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FRANKFORT, Ky. (AP) — Looking for hard-to-find bottles of Kentucky bourbon to toast the holidays or add to a collection? Get your bids ready as the Bluegrass State launches its first online auction of confiscated alcohol. Whiskeys up for sale include two bottles of Old Rip Van Winkle, a Blanton’s Single Barrel Gold in box with Japanese markings and a bottle of Four Roses Small Batch Barrel Strength 2011. The sale is the result of a new Kentucky law, which allows alcohol confiscated from closed criminal investigations by the state’s alcoholic beverage control agency to be auctioned. Online bidding opens Wednesday and closes at midnight on Dec. 11. Proceeds will support programs promoting responsible alcohol use by adults and awareness programs for youths. “This is a really good auction,” Eric Gregory, president of the Kentucky Distillers’ Association, said by phone Tuesday. “There are some hard-to-find and rare bottles on there.” No estimate has been given on how much the auction might raise. “We look forward to seeing the response to this auction and have started planning additional auctions for 2025,” said Allyson Taylor, commissioner of the Kentucky Department of Alcoholic Beverage Control. The auction features 32 bottles of alcohol and includes a “stock the bar” bundle with bottles of wine, vodka, rum and whiskey, the agency said. But the stars are the hard-to-find and rare bourbons up for sale. “It’s not every day you go to a liquor store and find a bottle of Blanton’s Gold,” Gregory said. “You never go to a liquor store and find a bottle of Four Roses 2011.” The lineup includes bottles of E.H. Taylor bourbon, Blanton’s Single Barrel, Eagle Rare 10 yr., Weller Antique 107, Willett Family Estate Single Barrel Rye, Michter’s, an Old Forester gift set and more. A link to the online auction is available at ABC.ky.gov. Auction items cannot be shipped, so winning bidders must pick up items in Frankfort, the state said. The auctions will become a “can’t miss opportunity” for bourbon connoisseurs, Gregory said. Previously, confiscated bourbon or other spirits could end up being destroyed, he said. “We don’t like to see good bourbon poured down the drain,” Gregory said. Kentucky distillers produce 95% of the global bourbon supply, the Kentucky distillers’ group says. Bruce Schreiner, The Associated PressAs we build toward the 2024 Billboard Music Awards on Dec. 12 and Billboard’s Year-End Charts reveal on Dec. 13, check out our editorial list of staff picks for the best K-pop albums of the year. As is seemingly tradition, the K-pop industry has plenty to celebrate when reflecting on the year’s album milestones. 2024 featured record-breaking achievements, inventive breakthroughs and a wealth of impactful projects to solidify K-pop’s ever-growing global presence as a commercial and creative force. Stray Kids, ATEEZ and TWICE dominated the Billboard 200, earning their fifth, second and first No. 1 albums in America, respectively. Their successes contributed to a historic moment when three K-pop acts—BTS’ Jin, ENHYPEN and ATEEZ—simultaneously ranked in the top 10. Elsewhere, celebrated projects led several artists to their first-ever appearances on the Billboard 200, while rising, next-generation stars P1Harmony and BOYNEXTDOOR climbed to new peaks. But 2024 wasn’t just about breaking records, but also a year when artists pulled listeners deeper into their worlds. Beloved solo stars like ONEW, Baekhyun, Yves and D.O released their first projects under new labels, showcasing their individuality after departing longtime agencies. Meanwhile, superstars like IU, RM, DAY6, SEVENTEEN and tripleS delivered some of their most ambitious work yet, blending innovative concepts with personal storytelling. From K-pop icons to promising rookie acts, R&B wunderkinds and even one virtual boy band, check out our full list of the best K-pop album below — and be sure to check for our top K-pop songs of 2024 list, too. P1Harmony rises up the charts chart with each album release, and September’s Sad Song EP didn’t just mark their best positions yet (No. 16 on the Billboard 200 and No. 1 on World Albums), but their most expansive and involved work to date. The title track/single allowed P1H the chance to play with Latin pop and hip-hop sounds as the members took more creative control on songs they felt would round out their live setlists and become future fan favorites. Intak and Jongseob teamed up for the rap cut “WASP,” Jiung took the lead on rock anthem “Last Call,” as leader Keeho brought light reggae vibes for “It’s Alright.” No sad songs here — just impressive versatility shooting P1Harmony up the charts. – Jeff Benjamin RESCENE is a rookie girl group to keep your eye on in 2025. Living up to their name, which combines “scene” and “scent,” every corner of their first EP is infused with fragrant nostalgia and glistening melodies. From the dreamy pop ballad “New World” and blissed-out R&B of “Pinball” to their crown electro-pop jewel “LOVE ATTACK,” SCENEDROME is less sensory overload than a smooth spritz of perfume. Opener “Lucky You,” meanwhile, has a regal elegance that seems to signal the arrival of new K-pop queen bees. — Abby Webster Jin’s much-anticipated first set since being dismissed from military service in June is an impressively realized pop-rock debut. The open-road singalong “Running Wild” sounds like a lost banger from The Killers’ classic period, while “I’ll Be There” could have been a Fitz and the Tantrums favorite 15 years earlier. It’s not all ’00s retro, though: WENDY duet “Heart on the Window” has an ’80s-derived smoothness and modern pop sheen that could actually slot it right between Harry Styles and Sabrina Carpenter jams on contemporary top 40. Like pretty much every solo debut from a BTS alum thus far, Happy shows Jin already firmly in his own lane, and ready to speed toward individual success. — Andrew Unterberger EPEX solidified their place as a K-pop force to be reckoned with in 2024 with two full-length albums to showcase and expand their musical and conceptual ranges. Youth Chapter 2: Youth Deficiency captures a nuanced message of embracing deficiencies as part of one’s journey, presenting a relatable narrative that can resonate with today’s youth and flip the definition of deficiency. The LP builds on the foundation laid by