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Nissan and Honda to attempt a merger that would create the world's No. 3 automaker TOKYO (AP) — Japanese automakers Nissan and Honda have announced plans to work toward a merger that would catapult them to a top position in an industry in the midst of tectonic shifts as it transitions away from its reliance on fossil fuels. The two companies said they signed an agreement on integrating their businesses on Monday. Smaller Nissan alliance member Mitsubishi Motors agreed to join the talks. News of a possible merger surfaced earlier this month. Japanese automakers face a strong challenge from their Chinese rivals and Tesla as they make inroads into markets at home and abroad. What a merger between Nissan and Honda means for the automakers and the industry BANGKOK (AP) — Japanese automakers Honda and Nissan will attempt to merge and create the world’s third-largest automaker by sales as the industry undergoes dramatic changes in its transition away from fossil fuels. The two companies said they had signed a memorandum of understanding on Monday and that smaller Nissan alliance member Mitsubishi Motors also had agreed to join the talks on integrating their businesses. Honda will initially lead the new management, retaining the principles and brands of each company. Following is a quick look at what a combined Honda and Nissan would mean for the companies, and for the auto industry. Nordstrom to be acquired by Nordstrom family and a Mexican retail group in $6.25 billion deal Century-old department store Nordstrom has agreed to be acquired and taken private by Nordstrom family members and a Mexican retail group in a $6.25 billion deal. Nordstrom shareholders will receive $24.25 in cash for each share of Nordstrom common stock, representing a 42% premium on the company’s stock as of March 18. Nordstrom’s board of directors unanimously approved the the proposed transaction, while Erik and Pete Nordstrom — part of the Nordstrom family taking over the company — recused themselves from voting. Following the close of the transaction, the Nordstrom Family will have a majority ownership stake in the company. An analyst looks ahead to how the US economy might fare under Trump WASHINGTON (AP) — President-elect Donald Trump won a return to the White House in part by promising big changes in economic policy — more tax cuts, huge tariffs on imports, mass deportations of immigrants working in the United States illegally. In some ways, his victory marked a repudiation of President Joe Biden’s economic stewardship and a protest against inflation. It came despite low unemployment and steady growth under the Biden administration. What lies ahead for the economy under Trump? Paul Ashworth of Capital Economics spoke recently to The Associated Press. The interview has been edited for length and clarity. American consumers feeling less confident in December, Conference Board says American consumers are feeling less confident in December, a business research group says. The Conference Board said Monday that its consumer confidence index fell back in December to 104.7 from 112.8 in November. Consumers had been feeling increasingly confident in recent months. The consumer confidence index measures both Americans’ assessment of current economic conditions and their outlook for the next six months. The measure of Americans’ short-term expectations for income, business and the job market tumbled more than a dozen points to 81.1. The Conference Board says a reading under 80 can signal a potential recession in the near future. Stock market today: Wall Street rises at the start of a holiday-shortened week Stocks closed higher on Wall Street at the start of a holiday-shortened week. The S&P 500 rose 0.7% Monday. Several big technology companies helped support the gains, including chip companies Nvidia and Broadcom. The Dow Jones Industrial Average added 0.2%, and the Nasdaq composite rose 1%. Honda's U.S.-listed shares rose sharply after the company said it was in talks about a combination with Nissan in a deal that could also include Mitsubishi Motors. Eli Lilly rose after announcing that regulators approved Zepbound as the first prescription medicine for adults with sleep apnea. Treasury yields rose in the bond market. The internet is rife with fake reviews. Will AI make it worse? Researchers and watchdog groups say the emergence of generative artificial intelligence tools that allow people to efficiently produce detailed and novel online reviews has put merchants, service providers and consumers in uncharted territory. Phony reviews have long plagued many popular consumer websites, such as Amazon and Yelp. But AI-infused text generation tools