future in which social media takes over as the memes of sharing news and information. How would that pan out? "We might be about to find out," Greive told Mediawatch . "Journalism doesn't have a monopoly on information, and there are all kinds of different institutions that now have channels. A lot of what is created ... has a factual basis. Whether it's a TikTok-er or a YouTuber, they are themselves consumers of news. "A lot of people are replacing a habit of reading the newspaper and listening to ZB or RNZ with a new habit - consuming social media. Some of it has a news-like quality but it doesn't have vetting of the information and membership of the Media Council ... as a way of restraining behaviour. "We've got a big question facing us as a society. Either news becomes this esoteric, elite habit that is either pay-walled or alternatively there's public media. If we [lose] freely-accessible, mass-audience channels, then we'll find out what democracy, the business sector, the cultural sector looks like without that. "In communities where there isn't a single journalist, a story can break or some someone can put something out ... and if there's no restraint on that and no check on it, things are going to happen. "In other countries, most notably Australia, they've recognised this looming problem, and there's a quite muscular and joined-up regulator and legislator to wrestle with the challenges that represents. And we're just not seeing that here." They are in Australia. In addition to the News Bargaining Code and the just-signalled News Bargaining Incentive, the Albanese government is banning social media for under-16s . Meta has responded to pressure to combat financial scam advertising on Facebook. Here, the media policy paralysis makes the government's ferries plan look decisive. What should it do in 2025? To-do in 2025 "There are fairly obvious things that could be done that are being done in other jurisdictions, even if it's as simple as having a system of fines and giving the Commerce Commission the power to sort of scrutinize large technology platforms," Greive told Mediawatch . "You've got this general sense of malaise over the country and a government that's looking for a narrative. It's shocking when you see Australia, where it's arguably the biggest political story - but here we're just doing nothing." Not quite. There was the holiday ad reform legislation this week. "Allowing broadcasting Christmas Day and Easter is a drop in the ocean that's not going to materially change the outcome for any company here," Kyne told Mediawatch . "The Fair Digital News Bargaining bill was conceived three years ago and the world has changed immeasurably. "You've seen Australia also put some really thoughtful white papers together on media regulation that really does bring a level of equality between the global platforms and the local media and to have them regulated under common legislation - a bit like an Ofcom operates in the UK, where both publishers and platforms, together are overseen and managed accordingly. "That's the type of thing we're desperate for in New Zealand. If we don't get reform over the next couple of years you are going to see more community newspapers or radio stations or other things no longer able to operate." Grieve was one of the media execs who pushed for Commerce Commission approval for media to bargain collectively with Google and Meta for news payments. Backing the Bill - or starting again? Local media executives, including Grieve, recently met behind closed doors to re-assess their strategy. "Some major industry participants are still quite gung-ho with the legislation and think that Google is bluffing when it says that it will turn news off and break its agreements. And then you've got another group that think that they're not bluffing, and that events have since overtaken [the legislation]," he said. "The technology platforms have products that are always in motion. What they're essentially saying - particularly to smaller countries like New Zealand - is: 'You don't really get to make laws. We decide what can and can't be done'. And that's quite a confronting thing for legislators. It takes quite a backbone and quite a lot of confidence to sort of stand up to that kind of pressure." The government just appointed a minister of rail to take charge of the current Cook Strait ferry crisis. Do we need a minister of social media or tech to take charge of policy on this part of the country's infrastructure? "We've had successive governments that want to be open to technology, and high growth businesses starting here. But so much of the internet is controlled by a small handful of platforms that can have an anti-competitive relationship with innovation in any kind of business that seeks to build on land that they consider theirs," Greive said. "A lot of what's happened in Australia has come because the ACCC, their version of the Commerce Commission, has got a a unit which scrutinises digital platforms in much the same way that we do with telecommunications, the energy market and so on. Here there is just no one really paying attention. And as a result, we're getting radically different products than they do in Australia." Sign up for Ngā Pitopito Kōrero , a daily newsletter curated by our editors and delivered straight to your inbox every weekday.The US Military's Last Propeller-Driven Fighter Plane Was A Star In VietnamAurier, who has been with Tottenham since 2017, has been a subject of criticism from fans for his performances on the pitch in recent matches. Despite being a key player in the squad, the right-back has received backlash for his defensive errors and inconsistent form. This has led to a wave of negative comments and abuse directed towards him on social media platforms such as Twitter and Instagram.