Youth Chapter 1: Youth Days (which made Billboard ‘s Best K-Pop Albums of the Year So Far list earlier this year), which highlighted the ordinary moments of adolescence. In contrast, Chapter 2 ‘s eight tracks delve into themes of imperfection, choice and personal growth via standouts like the anthemic pop single “UNIVERSE,” the nostalgic synth-pop-rock gem “1997” and the reflective “Loner.” — J.B. Anchored by creatively contrasting singles like the rebellious, boundary-pushing “Dangerous” and the self-assured synth-pop anthem “Nice Guy,” BOYNEXTDOOR’s 19.99 encapsulates youthful camaraderie and freedom. The group’s ability to channel real-life experiences into their music adds an authenticity that resonates deeply with fans, helping them secure 19.99 as their first No. 1 on Billboard ’s World Albums chart and hit the top 40 of the Billboard 200, previewing the potential of these standout rookies. — J.B. IVE SWITCH cements the girl group’s status as industry trendsetters by showcasing their versatility and depth. With two lead singles, the irresistible, “No Diggity”-sampling party anthem “HEYA” and the intricate, tempo-shifting “Accendio,” the album balances commercial appeal with creative risk-taking. Meanwhile, tracks like “Ice Queen” and “Blue Heart” further enrich the record and speak to IVE’s larger themes of self-love, the latter being penned by member Jang Wonyoung as a meditation on the challenges of K-pop idol life, metaphorically describing the transformation of an idol’s heart into something icy yet resilient. — J.B. Stray Kids’ fifth No. 1 album on the Billboard 200 in under three years presents the octet succeeding in an impressive variety of styles. The growling rap-rock of album opener “Mountains” and near-reggaetón thunderousness of hit single “Chk Chk Boom” make for a bombastic one-two opening, but “Runner” starts out marching to a near-militaristic NY drill beat, then takes flight into a soaring drum-n-bass chorus. Meanwhile, “Twilight” marinates on a low-key piano shuffle, and the group’s self-titled anthem plays like a fist-pumping version of Justin Bieber’s “Ghost,” complete with one of the year’s best sing-along choruses. The Stray Kids might’ve ATE with the eight-track set, but their fans will also certainly leave feeling fed. — A.U. For the iKON member’s long-awaited full-length solo album, Nakseo makes a deeply personal and versatile record: DK wrote and co-produced every track. From the mellow, guitar-laden vibes of “LTNS” to the irresistible soul of “Groovin,” the album masterfully bridges R&B and K-pop to show his appreciation for both worlds. Collaborations with artists like Punch and his iKON bandmate Bobby enhance the album’s dynamic range, as do the album’s explorations of electronic and dance elements to add vibrancy to DK’s sonic palette. Closing with tracks like “??” and “Genre” leave the LP as an open-ended invitation for what’s to come and what DK can offer in his future musical moves. – J.B. While initially establishing themselves as princes of dark K-pop, ENHYPEN has been embracing lighter sounds and tones in recent releases to consistently great results. The initial ROMANCE : UNTOLD album was centered around excellent, experimental pop singles like “XO (Only If You Say Yes)” — co-produced by “Golden Hour” star JVKE — and the Cirkut-helmed “Brought the Heat Back.” The -daydream- expanded reissue tacks on two tracks with “Daydream” and “No Doubt,” which use brilliantly subtle minimalism to show that not every K-pop smash needs to go toward maximalism. – J.B. D.O. titled his third mini album BLOSSOM to represent his artistic development and growth, which is undeniably felt with his first music project under his independently established agency, Company SooSoo, inspired by his full name Doh Kyung Soo. The personal touches stemming from D.O.’s own label are felt throughout BLOSSOM , which ranges from fanciful to introspective for a cohesive EP. Lead single “Mars” enchants with its whimsical charm and sounds like it could easily make its way onto top 40 pop radio, while standout album cut “Simple Joys” highlights D.O.’s animated vocal delivery against an ocarina-focused production (both are co-produced by Norwegian singer-songwriter Peder Elias). Meanwhile, the buzz single “Popcorn” delights with its playful whistle hook, delivering a bouncy, earworm-worthy experience. We hear true growth in the EP’s final tracks like the acoustic-led “My Dear” and the poignant closing ballad “About Time,” which explore themes of love, regret and self-reflection. With BLOSSOM , D.O. proves that his journey as an independent artist is just beginning to bud. — J. B. ZEROBASEONE’s You Had Me at HELLO blends the polished production we’ve come to expect from the mega-selling boy band with satisfyingly complex details. Tracks like “Solar POWER” and “Feel the POP” shift tempos and genres while “SWEAT” has a soulfulness to an otherwise standard party jam. Meanwhile, “Dear ECLIPSE” dips into R&B territory to highlight the members’ soaring falsettos as the heartfelt harmonies in “HELLO” underline a maturity that transcends their origins on the singing competition Boys Planet . These layers make the album both approachable and rewarding for deeper listening. – J.B. SEVENTEEN deserve a victory lap. Last year, the self-producing K-pop superstars sold a reported 10 million albums globally, with two projects reaching the upper echelons of the Billboard 200 . That’s not what really matters, according to them: “I don’t need money or fame,” the guys say in their latest and embody in lead single “LOVE, MONEY, FAME” featuring DJ Khaled. But between seductive disco sashaying (“Rain”) and infectious Miami bass bounce (“Eyes on You”), Spill the Feels is still a toast to their unending ambition. Nowhere is this clearer than on “Water,” a braggadocious trap banger from the Hip-Hop Team: “I stand on oceans,” they rap. “Yet I still feel thirsty.” — A.W. Trust Me is an apt title for the decade-long wait for the GOT7 member’s project, which acts as a masterclass in blending R&B, hip-hop and pop through its 14 tracks. From the sultry bossa nova opener “LA SOL MI” to the nostalgic ’80s synths of “SHINE” with K-diva Sumin, and the effortless hip-hop hooks in “1 M I N U T E ,” Trust Me offers one of the most satisfying listening experiences in K-pop this year. The LP balances moody, sultry R&B