enable fraudsters to produce reviews faster and in greater volume, according to tech industry experts. The deceptive practice is illegal in the U.S. and becomes a bigger problem for consumers during the holiday shopping season, when many people rely on reviews to buy gifts. A tech company and watchdog group that uses software to detect fake reviews says AI-generated reviews have multiplied. Romanian lawmakers narrowly approve new pro-European coalition during period of political turmoil BUCHAREST, Romania (AP) — Romanian lawmakers have voted narrowly in favor of a new pro-European coalition government led by incumbent Prime Minister Marcel Ciolacu. The move on Monday could usher in an end to a protracted political crisis in the European Union country following the annulment of a presidential election. Parliament approved the new administration in a 240-143 vote in the 466-seat legislature. The new coalition is made up of the leftist Social Democratic Party, the center-right National Liberal Party, the small ethnic Hungarian UDMR party and national minorities. President Klaus Iohannis swore in the new government on Monday night. Government regulators close investigation into Ford Focus recalls Government safety regulators are closing an investigation into two previous recalls of the Ford Focus after determining that Ford Motor Co. has satisfied its concerns. Ford recalled around 1.5 million Ford Focus sedans from the 2012-2018 model years in 2018 because they could lose power. The issue was a malfunctioning canister purge valve and software that didn’t adequately detect when it was stuck open. Ford fixed the software in two separate recalls, but after cars continued to stall, the government opened an inquiry last year. Earlier this fall, Ford offered to replace the canister purge valve on all of the vehicles, satisfying regulators' concerns. AI will eavesdrop on world's wildest places to track and help protect endangered wildlife PUERTO JIMÉNEZ, Costa Rica (AP) — A biologist hid 350 audio monitors across Costa Rica’s tropical rainforests to spy on endangered spider monkeys in order to help protect them. But she had to go back to collect the data and feed those sounds into artificial intelligence systems that can recognize monkey calls. Now tech giant Microsoft's philanthropic arm is hoping to supercharge AI-assisted wildlife research with new solar-powered devices that can capture sounds, images and other wilderness data for a year or more without human intervention. Researchers say more AI wildlife surveillance is urgently needed to monitor the health of species at risk of extinction.
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We have much to be thankful for this year. One of those things is the defeat of Proposition 5, which would have made it easier to raise property taxes. Affecting homes, apartment buildings and commercial real estate, Prop. 5 would have burdened Californians with a higher cost of housing and a higher cost of living. We can all be grateful that voters resoundingly said no to that. It is also a good reminder of why we Californians should be thankful for Proposition 13, the 1978 initiative that put sensible limits on increases in property taxes, and put those limits into the state constitution. Prior to Proposition 13, property taxes were out of control. The tax rate throughout California averaged 2.67% of assessed value, and assessed value was regularly updated to match current market value. As inflation and market factors pushed property values higher and higher, homeowners received property tax bills based on their “paper profits,” with no limits on annual increases. Some properties were reassessed 50 to 100 percent higher in just one year, so their owners’ tax bills skyrocketed, often beyond the homeowners’ ability to pay. In one year in Los Angeles County alone, 400,000 people had not paid their property tax because they didn’t have the money, running the risk of being forced out of their homes. Retired people on fixed incomes were among the hardest hit. Many had paid off their mortgages yet faced losing their homes because they couldn’t afford the annual property tax bill. Then, just as millions of Californians were at risk of being driven out of their homes, Howard Jarvis gathered more than 1.5 million signatures to qualify a statewide initiative that would finally end excessive taxation and protect the security of property ownership — Proposition 13. An overwhelming majority of Californian voters voted for Proposition 13 despite a campaign of scare tactics. It turned out that nothing scared Californians more than opening their property tax bill. Proposition 13 made property taxes predictable and manageable. First, Prop. 