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The transition from being a television host to an actor is not a simple one. While hosting requires excellent communication skills and the ability to engage with the audience, acting demands a deeper level of emotional expression and the capacity to embody a character in a way that captivates and resonates with the audience. For the former CCTV host, the transition meant leaving behind the comfort of the studio and stepping into the spotlight of the stage, where every gesture and expression is magnified and scrutinized by the audience.LOWELL, Mass. (AP) — Max Brooks' 26 points helped UMass-Lowell defeat Dartmouth 92-83 on Saturday. Brooks added nine rebounds and four steals for the River Hawks (8-4). Quinton Mincey added 20 points while going 7 of 10 from the floor, including 3 for 5 from 3-point range, and 3 for 4 from the line while he also had six assists. Martin Somerville shot 3 for 10 (2 for 5 from 3-point range) and 4 of 7 from the free-throw line to finish with 12 points, while adding six rebounds. The Big Green (4-6) were led by Connor Amundsen, who posted 28 points and six assists. Cade Haskins added 16 points for Dartmouth. Jayden Williams also recorded 11 points. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .One of the key advantages of the new group call feature is its ease of use. Users can initiate a group call directly from a group chat, simplifying the process of setting up a call with multiple participants. Additionally, participants can easily join the call with a single tap, making it more convenient for everyone to stay connected regardless of their location.

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RICHMOND — While Saturday’s Casey Pohlenz Memorial Tournament championship meant very little compared to the rest of the team’s goals, the Alexandria girls basketball team still had plenty to gain Saturday at the Tiernan Center. After romping to victory in its first 14 games, coach Mickey Hosier needed to know how his team would respond late in a tight game. Quite well appears to be the answer. Not long after surviving a double-overtime marathon against Class 3A Charlestown in the semifinal, Jacklynn Hosier scored 25 points and grabbed 11 rebounds as Alexandria stormed back from a nine-point second-half deficit to knock off 4A Richmond 49-45 and claim the championship. While far from perfect, the coach was all smiles after his team’s second comeback win in as many tries. “As you look at our season — us included — we just haven’t had to do that, and when you haven’t had to do it, you don’t know if you can do it,” he said. “I always thought we could do it. That’s why we got into this tournament was to get into situations like that.” For her efforts, Hosier earned the tournament’s MVP, and Tigers senior Rylie Kellams was also named to the all-tournament team. In the semifinal against Charlestown, Hosier’s supporting cast did much of the heavy lifting, but the Tigers needed Hosier at her very best in the second half to claim their 16th win of the season. Richmond’s Amyannah Tucker’s 3-point shot midway through the third quarter gave the Red Devils their biggest lead of the contest at 31-22 and had the Tigers, who had been held to just four points in the second quarter, very much on the ropes. But Trinity Ford started the comeback with a pair of free throws before Hosier scored off a Richmond missed basket. A Jazlyn Diamond basket for the Red Devils paused the Alex surge, but Hosier hit a pair of free throws to close the third quarter and two more to open the fourth before she found Kellams for a layup to pull the Tigers within one. Hosier was 8-for-8 from the free-throw line in the second half after missing three of her first four attempts in the first half, prompting an immediate eye-roll from the Vermont commit at the mention of the early misses. “It was frustrating because they’re free shots, and I know I can make them,” she said. “But I didn’t play well in the first half, and I knew my team needed me to be better in the second half, and I think everyone stepped up in the second half.” After the teams traded baskets, freshman Conleigh Davidson connected on a 3-point basket — her only field goal of the second game — on an assist from Hosier, and the Tigers had the lead for good at 38-36. A Lily Harpe layup and Hosier drive were sandwiched around a 3-pointer by Richmond’s Maren Bolser, and the Tigers led 42-39. Hosier drove to the basket and was fouled as her shot fell. She converted the charity toss and Alex was up six. Sophomore Stella Griffin and Harpe each made a pair of free throws in the closing moments to seal the title for the Tigers. The wins meant more to Hosier in terms of indicating what this team is capable of as opposed to maintaining the unbeaten mark. “I think we didn’t play our best, and we were throwing the ball away,” she said. “But I think the best thing we did was that we came together as a team, and I think you have to when it’s physical. We just had a lot of fight in this whole tournament.” With 19 points in the first game, Hosier also eclipsed the 1,800-point milestone for her career. Kellams scored 14 points in the first game of the day and finished with seven points and four rebounds against Richmond while Harpe scored nine points to go with three steals. Alexandria will now set its sights on the Madison County Tournament which, for the Tigers, begins Jan. 6 at nine-time champion Anderson at 6 p.m. The Tigers will be the first girls team to enter county tournament week unbeaten since the 2009 Lapel Bulldogs, who were 10-0, but lost to Highland in the first round. Although a semifinal matchup against pretournament favorite Pendleton Heights or two-time defending champion Lapel looms for Alexandria, Coach Hosier is not looking past Anderson (1-14) in that first-round game. “I think Pendleton is the favorite, I would say. They play a better schedule in 4A,” he said. “When you get into this county, it’s like a sectional, and you better bring your A-game. Our focus is totally on Anderson, and if we win that one, we’ll worry about the next one, whoever that is.”