moments with brighter, smoother pop highlights. His knack for collaborations shines, particularly on the seductive “Ponytail” with Sik-K and the introspective “Say Nothing” featuring LeeHi. While R&B-pop producer mastermind GRAY is the most frequent collaborator on the record, tracks like the all-English closing cut “Summer Blues” — produced by Korean-music veteran and XG collaborator Chancellor — push Yugyeom to new areas to flex skills beyond any one style or genre. — J.B. A project from former LOONA members HaSeul, HeeJin, Kim Lip, Choerry and JinSoul, ARTMS (the name is inspired by the Greek goddess of nature and wild animals) officially debuted this year with DALL under the recently launched label MODHAUS. If you loved LOONA’s melodies but wished the group had enjoyed a bit more leeway to get weird, ARTMS is for you. “Usually, the company tells us what to do, but now, since we’re active players and debuting again, we wanted to work on the identity of ARTMS. We gave a lot of input in the songs and concepts,” HeeJin told Billboard in October . The pumping pop of “Virtual Angel” shows off their gorgeous vocal blend; “Sparkle,” which the group wrote the lyrics for, has a swaggery ‘90s R&B flavor; “Flower Rhythm” brings to mind Ariana Grande when she’s melding the dancefloor with R&B rhythms; and “Candy Crush” – with its pillowy horns and even a flute – is as irresistible as the game. The album’s most unexpected moments might be its best. “I’m falling into your kaleidoscope” they sing on the woozy, disorienting “Butterfly Effect,” which sets the stage for the dark electro of “Birth,” an ambitious, marvelous song that evokes Reputation -era Taylor and explores how love can go wrong. — Joe Lynch Upon release, Fourever marked a triumphant new chapter for DAY6 to solidify the K-pop rock band’s place as a force in both the K-pop and global rock scenes with a reinvigorated sound. The project’s success was underscored by the chart-topping album cut “HAPPY,” which not only hit No. 1 in South Korea but also earned the band their first entry on the Billboard Global Excl. U.S. cha r t . With revving guitars and anthemic chorus, “HAPPY” encapsulates a universal yearning for joy, as the members plead “May I be happy?” and affirm their resolve with, “So help me / ...Tell me it’s okay to be happy.” Meanwhile, the album’s opening track and lead single, “Welcome to the Show,” signals DAY6’s readiness to take on the world’s biggest stages with stadium-sized, exhilarating hooks (the song seems like an instant crowd-pleaser and future concert staple). “The Power of Love” delights with buoyant synths, while “Get the Hell Out” channels punk fury with pounding drums and biting lyrics, and the haunting “Sad Ending” rounds out the album, blending eerie piano work with layered vocals to create a chilling, emotional closer. As DAY6 gear up for their 10th anniversary in 2025, this album cements their status as K-rock stars primed for growing recognition. – J.B. NMIXX lapped a few of their K-pop peers this year, all thanks to Fe304: Break ’s artful course correct that transformed the experimental girl group’s signature, polarizing “MIXX pop” genre-mashing into more of a subtle deconstruction. This time, singles “DASH” and “Soñar (Breaker)” kept pace instead of mid-song tempo switches that derail momentum. Spread out over 20 minutes, this rollicking EP is a rollercoaster ride of country twang and rock ( “Run for Roses” ), industrial hip-hop (“BOOM”), pulsing Jersey club (“Passionfruit”), delicate R&B (“XOXO”) and more. It’s thankfully not a total revision of their unique sound, which is why this “NMIXX, change up” sticks the landing. — A.W. A testament to Baekhyun’s artistic independence, Hello, World marks the EXO member’s first project outside his longtime label, SM Entertainment. The album showcases a newfound approach — he told Billboard how he was deeply involved in every aspect, from production to visual storytelling. Tracks like the bossa nova-inspired “Rendez-Vous” and the synth-pop lead single “Pineapple Slice” strike a perfect balance between his signature silky R&B stylings and experimental departures. Meanwhile, the powerhouse vocalist takes on new artistic challenges, like the rap-inspired “Cold Heart,” which highlights his growth as a performer. Hello, World is not just Baekhyun reclaiming his place as one of K-pop’s top soloists, but a reintroduction and a bold new era for his career. — J.B. Yves has big things on the horizon, and she knows it: “You know I fly high, just feel it/ I’mma go far, just give me a minute,” she bids on the A.G. Cook-inspired lead single “Viola,” a testament to the burgeoning soloist’s serious aesthetic chops. On the heels of that sonic sledgehammer (“Let’s get dumb and break sh-t,” it opens) come silky and sulky B-sides “Hashtag” and “Gone Girl” : “You’re five-star criminal for putting me aside,” Yves grouses with panache on the former. I Did ‘s closer “DIM” is truly in a lane of its own — the instrumental outro is a tearjerker even sans words. — A.W. A new chapter for ONEW following the SHINee leader and soloist’s departure from SM Entertainment, FLOW lets the K-pop veteran step into a more hands-on creative role, writing all six tracks to curate a more personal project in his first under GRIFFIN Entertainment. With a blend of dreamy synth-pop, jazz influences and innovative vocal deliveries, FLOW showcases ONEW’s artistry as both a performer and songwriter, capturing the essence of a seasoned artist unafraid to push boundaries. Lead single “Beat Drum” encapsulates the album’s playful yet profound themes, pairing percussion-driven beats with clever lyricism to reflect ONEW’s nearly two decades of dedication to music. The EP is a testament to his growth as an artist and the opportunities provided by GRIFFIN, a place that can encourage him to flourish to cement his legacy as a K-pop trailblazer but also set the stage for even greater heights in his solo career. – J.B. A landmark K-pop album of 2024, ASSEMBLE24 proves that a 24-member girl group can craft a cohesive and accessible listening experience. For the first time, every member of the two-year-old tripleS girl-group project united to deliver a genre-spanning record that is as ambitious as it is satisfying. The LP is centered around the empowering lead single “Girls Never Die,” which ingeniously ensures that each member