13 cut the property tax rate from a statewide average of 2.67% down to 1%. To this day, even new homeowners are saving money compared to what they would have been paying. Check out the Howard Jarvis Taxpayers Association’s calculator at GuessingGame.org for a look at how much you’d be paying in annual property taxes if Prop. 13 had never passed. Second, it limits the annual increase in assessed value to the rate of inflation, capped at 2%. Under Prop. 13, even if a property doubles in market value in a single year, its “taxable value,” against which the assessor applies the 1% tax rate, can only be increased a maximum of 2% per year. Related Articles Opinion Columnists | Gavin Newsom should stop showboating and just do his job as governor of California Opinion Columnists | Will Trump double down on or fix Biden’s antitrust insanity? Opinion Columnists | Rafael Perez: Americans really need to relax and stop taking national politics so seriously Opinion Columnists | Elon Musk gets it: America’s legal immigration process need to change Opinion Columnists | Susan Shelley: The mundane reality of UFOs Third, Prop. 13 requires reassessment of property when it changes hands. This provides local governments with a stable and predictable source of tax revenue, which has grown virtually every year since 1978 in percentages that exceed inflation and population growth. Proposition 13 also protected taxpayers by requiring a two-thirds vote of the state legislature to raise taxes and by giving Californians the right to vote on local tax increases, with a two-thirds vote required to pass certain tax hikes. The two-thirds vote is particularly critical when it comes to property taxes. Because people can lose their homes if they can’t pay the property tax bill, the vote threshold must be higher than a simple majority of voters, many of whom are voting on a tax they won’t personally have to pay, at least not directly. It’s this two-thirds protection that Proposition 5 attempted to destroy. It’s hard enough to pay the bills in this state without politicians trying to raise taxes in every election. We’re thankful that Proposition 13 is protecting Californians, every day. Jon Coupal is president of the Howard Jarvis Taxpayers Association.
New York Giants rookie wide receiver Malik Nabers, who has been dealing with a toe injury, is active for Sunday's home game against the Indianapolis Colts in East Rutherford, N.J. Nabers was listed as questionable after missing practice on Thursday and being a limited participant on Friday. He had called himself a game-day decision on Thursday. Nabers, 21, has been one of the few bright spots for the Giants and leads the team with 97 receptions for 969 yards and four touchdown catches in 13 games (12 starts). The Giants (2-13) long have been out of playoff contention, while the Colts (7-8) are fighting to stay alive. "It's tough on everybody. It's not just tough on me. It's tough on everybody," Nabers said of the team's troubles. "I'm continuing to keep my mental (attitude) strong, continue to move forward, continue to try to better the team, better myself. Lead by example. I feel like that's really all we can do in this state of mind that we're going through." Selected sixth overall out of LSU, Nabers has caught 10 or more passes on three occasions but has just one touchdown catch over the past 10 games. Nabers needs three receptions to join former Giants Steve Smith (107 catches in 2009) and Odell Beckham Jr. (101 in 2016) as the only players in franchise history to haul in 100 receptions in a single season. The Giants inactives are defensive lineman Cory Durden, inside linebacker Micah McFadden, center John Michael Schmitz, cornerbacks Greg Stroman and Dee Williams, and emergency third quarterback Tim Boyle. The Colts inactives include quarterback Anthony Richardson, who already was ruled out. The others are defensive tackle Adetomiwa Adebawore, defensive end Isaiah Land, tight end Will Mallory and guard Dalton Tucker. --Field Level MediaWhen Katja Vogt considers a Jaguar, she pictures a British-made car purring confidently along the Italian coastline — a vision of familiarity that conveys "that dreaming, longing feeling we all love." She's not sure what to think about Jaguar now after the 89-year-old company announced a radical rebranding that featured loud colors and androgynous people — but no cars. Jaguar, the company says, will now be JaGUar. It will produce only electric vehicles beginning in 2026. Bad attention is good attention, Jaguar execs would appear to believe. The car brand has prompted mockery online for posting a glitzy ad without a single car in it. Say goodbye to British racing green, Cotswold Blue and black. Its colors are