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Crown Royal Paints Nashville Purple During "The 58th Annual CMA Awards" Week from launch of Crown Royal 31 Year Old in Partnership with Daniel Diamond to Generous Moment on CMA Awards Stage NASHVILLE, Tenn. , Nov. 21, 2024 /PRNewswire/ -- In its seventh year as the exclusive whisky partner of the CMA Awards, Crown Royal spread generosity through Music City across the week, culminating in a special announcement on Country Music's Biggest Night. Woven into the fabric of country music, Crown Royal brings people together through shared values and experiences that define the genre. This year, the brand raised the bar and 'painted the town purple' like never before with a packed presence in Nashville . To kick off the week, the award-winning whisky brand partnered with Daniel Musto of fashion brand DanielxDiamond to debut Crown Royal Aged 31 Years. Musto shared a collection of iconic looks from country music's biggest stars along with his tips for luxury western styling. The duo adorned guests with their very own custom DanielxDiamond Crown Royal jacket, a perfect accessory for CMA Awards week. Side-by-side with this rare whisky, the two icons cheers to craftsmanship, excellence and country music. Continuing the star-studded week of celebrations, Crown Royal teamed up with New Artist of the Year nominee Nate Smith and veteran-turned-country-artist Scotty Hasting to raise a glass to Crown Royal partner, CreatiVets, a non-profit organization helping veterans navigate life after service through music. Last night, Crown Royal and Smith hit the stage at "The 58th Annual CMA Awards," highlighting the story of veteran Scotty Hasting's life-changing journey from Purple Heart recipient to one of country music's own. During an intimate conversation, Hasting shared how the support of CreatiVets led to him writing his first debut single and making his first appearance on the Grand Ole Opry stage. He also recounted moments from a recent performance in Nashville . "I am so proud to be able to use music to reach people and help Veterans like myself, after returning home," said Hasting. "It's an honor to support CreatiVets and Crown Royal in their mission to continue to help people through music, too." Amid roaring applause and a standing ovation, Smith announced a $50,000 donation to CreatiVets on behalf of Crown Royal. Since the start of their partnership, Crown Royal has spearheaded efforts to raise over $370,000 in support for this cause.* "I'm humbled to put a spotlight on an organization as incredible as CreatiVets on country music's biggest stage," said Smith. "Crown Royal has been my go-to in the songwriting room and while on tour, and I've long admired their commitment to supporting veterans. Learning about CreatiVets' mission and Scotty's personal story is something I'll never forget." Crown Royal first partnered with CreatiVets in 2022, and through Crown Royal's continued commitment and support over the past two years, CreatiVets has significantly fueled their mission, nearly doubling their annual number of veterans served in 2024. The brand's support has also helped enable a thirty-five percent increase in songwriting programs, while also facilitating the launch of new chapters and community initiatives.* "As we returned to Music City for the seventh year, it was important for us to extend our presence and plant our purple flag in the heart of country music. We are proud to have celebrated the country music community from our new partnership with DanielxDiamond for Crown Royal Aged 31 to celebrating iconic artists at the 72nd Annual BMI Country Awards," said Jesse Damashek , Senior Vice President, North American Whiskeys at Diageo. "And of course, with generosity at the core of our brand we closed out the week with a memorable giveback moment. What an honor to have teamed up with Nate Smith and Scotty Hasting , to support our partner CreatiVets and highlight the incredible work they are doing for our veterans." CMA Awards viewers at home had the opportunity to join in on the generosity by scanning a QR code that appeared onscreen or by visiting https://stage.crownroyal.com/cmacreativets . Each visit to the website (including by QR code scan) on or before November 21 will result in the brand donating an additional $1 . These donations will be in addition to the $50,000 Crown Royal will contribute to CreatiVets mission.