gets a moment to shine and remains true to the LP’s name that all 24 stars are assembled and ready for action. The album’s sonic standout moments are plentiful: “White Soul Sneakers” delves into Afrobeats and acid funk amid entertaining tempo and musical shifts; “Midnight Flower” charms with a bubbly, ’80s-inspired pop-rock foundation; “Dimension” embodies a New Jack Swing groove; and “24” channels quintessential tripleS with strong synths, playful hooks and groovy percussions. ASSEMBLE24 feels like a celebration of the type of creativity and unity that is especially unique to K-pop. — J.B. “I’m a bit rusty,” NCT 127 say on “Walk,” though the line isn’t meant to be self-effacing. Rather, it’s a humble brag about the team’s je nais se quois — which has remained strong amid member exits and hiatuses — on full display on their sixth studio album. As always, the masterful production is in top form thanks to SM Entertainment’s elite squad behind the scenes. There are enchanting details to home in on with every song: saxophone grooves (“Orange Seoul”), dirty basslines (“Pricey”) and noirish, neo-soul flutes (“Rain Drop”). Plus, “Can’t Help Myself” and “No Clue” reassert their status as vocal powerhouses in the K-pop industry, rounding out one of their most cohesive projects yet. “I’m in the studio day and night,” Mark raps on “Intro: Wall to Wall.” And the effort is evident. — A.W. As a virtual boy band, PLAVE could have technically focused on a number of aspects beyond great songs but the CG-crafted boy band has music at its heart. ASTERUM: 134-1 opens with the smooth,r reggaeton-infused “Watch Me Woo!” — a track that will immediately grab anyone’s attention — before diving into the rock-pop brilliance of centerpiece single “Way 4 Luv.” Emotional highlights like “From” showcase the group’s harmonies over stark piano, while “Our Movie” picks up with R&B production mixed with shout-along choruses. The standout “Virtual Idol” directly confronts skeptics of PLAVE’s artistic legitimacy, flipping the narrative with a self-empowerment anthem built on an infectious hip-hop production. While PLAVE’s members are virtual, their talents are anything but artificial. Utilizing motion-capture technology, they bring a human depth to their projects, which is mirrored in the album’s masterful songwriting and production, with all five members heavily involved in crafting the sound. — J.B. “It’s us speaking to each other and encouraging each other,” Jihyo told Billboard in February of With YOU-th . It was clearly a conversation fans wanted to here; the next month, the EP gave TWICE their first No. 1 on the Billboard 200. The six-song project is bookended by tracks that emphasize the nine-piece band’s togetherness: “I Got You” is a sparkling, buoyant anthem with Carly Rae Jepsen vibes about how the girl group’s members rely on each other in a crazy world, and closer “You Get Me” is an uplifting song about a friend who always sees “the best me.” In between, TWICE flaunt determination and attitude on the thumping, chant-filled “New New,” flex into lightly funky territory on “BLOOM” (written by Jeongyeon) and experiment with Jersey club on “Rush,” which Chaeyoung wrote after finding inspiration in PinkPantheress. And they’re not slowing down – they recently dropped Strategy , featuring Megan Thee Stallion on the simmering title track. – J.L. IU did something rather unique when it comes to her (immaculate) discography: She released an album full of positivity. While the K-pop queen has released some of K-pop’s most devastatingly beautiful and masterfully melancholy songs, The Winning explores IU’s internal growth and personal satisfaction. Anchored by the poignant ballad lead single “Love Wins All,” which stars IU alongside BTS’s V in its cinematic music video, the anthemic track provides a grounded sense of hope. From the groove percussion on “Holssi” where IU confidently declares, “Fly high to bloom/ ...I’m gonna go to win,” to the aspirational synth-pop of “Shopper,” plus the seamless blend of musical generations and styles for “Shh..,” featuring NewJeans member Hyein, rock singer Wonsun Joe and narration from 86-year-old Korean music legend Patti Kim, the project epitomizes IU’s ability to innovate while maintaining a timeless essence. As we approach the end of 2024, The Winning is particularly apt title for IU’s latest project after the starlet sold out her first-ever U.S. tour this year, hitting six arenas across the States in support of the EP. — J.B. RM’s Right Place, Wrong Person is not just the best K-pop album of 2024 — it’s one of the year’s most daring musical statements across any genre. Across a tight 34 minutes, RM lays bare his psyche for listeners to enter, navigating themes of identity, vulnerability and liberation. Tracks like the introspective “Come Back to Me” (the English pre-release single would sound right at home on alternative radio) and the boundary-pushing “Domodachi,” featuring Little Simz, (boasting a blend of languages, emotions, sounds and cultural aspects) highlight his willingness to experiment to the point that the LP is as intricately sonic as it is emotionally personal. Building on the excellence of his 2022 solo debut Indigo (which Billboard named the best K-pop of that year ), this latest effort is a monumental leap and spits in the face of genre confines. RM effortlessly shifts from hip-hop to jazz, Afrobeats to punk while maintaining an artistic coherence uniquely his own. The album’s lyrics—balancing self-interrogation with poignant social commentary—find their perfect counterpart in lush productions crafted by his trusted TEAM RM collaborators, showcasing RM’s growth as both a musician and a storyteller. Beyond the music, RPWP gains added resonance through its companion documentary, RM: Right People, Wrong Place . The doc captures the BTS leader’s creative journey and the dichotomy between RM, the global superstar, and Kim Namjoon, the ordinary young man. This pairing of album and film solidifies RM’s position as a pioneer in making K-pop more personal and accessible today, but also as a vital voice in contemporary music. Whether he believes it, RM is indeed the right person in the right place to blend raw authenticity with visionary artistry to create a masterwork to transcends cultural and genre boundaries — and push us toward living in a less divided world. —J.B.