henceforth electric pink, red and yellow, according to a video that sparked backlash online. Its mission statement: "Create exuberance. Live vivid. Delete ordinary. Break moulds." "Intrigued?" @Jaguar posted on social media. "Weird and unsettled" is more like it, Vogt wrote on Instagram. "Especially now, with the world feeling so dystopian," the Cyprus-based brand designer wrote, "a heritage brand like Jaguar should be conveying feelings of safety, stability, and maybe a hint of rebellion — the kind that shakes things up in a good way, not in a way that unsettles." Jaguar was one of several iconic companies that announced significant rebrandings in recent weeks, upending a series of commercial — and cultural — landmarks by which many modern human beings sort one another, carve out identities and recognize the world around them. Campbell's, the 155-year-old American icon that artist Andy Warhol immortalized in pop culture decades ago, is ready for a new, soupless name. Comcast's corporate reorganization means there will soon be two television networks with "NBC" in their name — CNBC and MSNBC — that will no longer have any corporate connection to NBC News, a U.S. legacy news outlet. CNBC One could even argue the United States itself is rebranding with the election of former President Donald Trump and Republican majorities in the House and Senate. Unlike Trump's first election in 2016, he won the popular vote in what many called a national referendum on American identity. Are we, then, the sum total of our consumer decisions — what we buy, where we travel and whom we elect? Certainly, it's a question for those privileged enough to be able to afford such choices. Volumes of research in the art and science of branding — from "brandr," an old Norse word for burning symbols into the hides of livestock — say those factors do contribute to the modern sense of identity. So rebranding, especially of heritage names, can be a deeply felt affront to consumers. "It can feel like the brand is turning its back on everything that it stood for — and therefore it feels like it's turning its back on us, the people who subscribe to that idea or ideology," said Ali Marmaduke, strategy director with the Amsterdam-based Brand Potential. He said cultural tension — polarization — is surging over politics, wars in Russia and the Mideast, the environment, public health and more, creating what Marmaduke said is known as a "polycrisis": the idea that there are several massive crises converging that feel scary and complex. Campbell's soups "People are understandably freaked out by that," he said. "So we are looking for something that will help us navigate this changing, threatening world that we face." Trump's "Make America Great Again" qualifies. So did President Joe Biden's "Build Back Better" slogan. Campbell's soup itself — "Mmm Mmm Good" — isn't going anywhere, CEO Mark Clouse said. The company's new name, Campbell's Co., will reflect "the full breadth of our portfolio," which includes brands like Prego pasta sauce and Goldfish crackers. None of the recent activity around heritage brands sparked a backlash as ferocious as Jaguar's. The company stood as a pillar of tradition-loving British identity since World War II. The famous "leaper" cat Jaguar logo is pictured in 2019 at the Auto show in Paris, France. Jaguar said its approach to the rebrand was rooted in the philosophy of its founder, Sir William Lyons, to "copy nothing." What it's calling "the new Jaguar" will overhaul everything from the font of its name to the positioning of it's famous "leaper" cat. "Exuberant modernism" will "define all aspects of the new Jaguar world," according to the news release. The approach is thought to be aimed at selling fewer cars at a six-figure price point to a more diverse customer base. The reaction ranged from bewilderment to hostility. Memes sprouted up likening the video to the Teletubbies, a Benetton ad and — perhaps predictably — a bow to "woke" culture as the blowback intersected with politics. Get local news delivered to your inbox!