*** Crown Royal also sponsored the 72nd annual BMI Country Awards, the Creative Artist Agency watch party, and continued celebrations as a sponsor of William Morris Endeavor's official CMA Awards after party. Country stars and industry alike gathered to toast with specialty cocktails crafted exclusively for the occasions, rounding out a week of unforgettable moments. Crown Royal reminds everyone 21+ that living generously is not about what you have, but about what you give. And, most importantly, to always drink responsibly. About Crown Royal Crown Royal Canadian Whisky is the number-one selling Canadian whisky brand in the world and has a tradition as long and distinctive as its taste. Specially blended to commemorate a grand tour of Canada made by King George VI and Queen Elizabeth of Great Britain in 1939, Crown Royal's smooth, elegant flavor and gift-worthy presentation reflect its regal origins – it is considered the epitome of Canadian whisky. For more information, visit crownroyal.com . Crown Royal encourages all consumers to please enjoy responsibly. About Diageo North America Diageo is a global leader in beverage alcohol with an outstanding collection of brands including Johnnie Walker , Crown Royal, Bulleit and Buchanan's whiskies, Smirnoff, Cîroc and Ketel One vodkas, Casamigos, DeLeon and Don Julio tequilas, Captain Morgan, Baileys, Tanqueray and Guinness. Diageo is listed on both the New York Stock Exchange (NYSE: DEO) and the London Stock Exchange (LSE: DGE) and their products are sold in more than 180 countries around the world. For more information about Diageo, their people, brands, and performance, visit diageo.com . Visit Diageo's global responsible drinking resource, DRINKiQ.com , for information, initiatives, and ways to share best practice. Follow on Twitter and Instagram for news and information about Diageo North America: @Diageo_NA. About the CMA Awards The first "CMA Awards Banquet and Show" was held in 1967. The following year, the CMA Awards was broadcast for the first time – making it the longest running, annual music awards program on network television. The CMA Awards have aired on ABC since 2006. ABC is the network home of the CMA Awards and CMA's other two television properties, "CMA Fest" and "CMA Country Christmas." About Nate Smith Bursting onto the scene a few short years ago, country vocal powerhouse Nate Smith has accumulated over 2 billion career streams, scored three multi-week No. 1 records ("Whiskey on You," "World on Fire" and "Bulletproof"), garnered multiple gold and platinum records, sold-out shows across the US and received numerous nominations for best new artist from the CMA Awards, ACM Awards, CMT Awards, iHeart Radio Awards and so many more. Most recently, Smith received the award for ACM New Male Artist of the Year, Billboard's Rookie of the Year and Amazon's Breakthrough Country Artist for 2024. Smith's sophomore album, California Gold, was just released and debuted Top 15 on Billboard's Country Albums Chart. About Scotty Hasting In April of 2011, former Army Infantryman with the 1st Infantry Division 4th Squadron 4th Cavalry Scotty Hasting was left fighting for his life, flying out of Afghanistan on a medivac after being shot ten times. Narrowly escaping death, Hasting is now on a mission to help anyone struggling through his music. Despite only first picking up a guitar in 2020, Hasting signed with Black River Entertainment in 2023 and has already opened for incredible artists, including Dave Grohl , Tanya Tucker , Jelly Roll, Lee Brice , Chris Janson , and more. Hasting recently partnered with Operation Democracy and represented the U.S. with multiple performances in Normandy , France , during a week-long celebration commemorating the 80th anniversary of D-Day . Hasting released his debut EP, I'm America (5/3), stepped into the coveted Circle for his Grand Ole Opry debut (7/28), and shared the notable release, his own special version of "Til The Last Shot's Fired" with Lee Brice and Dolly Parton (10/15) . About CreatiVets CreatiVets' is a 501(c)(3) non-profit organization whose mission is to provide wounded veterans struggling with post-traumatic stress and traumatic brain injury with opportunities to use art, music, and creative writing to heal their unseen wounds of war. Their goal is to empower veterans with tools they can use for the rest of their lives and enable them to see their own capacity for success in an arena outside the battlefield. Learn more at creativets.org . Media Contacts: DIAGEO jazmine.settles@diageo.com TAYLOR crownroyal@taylorstrategy.com For Scotty Hasting : Dawn Delvo | Black River Entertainment ddelvo@blackriverent.com **Source: CreatiVets Financial Statements ***Diageo Americas, Inc. to donate up to $1,000,000 to national and local charities between 9/7/2024 & 6/30/2025, including this initiative in support of CreatiVets. Donation made via the Crown Royal Generosity Fund, a donor-advised fund administered by Fairfield County's Community Foundation, organized under IRS Section 501c(3). No minimum donation. Dispersal of funds subject to approval of Fairfield County's Community Foundation. View original content to download multimedia: https://www.prnewswire.com/news-releases/crown-royal-joins-forces-with-nate-smith-and-scotty-hasting-to-support-veterans-as-the-award-winning-whisky-donates-50-000-to-creativets-on-country-musics-biggest-night-302313677.html SOURCE Crown RoyalWith a deep sense of gratitude and determination, I whispered to the wind, "I may have lost ten years of my life, but I refuse to lose a single moment more. I will make the most of every second, every breath, every heartbeat."