Apple Seen Having Strong Holiday Sales. Stock Hits Record High.NEW DELHI Prime Minister Narendra Modi on Tuesday emphasised that the spirit of “Nation First” will ensure the enduring relevance of India’s Constitution for centuries, as he highlighted the extension of the Constitution to Jammu and Kashmir—where Constitution Day was celebrated for the first time this year—and asserted India’s firm resolve to respond decisively to threats from terror organisations. Speaking at the Constitution Day celebrations hosted by the Supreme Court, Modi called the Constitution a living document that reflects the aspirations of a vibrant and evolving nation. “Our Constitution is not just a lawyer’s document; it is a spirit—a spirit of the age” said the PM, paying tribute to the framers of the Constitution while adding that their vision gave India the flexibility to adapt the document to meet contemporary challenges while remaining true to its foundational principles. Addressing a distinguished gathering that included Chief Justice of India Sanjiv Khanna, senior Supreme Court judges -- justices Bhushan R Gavai and Surya Kant, attorney general R Venkataramani and other legal luminaries, Modi underlined the Constitution’s role in guiding India through difficult times, from the Emergency to the complex sociopolitical transformations over 75 years. Highlighting the flexibility and foresight embedded in the Constitution, Modi said that the makers of the Constitution understood that India’s dreams and aspirations would evolve over time, adding that the document serves not just as a record of laws but as a “living, continuously flowing stream” that adapts to the nation’s changing needs. “Our Constitution is a guide to our present and our future...it has met every need and expectation of the country,” he said. Modi maintained that it was only through the power of this document that Jammu and Kashmir (which had its separate Constitution until August 5, 2019, when the special status of the erstwhile state was abrogated) had been fully integrated into the constitutional framework. “It is only by the power granted by the Constitution that the Constitution framed by Dr Bhimrao Ambedkar was in force even in Jammu and Kashmir today. Today for the first time, Constitution Day was celebrated in Jammu & Kashmir,” he added. In a solemn reflection, Modi also linked Constitution Day to the anniversary of the 26/11 Mumbai terror attacks, paying homage to the victims. He reassured the nation of India’s steadfastness in safeguarding its security. “India will give a befitting reply to every terror organisation that threatens its security and integrity,” asserted Modi, connecting this resolve to the duties enshrined in the Constitution. Pointing out the cultural ethos captured in the Constitution’s original manuscript, Modi noted the inclusion of illustrations depicting figures such as Lord Ram, Goddess Sita, the Buddha, and Guru Gobind Singh, and added that these images symbolise the deep connection between our Constitution and India’s timeless human values. “Human values are the basis of today’s Indian policies and decisions”, said the PM. He further noted that the government’s recent legal and policy reforms, including the introduction of the Bharatiya Nyay Sanhita (which has replaced the Colonial-era Indian Penal Code from July 1), reflected this ethos by shifting from a punitive to a justice-based system. Modi outlined the government’s efforts to uphold the constitutional promise of social justice and equality as he referred to the Women’s Reservation Bill as a historic step toward greater political representation for women and highlighted measures aimed at empowering marginalised communities, including third-gender individuals and differently abled citizens. He also praised transformative initiatives such as the opening of over 530 million Jan Dhan bank accounts, providing 120 million households with tap water connections, and ensuring affordable health care through Ayushman Bharat. These steps, he said, were part of a broader mission to enhance the ease of living for citizens and fulfill the constitutional commitment to dignity and equality. The PM underscored the importance of infrastructure and technological development in realising the aspirations of a “Viksit Bharat” (Developed India). From electrifying remote villages to providing high-speed broadband in the Andaman and Nicobar Islands through underwater optical fibre cables, Modi highlighted projects that have brought modern connectivity to previously underserved areas. “Rapid development of modern infrastructure is a great necessity for the development of the country. The completion of infrastructure projects on time ensures saving of money as well as ensuring the utility of the project itself,” said Modi. He added that infrastructure projects were regularly reviewed using the PRAGATI platform, chaired by the PM himself, and more than ₹ 18 lakh crore worth of projects were reviewed and the obstacles facing them were removed. “These efforts are ensuring the progress of the country as well as strengthening the basic spirit of the Constitution,” he said. Modi also referenced the aspirational districts program, which has transformed some of India’s most underdeveloped regions, and the PM Swamitva Yojana, which uses drone technology to provide legal land records to rural households. Concluding his address, Modi invoked the words of Dr Rajendra Prasad, the first President of India, who had emphasised the need for honest leadership prioritizing the nation’s interests. Echoing this sentiment, Modi said: “The spirit of ‘Nation First’ will keep the Constitution alive for centuries.” In a reflective tone, PM Modi also acknowledged the limits set by the Constitution on his authority. “Samvidhan ne mujhe jo kaam diya hai, maine ussi maryada mein rehne ka prayas kiya hai. Maine koi encroachment ki koshish nahin ki hai (I have always tried to work within the boundaries prescribed by our Constitution and have never attempted any encroachment),” he said. Even as the PM did not elaborate on his remarks that came at the end of his address, he added: “Maine apne maryaadaon ko sambhalte hue apni baat ko rakha hai. Yahan to ishara hi karna hota hai, zyada kuch kehne ki zarurat nahin hoti hai (one only needs to hint; there is no need to say much here).”