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Mickey, Minnie, Goofy and WembySAN DIEGO, Dec. 07, 2024 (GLOBE NEWSWIRE) -- The law firm of Robbins Geller Rudman & Dowd LLP announces that purchasers or acquirers of Zeta Global Holdings Corp. (NYSE: ZETA) securities between February 27, 2024 and November 13, 2024, inclusive (the “Class Period”), have until January 21, 2025 to seek appointment as lead plaintiff of the Zeta Global class action lawsuit. Captioned Davoodi v. Zeta Global Holdings Corp. , No. 24-cv-08961 (S.D.N.Y.), the Zeta Global class action lawsuit charges Zeta Global as well as certain of Zeta Global’s top executives with violations of the Securities Exchange Act of 1934. If you suffered substantial losses and wish to serve as lead plaintiff of the Zeta Global class action lawsuit, please provide your information here: https://www.rgrdlaw.com/cases-zeta-global-holdings-corp-class-action-lawsuit-zeta.html You can also contact attorneys J.C. Sanchez or Jennifer N. Caringal of Robbins Geller by calling 800/449-4900 or via e-mail at info@rgrdlaw.com . CASE ALLEGATIONS : Zeta Global is a marketing technology company. The Zeta Global class action lawsuit alleges that defendants throughout the Class Period made false and/or misleading statements and/or failed to disclose that: (i) Zeta Global used two-way contracts to artificially inflate financial results; (ii) Zeta Global engaged in round trip transactions to artificially inflate financial results; (iii) Zeta Global utilized predatory consent farms to collect user data; and (iv) these consent farms have driven almost the entirety of Zeta Global’s growth. The Zeta Global class action lawsuit further alleges that on November 13, 2024 Culper Research published a report entitled “Zeta Global Holdings Corp (ZETA): Shams, Scams, and Spam.” On this news, the price of Zeta Global’s stock fell by more than 37%. THE LEAD PLAINTIFF PROCESS : The Private Securities Litigation Reform Act of 1995 permits any investor who purchased or acquired Zeta Global securities during the Class Period to seek appointment as lead plaintiff in the Zeta Global class action lawsuit. A lead plaintiff is generally the movant with the greatest financial interest in the relief sought by the putative class who is also typical and adequate of the putative class. A lead plaintiff acts on behalf of all other class members in directing the Zeta Global class action lawsuit. The lead plaintiff can select a law firm of its choice to litigate the Zeta Global class action lawsuit. An investor’s ability to share in any potential future recovery is not dependent upon serving as lead plaintiff of the Zeta Global class action lawsuit. ABOUT ROBBINS GELLER : Robbins Geller Rudman & Dowd LLP is one of the world’s leading law firms representing investors in securities fraud cases. Our Firm has been #1 in the ISS Securities Class Action Services rankings for six out of the last ten years for securing the most monetary relief for investors. We recovered $6.6 billion for investors in securities-related class action cases – over $2.2 billion more than any other law firm in the last four years. With 200 lawyers in 10 offices, Robbins Geller is one of the largest plaintiffs’ firms in the world and the Firm’s attorneys have obtained many of the largest securities class action recoveries in history, including the largest securities class action recovery ever – $7.2 billion – in In re Enron Corp. Sec. Litig. Please visit the following page for more information: https://www.rgrdlaw.com/services-litigation-securities-fraud.html Past results do not guarantee future outcomes. Services may be performed by attorneys in any of our offices. Contact: Robbins Geller Rudman & Dowd LLP J.C. Sanchez, Jennifer N. Caringal 655 W. Broadway, Suite 1900, San Diego, CA 92101 800-449-4900 info@rgrdlaw.com
BEREA, Ohio (AP) — Myles Garrett didn't know he had joined a prestigious list of defensive stars last week until one of his biggest fans pointed it out to him. “My dad was hyped about it,” he said. For good reason. With three sacks last week in Cleveland's 24-19 win in prime time over the Pittsburgh Steelers, Garrett became the seventh player to reach double-digit sacks in seven straight seasons since the stat became official in 1982. The others: Lawrence Taylor (1984-90), Reggie White (1985-93), Bruce Smith (1992-98), John Randle (1992-99), DeMarcus Ware (2006-12) and Jared Allen (2007-13). All of them is in the Hall of Fame except for Allen. “Hall of Famer,” Garrett said in praising the retired Minnesota Vikings edge rusher, who is again on the doorstep of induction as a semifinalist for the fifth straight year. Garrett is on track to get his own bronze bust one day in Canton, but until then, he's humbled to be in such elite company. “Guys I looked up to when I started my journey into this game,” said Garrett, who tries to bolster his resume on Monday night when the Browns (3-8) visit the Denver Broncos (7-5). “It’s absolutely amazing to be amongst those guys, not just looking up at them but looking side to side and standing amongst them. "So I want to continue to find myself on those lists and hopefully stand alone at the end of the day.” He's on his way. The NFL's reigning Defensive Player of the Year is having another monster season but probably not getting the recognition he deserves as the Browns, upended by continuous