By establishing a robust coordination mechanism, the government seeks to address the challenges faced by small and micro enterprises in accessing financing. Through improved coordination among financial institutions, regulatory bodies, and other relevant stakeholders, the mechanism aims to create a more conducive environment for small and micro enterprises to secure the funding they need to thrive and expand their operations.Directed by acclaimed filmmaker Zhang Lei, "Moonlight Bang!" is a hilarious and heartwarming comedy that follows the misadventures of a quirky group of characters as they navigate the ups and downs of life in a bustling city. Fu Jing plays the central role of Lily, a free-spirited and lovable young woman who finds herself caught up in a series of comedic misunderstandings and mishaps."We came into this match with a clear goal of securing the three points against Manchester City. Our players put in a tremendous effort and executed our game plan exceptionally well. We created several opportunities and maintained a solid defensive line throughout the game. We should have emerged victorious from this match," Munios stated.Government, Opposition should ensure Parliament focuses on nation’s key issues, says Mayawati

The Chinese Yuan (CNY) has been making headlines recently as it experienced a direct surge in value, breaking through the key psychological level of 7.25 against the US Dollar (USD). This sudden and significant appreciation of the Renminbi has sparked discussions and speculations within the global financial markets. Let's delve into the factors behind the sharp rise in the exchange rate and its potential implications.After months of waiting on the transplant list, Emily finally underwent her first kidney transplant at the age of ten. The surgery was a success, and for a brief moment, it seemed like a new chapter was beginning for the family. However, fate had other plans, and just two years later, Emily's body rejected the transplanted kidney, plunging her back into the depths of her illness.

YOUNGSTOWN, Ohio (AP) — EJ Farmer scored 20 points as Youngstown State beat Toledo 93-87 on Saturday. Farmer went 8 of 15 from the field (3 for 8 from 3-point range) for the Penguins (6-5). Nico Galette scored 17 points while shooting 5 for 13 (3 for 8 from 3-point range) and 4 of 6 from the free-throw line and added 11 rebounds and seven assists. Juwan Maxey shot 4 for 9 (3 for 7 from 3-point range) and 5 of 5 from the free-throw line to finish with 16 points. Sam Lewis led the Rockets (6-4) in scoring, finishing with 21 points and eight rebounds. Sonny Wilson added 17 points, six rebounds and four assists for Toledo. Seth Hubbard had 14 points. Farmer put up 13 points in the first half for Youngstown State, who led 44-39 at halftime. Youngstown State used a 7-0 second-half run to break a 76-76 tie and take the lead at 83-76 with 3:14 remaining in the half before finishing off the victory. Galette scored 12 second-half points. The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .The AP Top 25 men’s college basketball poll is back every week throughout the season! Get the poll delivered straight to your inbox with AP Top 25 Poll Alerts. Sign up here . LAWRENCEVILLE, N.J. (AP) — CJ Luster II’s 20 points helped Stony Brook defeat Rider 72-55 on Saturday. Luster shot 7 for 11, including 6 for 9 from beyond the arc for the Seawolves (3-7). Joseph Octave scored 14 points, shooting 5 for 12 (1 for 4 from 3-point range) and 3 of 4 from the free-throw line. Ben Wight shot 5 of 7 from the field to finish with 12 points. The Seawolves snapped a five-game losing streak. Jay Alvarez led the Broncs (4-7) in scoring, finishing with 13 points and two steals. Rider also got 13 points, four assists and two steals from Aasim Burton. Tariq Ingraham also had seven points. Stony Brook took the lead with 4:48 left in the first half and did not relinquish it. Luster led their team in scoring with 12 points in the first half to help put them up 34-24 at the break. Stony Brook extended its lead to 50-33 during the second half, fueled by a 12-0 scoring run. ___ The Associated Press created this story using technology provided by Data Skrive and data from Sportradar .

Australians reportedly among six hit when taxi veered into pedestrians in New York