NEW YORK, Nov. 26, 2024 (GLOBE NEWSWIRE) -- The Gross Law Firm issues the following notice to shareholders of Elanco Animal Health Incorporated (NYSE: ELAN). Shareholders who purchased shares of ELAN during the class period listed are encouraged to contact the firm regarding possible lead plaintiff appointment. Appointment as lead plaintiff is not required to partake in any recovery. CONTACT US HERE: https://securitiesclasslaw.com/securities/elanco-animal-health-incorporated-loss-submission-form/?id=113423&from=3 CLASS PERIOD: November 7, 2023 to June 26, 2024 ALLEGATIONS: The complaint alleges that during the class period, Defendants issued materially false and/or misleading statements and/or failed to disclose that: (i) Zenrelia, a once-daily oral inhibitor for canine dermatology, was less safe than the Company had led investors to believe; (ii) Elanco was unlikely to meet its own previously issued timeline for the U.S. approval and commercial launch of both Zenrelia and Credelio Quattro, a broad spectrum parasiticide product for dogs; (iii) accordingly, the Company’s business and/or financial prospects were overstated; and (iv) as a result, the Company’s public statements were materially false and misleading at all relevant times. DEADLINE: December 6, 2024 Shareholders should not delay in registering for this class action. Register your information here: https://securitiesclasslaw.com/securities/elanco-animal-health-incorporated-loss-submission-form/?id=113423&from=3 NEXT STEPS FOR SHAREHOLDERS: Once you register as a shareholder who purchased shares of ELAN during the timeframe listed above, you will be enrolled in a portfolio monitoring software to provide you with status updates throughout the lifecycle of the case. The deadline to seek to be a lead plaintiff is December 6, 2024. There is no cost or obligation to you to participate in this case. WHY GROSS LAW FIRM? The Gross Law Firm is a nationally recognized class action law firm, and our mission is to protect the rights of all investors who have suffered as a result of deceit, fraud, and illegal business practices. The Gross Law Firm is committed to ensuring that companies adhere to responsible business practices and engage in good corporate citizenship. The firm seeks recovery on behalf of investors who incurred losses when false and/or misleading statements or the omission of material information by a company lead to artificial inflation of the company's stock. Attorney advertising. Prior results do not guarantee similar outcomes. CONTACT: The Gross Law Firm 15 West 38th Street, 12th floor New York, NY, 10018 Email: dg@securitiesclasslaw.com Phone: (646) 453-8903
A chorus of support is growing behind actress Blake Lively after she filed a complaint alleging sexual harassment and a smear campaign against "It Ends With Us" co-star Justin Baldoni. Actress Amber Heard on Monday became the latest celebrity to speak out on behalf of the "Gossip Girl" alum over what she says was a coordinated social media effort to tarnish her name. Over the weekend, Lively filed a complaint claiming that Baldoni and a lead producer had behaved unacceptably during the filming of box office hit "It Ends With Us." The allegations included that Baldoni -- who also directed the film -- had spoken inappropriately about his sex life, and had sought to alter the film to include sex scenes that were not in the script and had not been agreed to. They also detailed how lead producer Jamey Heath had watched Lively while she was topless, despite having been asked to turn away. But the complaint goes into great detail -- including with texts and emails -- on a PR campaign to wreck her reputation and to divert attention from any public comments she might make about the men's alleged misbehavior. This was "a carefully crafted, coordinated, and resourced retaliatory scheme to silence her, and others from speaking out about the hostile environment that Mr Baldoni and Mr Heath created," the complaint says. It includes allegations that the two men hired a crisis PR team that amplified or planted negative stories about Lively on social media platforms. "You know we can bury anyone," Melissa Nathan, a member of the team, is alleged to have said, according to messages contained in the complaint. Heard's ex-husband Johnny Depp hired the same PR team during the high-profile defamation trial between the couple in 2022, in which a jury unanimously found that Heard defamed Depp over allegations he abused her. "Social media is the absolute personification of the classic saying 'A lie travels halfway around the world before truth can get its boots on,'" Heard said in a statement carried by NBC News. "I saw this firsthand and up close. It's as horrifying as it is destructive." Heard's support came on the heels of a joint statement by America Ferrera, Amber Tamblyn and Alexis Bledel, who starred with Lively in "The Sisterhood of the Traveling Pants." "As Blake's friends and sisters for over 20 years, we stand with her in solidarity as she fights back against the reported campaign waged to destroy her reputation," they wrote on Instagram. "Throughout the filming of 'It Ends with Us', we saw her summon the courage to ask for a safe workplace for herself and colleagues on set, and we are appalled to read the evidence of a premeditated and vindictive effort that ensued to discredit her voice." A lawyer for Wayfarer, the studio behind the film, said in a statement released to the New York Times that neither the studio, its executives, nor its PR team did anything to retaliate against Lively. "These claims are completely false, outrageous and intentionally salacious with an intent to publicly hurt and rehash a narrative in the media," lawyer Bryan Freedman wrote. The complaint was lodged with the California Civil Rights Department, and is a precursor to a lawsuit. Major Hollywood talent agency WME -- which represents Lively -- has reportedly dropped Baldoni as a client. hg/ahaSMArtX Advisory Solutions Unveils Q4 Select List Highlighting Elite Investment StrategiesEmpty Stocking Fund raises $20,000
Man City stumble again while Arsenal and Bayern Munich earn dominant wins‘Had enough’: Welcome to Country ceremonies banned from local Qld community
Canucks lines vs Sharks, December 23, 2024