quarterback issues, have fallen way short of expectations. Garrett used the national TV platform against the Steelers to remind any detractors of his greatness. He sacked Russell Wilson three times, forced a fumble and outplayed Pittsburgh's T.J. Watt, the player to whom he is most often compared. The Garrett vs. Watt debate went to another level in February. On the day Garrett received his DPOY award, second-place finisher Watt seemed to take a shot at the Browns star by posting “Nothing I'm not used to” on social media. Those comments stuck with Garrett, who following the win over Pittsburgh — and Watt being held without a sack — didn't hold back in declaring himself the league's best pass rusher. “I wanted to make it known that I’m the guy, I’m the No. 1 edge defender,” Garrett said. It was an unusual boast from Garrett, who was asked why he felt he needed to express himself. “Because part of my journey of being the best player that I can be is I think I can be the best player that there is currently,” he said. ”So I have to live up to those expectations I have for myself. That’s just on the road to be the player that I want to be.” Garrett's unrelenting drive is what sets him apart. Although he'll enter Monday's game with 98 1/2 sacks and can become just the fifth player to reach 100 in his first eight seasons, joining White, Ware, Allen and Watt, it's not enough. “I still took too long,” said Garrett, who can become the first to do it before turning 29. “It’d have been tough to catch Mr. White, but hopefully this next however many number will come quicker than the first 100. So we’ll go out there and we’ll do what I do and try to take it up a notch.” Browns defensive coordinator Jim Schwartz marvels at Garrett's output despite double- and triple-team blocking. “He just continues to do stuff,” Schwartz said. “His production is so high, even though he’s a marked man, even though every game plan starts with, ‘Don’t let 95 wreck the game,’ and he still finds a way to wreck games.” Schwartz doesn't need to see any lists to know Garrett belongs among the best to ever rush a quarterback. “Yes, he does,” Schwartz said. "I think he’s just starting to hit his prime. I think he still has a lot left in front of him. The sky is the limit as far as he goes. And when it’s all said and done, maybe you’re comparing other people to him. That should probably be a goal for him.” AP NFL: https://apnews.com/hub/nfl
Get ready to party like it’s the last day of 1999 in Y2K . High school juniors Eli (Jaeden Martell) and Danny (Julian Dennison) are the lovable outcasts who want to fit in with the popular kids. On New Year’s Eve, the duo crash their classmate’s house party. Eli hopes to attract the attention of his crush Laura ( Rachel Zegler ), while Danny wants to break out of his shell. Then, the clock strikes midnight, and the Y2K nightmare becomes a hellacious reality. In this alternate reality created by co-writers Kyle Mooney and Evan Winter, Y2K imagines a technological takeover, one where electronics come to life and overthrow humans to become the most powerful beings in the world. These electronics aren’t peaceful, as they embark on a murder-filled quest to eradicate humanity. To save the world, the surviving teens must put aside their differences and fight together as a team, or risk becoming slaves in this new, tech-run world. In an interview with Digital Trends, Mooney and Winter discussed how to use nostalgia to power the story, their decision to subvert the coming-of-age genre, and how they landed Limp Bizkit’s Fred Durst in the film’s most crucial role. Note: This article has been edited for length and clarity. The interview includes spoilers. Digital Trends: I saw you screened the film in San Diego . It was hosted by Tony Hawk , and to a certain generation, he is the Michael Jordan of skateboarding. He’s a San Diego guy as well. I was wondering if you were skaters growing up. Did Tony Hawk have a huge impact on your teen years? Kyle Mooney: Yeah, I tried to skateboard. I’m from San Diego, and surf and skate culture is pretty ubiquitous there. It’s within the fabric of that city. My older brother skated. I skated with my boys, Dave and Joe. I never really could land like a proper ollie. Definitely not a kick-flip, but I wore all the clothes. I remember one time, my friend Dave was like, “Dude, maybe you should stick to longboarding.” Then, later in life, probably like 10 years ago, I got back into skating. I started skating with some people who are very good at it, and it sort of reinvigorated my love for it. Yeah, Tony Hawk’s a full hero. He’s, like you said, the icon of skateboarding. Evan Winter: I did not really skate myself, but I hung out with a crew that