French President Emmanuel Macron named a new government Monday evening, putting together a team under Francois Bayrou, his fourth prime minister of the year, to drag the second-largest EU economy out of political crisis. Macron named former prime minister Elisabeth Borne, 63, education minister in a new cabinet under centrist Bayrou, announced Elysee secretary-general Alexis Kohler. Another former premier, Manuel Valls, 62, returned as overseas territories minister, while former interior minister Gerald Darmanin became justice minister. Both Defence Minister Sebastien Lecornu and Foreign Minister Jean-Noel Barrot kept their jobs, the presidency said. Lecornu, a 38-year-old loyalist with a keen political nose, has served in every government since Macron's first election as president in 2017. Conservative Interior Minister Bruno Retailleau, who has vowed to crack down on illegal immigration, and right-wing Culture Minister Rachida Dati, also stayed in their posts. The difficult job of delivering a budget plan for next year falls to Eric Lombard, head of public-sector lender Caisse des Depots (CDC), who was named economy minister. "I'm very proud of the team we're presenting this evening," Bayrou said on X, adding his "experienced" cabinet would aim to "rebuild trust". The inclusion of two former prime ministers indicates Macron's desire for a heavyweight government that will enjoy stability and not share the fate of Bayrou's predecessor, Michel Barnier, ousted in a no-confidence vote. Bayrou had hoped to bring in figures from the left, right and centre to protect his government from possible censure, but his 35-member team does not include any members of the left-wing coalition New Popular Front. Macron will assemble Bayrou's team on January 3 for a first Council of Ministers meeting, the presidency said. Barnier was brought down over his failure to win support for an austerity budget to shore up France's shaky finances with spending cuts and tax rises. The priority for 73-year-old Bayrou is to make sure his government can survive a no-confidence vote and that it passes a cost-cutting budget for 2025. The unexpected comeback of Valls, premier from 2014 to 2016, as the head of the overseas territories ministry indicates the importance of the post after authorities were strongly criticised for their response to the deadly cyclone on the Indian Ocean territory of Mayotte, which killed at least 35 people. Darmanin had long been known to covet the post of foreign minister, but after days of intense discussions will have to content himself with the justice ministry. Just before the official announcement, heavyweight right-wing politician Xavier Bertrand, who had been tipped for the health ministry, announced he would not be part of the government. He alleged that it had been formed with the implicit "backing" of far-right leader Marine Le Pen, who will play a key role in ensuring its survival. "The prime minister informed me this morning, contrary to what he had proposed yesterday, that he was no longer in a position to entrust me with responsibility for the justice ministry due to opposition from (Le Pen's) National Rally," Bertrand said in a statement. "Despite his new proposals, I refuse to take part in a government of France formed with the backing of Marine Le Pen." Bertrand is a major irritant for the far right, which he has long opposed. Le Pen on March 31, 2025 faces the verdict in an embezzlement trial on charges she denies. If convicted, she could lose the chance of standing in the 2027 elections and with it her best chance yet of winning the presidency. The announcement came as France observed a day of mourning for victims in cyclone-hit Mayotte, France's poorest overseas territory. Bayrou, the head of the centrist MoDem group, which is allied to Macron's party, was appointed on December 13. He is the sixth prime minister of Macron's mandate. Many already predict Bayrou will struggle to survive. France has been mired in deadlock since Macron gambled on snap elections this summer in the hopes of bolstering his authority. The move backfired, with voters electing a parliament fractured between three rival blocs. Le Pen suggested Macron has been weakened by months of political crisis and would eventually have to resign. "I am preparing for an early presidential election," she told French newspaper Le Parisien last week. bur-as/jhbSupport grows for Blake Lively over smear campaign claim
ANAHEIM, Calif. (AP) — Anaheim Ducks forward Trevor Zegras will be out for six weeks after undergoing surgery to repair a torn meniscus in his right knee. Zegras had surgery Thursday, the team announced. Zegras was injured last week on a fairly innocent-looking play during the Ducks' 4-1 loss to Vegas in Anaheim. Zegras and William Karlsson only briefly got their skates and stick blades entangled, but Zegras needed help to get off the ice after taking a fall. Zegras' torn meniscus is his third major injury in just over a year, although a torn meniscus is likely a fortunate outcome for a knee injury that could have been much worse. He was limited to 31 games last season by two injury setbacks, including a broken ankle that required surgery. Zegras has four goals and six assists in 24 games this season for Anaheim, which had lost four straight heading into its road game against Toronto on Thursday night. The Ducks surprisingly activated forward Robby Fabbri from injured reserve before they faced the Maple Leafs. Fabbri had arthroscopic knee surgery on Nov. 15 and is progressing much faster than his initial predicted timeline of six to eight weeks. AP NHL: https://apnews.com/NHLNone
Manchester United teammates Rasmus Hojlund and Amad Diallo exchanged words after the final whistle of a 2-1 victory on Thursday. And manager Ruben Amorin has no problem with it. “For me, it’s a very, very good sign,” Amorin said after his team beat Viktoria Plzen to stay unbeaten in the Europa League. Hojlund scored two goals and hoped for a centering pass from Diallo to go for a hat trick in the final minutes. The Denmark striker didn't get the pass, though. Viktoria had been pushing forward looking for an equalizer, which created space for United counters. On another break shortly afterward, Hojlund opted to keep the ball. The pair then had a heated post-game exchange. “We need to feel something,” Amorin said. “If we need to fight each other, it's like a family. When you don't care, you don't do nothing. When you care — you fight with your brother, with your mother, your father.” AP soccer: https://apnews.com/hub/soccerFetal Monitoring Market Growing Size, Share, Revenue Growth, Top Key Companies, Industry Analysis, Advance Technology, Future Development & Forecast 12-10-2024 11:58 PM CET | Health & Medicine Press release from: ABNewswire The major players operating in this market are Cardinal Health, Inc. (US), Koninklijke Philips N.V. (Netherlands), GE Healthcare (US), Siemens Healthineers (Germany), FUJIFILM SonoSite, Inc. (US), Natus Medical Incorporated (US) Browse 221 market data Tables and 45 Figures spread through 246 Pages and in-depth TOC on "Fetal Monitoring Market by Product (Ultrasound, Fetal Monitors, Telemetry Devices, Fetal Electrodes), Portability (Portable, Non-portable), Method (Invasive, Non-invasive), Application (Antepartum, Intrapartum), End User, Region - Global Forecast to 2027 Fetal Monitoring Market [ https://www.marketsandmarkets.com/Market-Reports/fetal-monitoring-market-35700261.html?utm_source=abnewswire.com&utm_medium=referral&utm_campaign=paidpr ] size is projected to reach USD 5.2 billion by 2027 from USD 3.7 billion in 2022, at a CAGR of 7.3% according to a new report by MarketsandMarkets Trademark . The reimbursement for fetal monitoring, insurance policies for fetal monitoring services, and the more number of obstetrics and gynaecology centres are the major factors driving the growth of this market. Download PDF Brochure: https://www.marketsandmarkets.com/pdfdownloadNew.asp?id=35700261 [ https://www.marketsandmarkets.com/pdfdownloadNew.asp?id=35700261&utm_source=abnewswire.com&utm_medium=referral&utm_campaign=paidpr ] The ultrasound devices segment accounted for the largest share of the fetal monitoring market, by product segment, in 2021 The fetal monitoring market is segmented into ultrasound devices, electronic maternal/fetal monitors, fetal electrodes, fetal doppler devices, uterine contraction monitors, telemetry devices, accessories & consumables, and other products based on products. In 2021 ultrasound devices segment accounted for the larger share in the market. This segment's growth can primarily be attributed to the rising number of diagnostic clinics and maternity centers. Non-portable systems segment to register the highest growth rate during the forecast period Based on portability, the market is segmented into non-portable systems and portable systems. In 2021, non-portable systems accounted for the largest share of this market, owing to wide applications in hospitals and diagnostic centers to assess fetal and maternal health. Non-invasive method segment accounted for the largest share of the fetal monitoring, by method segment, in 2021 Based on the method, the market is segmented into invasive and non-invasive. In 2021, the non-invasive accounted for the largest share of this market. Non-invasive methods are widely accepted for their safer method of diagnosing and monitoring the fetus, especially in high-risk pregnancies and rising advanced technologies drive the growth of this segment. Antepartum segment accounted for the largest share of the fetal monitoring, by application segment, in 2021 The market is segmented into antepartum and intrapartum based on application. The antepartum segment accounts for the largest share of the fetal monitoring market. The diagnosis of any congenital fetal abnormalities, antepartum fetal monitoring is carried out during the gestation period. The increasing incidence of fetal anomalies drive the growth of the antepartum segment. Home care settings to register the highest growth rate during the forecast period Based on end users the market is segmented into hospitals, obstetrics & gynecology clinics, and home care settings. In 2021, hospitals accounted for the largest share of this market. This growth of this segment can be attributed to the growing number of pregnancy procedures, and availability of highly advanced facilities in hospitals. North America is the largest regional market for fetal monitoring market The global fetal monitoring market is segmented into North America, Europe, the Asia Pacific, and the Rest of the World. In 2021, North America was the largest regional market for fetal monitoring. The rising number of premature births in the region are the major factors supporting the growth of the fetal monitoring market in North America. However, the Asia Pacific region offers high-growth opportunities for players in the fetal monitoring market. This regional segment is projected to register the highest CAGR during the forecast period. Factors such as rising birth rates, and healthcare infrastructure improvements in several Asia Pacific countries are factors driving the market growth in the region. Request Sample Pages: https://www.marketsandmarkets.com/requestsampleNew.asp?id=35700261 [ https://www.marketsandmarkets.com/requestsampleNew.asp?id=35700261&utm_source=abnewswire.com&utm_medium=referral&utm_campaign=paidpr ] Fetal Monitoring Market Dynamics: Drivers: * Rising number of preterm births and increasing adoption of infertility treatment * Advanced and innovative fetal monitoring technologies * Government initiatives and increasing collaborations for research by health agencies * Reimbursement and insurance policies for fetal monitoring services * Active product launches by key manufacturers * Increasing number of obstetrics and gynecology centers for fetal monitoring Restraints: * High costs of fetal monitoring equipment * Availability of refurbished products Opportunities: * Development of non-invasive, portable, and advanced fetal monitors * Emerging markets and strengthening infrastructure Challenges: * Product recalls * Lack of skilled healthcare professionals Key Market Players: The major players operating in this market are Cardinal Health, Inc. (US), Koninklijke Philips N.V. (Netherlands), GE Healthcare (US), Siemens Healthineers (Germany), FUJIFILM SonoSite, Inc. (US), Natus Medical Incorporated (US), Huntleigh Healthcare Limited (UK), The Cooper Companies Inc. (US), CONTEC Medical Systems Co., Ltd. (China), EDAN Instruments, Inc. (China), Neoventa Medical AB (Sweden), Bionet Co., Ltd. (South Korea), Progetti Srl (Italy), TRISMED Co., Ltd. (Republic of Korea), ShenZhen Luckcome Technology Inc. (China), MedGyn Products, Inc (US), Dixion (Germany), Promed Group Co., Ltd. (Hong Kong), Advanced Instrumentations (US), BRAEL-Medical Equipment (Poland), GPC Medical (India), BISTOS (Korea), Mediana Co. Ltd (Korea), Life Plus Medical (India), ChoiceMMed (China), Trivitron Healthcare (India), Dott Medical Co. Ltd. (China), Shenzhen Comen Medical Instruments Co., Ltd. (China), Shenzhen Vcomin Technology Limited (China), Nemo Healthcare (Netherlands), MindChild Medical, Inc. (US), Melody International Ltd. (Japan), Janitri Innovations Pvt. Ltd. (India), and Laerdal Global Health (Norway). Get 10% Free Customization on this Report: https://www.marketsandmarkets.com/requestCustomizationNew.asp?id=35700261 [ https://www.marketsandmarkets.com/requestCustomizationNew.asp?id=35700261&utm_source=abnewswire.com&utm_medium=referral&utm_campaign=paidpr ] Media Contact Company Name: MarketsandMarkets Trademark Research Private Ltd. Contact Person: Mr. Rohan Salgarkar Email:Send Email [ https://www.abnewswire.com/email_contact_us.php?pr=fetal-monitoring-market-growing-size-share-revenue-growth-top-key-companies-industry-analysis-advance-technology-future-development-forecast ] Phone: 18886006441 Address:1615 South Congress Ave. Suite 103, Delray Beach, FL 33445 City: Florida State: Florida Country: United States Website: https://www.marketsandmarkets.com/Market-Reports/fetal-monitoring-market-35700261.html This release was published on openPR.
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