were skaters when I was a kid. But we’re talking Tony Hawk Pro Skater 2 here. He’s a full-on legend, and one of the all-time coolest guys, probably in history. With this story, there’s a definitely a balancing act with nostalgia-driven stuff. How do you find the right balance of relying on nostalgia while trying to tell a story? Winter: I think that’s pretty well said. There is a balance you have to find. I think in the writing process, there were a lot of fun moments that we had, pitching things back and forth. Like, I haven’t heard about Herbal Essence girls in a long time. That’s a fun thing to pull out of the hat, with other cultural touchstones and references that are set in the period. But then, you don’t want it to overwhelm and become like a game of “remember this.” You need to fit it in a way that feels natural to how the kids from the era would talk, act, or care about. Hopefully a few times, we found the ability to fit those references in a way that they either call back later or there is some story impact, so it doesn’t feel like just empty gestures. Mooney: I think it’s just a gut check throughout the process of being like, “Are we entering cringey or corny territory?” Also, I feel like what Evan’s getting at is trying to stay true to the characters and the story. The film takes a turn at the party. Everyone starts dying in the most brutal ways possible. Did any horrific deaths get left on the cutting room floor? Mooney: Definitely in the writing process, we lost some horrific deaths. I think that pretty much everything we shot made it into the movie. Winter: Again, when we were writing, it was pretty fun to just pitch in this world that we’ve created. What are the things that could kill people, and how? We were kind of going through all the different technologies and all the different elements that could potentially be deadly. And you always try to come up with inventive ways to do it. Mooney: [To Evan] I want to say, wasn’t there a remote-control helicopter? Winter: At one point? Yeah. There was also a car that had GPS. Once it turned on, it controlled itself, like a full-size car. Mooney: We had a series of construction-site robots made up of power tools. Ultimately, you have to deal with the budget. That’s fair. I was surprised by one of the deaths. The film is definitely set up as a buddy comedy with Eli and Danny. And then Danny dies at the party. I was like, “There’s no way he’s going to die here. He’s going to come back to life,” and he does die. Take me through that process. Did you always plan to kill him [Danny] early? What went behind that decision? Mooney: Yeah, it was there from moment one. I think, speaking for myself, I was really excited by subverting that sort of classic, trope-y, best friends and high school party thing and turn it into something completely different. I also get really excited about eliciting reactions from the audience, whether it be laughter, tears, a scare, or something like that. And in the same way that our movie shifts from one movie to another, this felt like another way to shift into an entirely different thing, where now all of a sudden, this incredibly tragic thing is a catalyst for the story and the characters that evolve and everything that unfolds. So to me, that move is just incredibly exciting. This is something that you don’t know or expect, and all of a sudden, you’re like, “Oh my god. Did that just happen?” Winter: It’s a good way to keep the audience on their toes. We change the genre and the tone so drastically, but then you also make it clear that people aren’t safe. There’s not like a plot armor [for the characters]. On a story level, in the teen coming-of-age genre, it’s the idea that as you’re growing up, you’re becoming the person you’re meant to be. Other people, friends, and things that you were interested in when you were younger, like at the start of the movie, aren’t always going to be there. You can’t rely on that, so there was something that felt right to the genre and that element of growing up. ... This kid, who’s very shy and looks inward, loses the only person who really understands him, and how it forces him to change and become who he’s meant to be. I was like, “Am I getting emotional for the guy who just sang The Thong Song two minutes ago?” Mooney: That really is the hope. You want to tug at the heartstrings. Speaking of the music, it’s a huge part of this movie, especially for the time period. As soon as that Fatboy Slim song drops in the beginning, you know exactly where you are. Was there a list of songs you knew you wanted in the movie? Were there any tough cuts? Take me through working with the music supervisor to curate the soundtrack to this movie. Mooney: We had songs in the script from moment one for pretty much all the major moments in the screenplay. It [music] just always felt pretty essential to tell the story of this period. ... Music is always around and important to people, but it does feel like in that era, we were so mesmerized with TRL on MTV and seeing which music video would be No. 1 that day. I feel like we’ve talked about this a few times. I don’t know how many songs from the script actually ended up in the final film. Definitely the Limp Bizkit stuff. Winter: And Faith. Mooney: Ultimately, I feel like the stuff you end up with is sort of what you were meant to end up with. It’s kind of perfect, and I think we feel great about where we landed. Winter: Yeah, absolutely. This is maybe stating the obvious. At the beginning of the movie, our main character is making a mixed CD. That continues to follow him throughout the movie and plays a pivotal role in multiple huge moments. It feels like it was so baked into the DNA of the movie that these needle drops and songs are not just like, “Remember this era? Remember these songs from this period?” They are critical to the fabric of the film. It’s [the songs] woven into it. Mooney: Though, at the same time, if you aren’t enjoying the movie, you can be like, “Well, I kind of like that song.” Winter: Yeah, something for everyone. A cheat code. Mooney: Yeah, exactly. When you went to Fred [Durst] with Faith , was he on board right away? Winter: I mean, just in general, we wrote Fred into the movie. He was probably in the structure within the first week or two. So we knew we wanted him from day one. We always talked about who would be a backup if he wasn’t interested. And truly, nobody that we threw around as a backup came anywhere close to doing what Fred did. Faith was always in there, and he always played this role. When we got the go-ahead to make the movie, he [Fred] was the first person we went to, and very fortunately for us, he got it. He was into it and liked the idea of both poking fun at himself but then becoming this gigantic, heroic version of the guy that people remember from that period. He [Fred] was a monster back in the day. I don’t think people realize this. I was looking up first-week album sales. If you get over 100,000 now, that’s considered pretty good. I believe Significant Other did 600,000 in their first week, and then over 1 million for Chocolate Starfish . It’s insane. Mooney: Totally. Winter: He was the man. Were you always going to act in this, Kyle? Mooney: Yeah, that was always part of the plan. I mean, I wanted to be in there. Obviously, I knew I couldn’t play a teenager. I don’t know at what point in the pitching process we ended up with Garrett. The video store is like such an iconic setting of the era and a place that I think is important to both Evan and me. I love the idea of being in there just enough to score. It was really fun. With the drug rug on. It was a nice touch. Mooney: Yeah. I watched several YouTube videos of dudes going to Phish concerts in 2001 , along with the people that Evan and I knew growing up. It was a fun character to explore. With most of the cast born after this moment [Y2K], I saw you made them mixtapes and told them what songs to listen to. Did the cast come to you for advice? How in-depth were they with the research? Winter: I think it fully depended on the actor. I would say Lachlan, who played Ash, was very well-versed in the era overall. Specifically, the rap-rock scene. He had pretty strong working knowledge, and I would say got the majority of the references and the more niche stuff in the movie. Some of the other actors would ask, “How do you pronounce Abercrombie?” Mooney: I called that actor out on that [the Abercrombie line] earlier today, and he was like, “No, I didn’t. I know what that is.” Winter: Well, he didn’t know how to say it. [laughs] Mooney: We were there if they needed us. But also, the characters are sort of timeless, and so I think they could relate to them even without the whole period component. They had the chance to invest as much or as little as they wanted to. Final question. What were your screen names? Mooney: I was “TQuestForNow” because I was really into A Tribe Called Quest . I was also forward-thinking enough to be like, “Well, this is what I’m into right now. I can’t say that this is going to be forever, so I’m TQuestForNow. Winter: I feel like it’s a very mature thought process for someone at that age. Mooney: Thinking about it right now, I’m going to say TQuestForever because there hasn’t been a moment in my life where I’ve decided that I’m not into A Tribe Called Quest Winter: That is tight. I was Lantern218. Mooney: What is the significance of lantern? Winter: [laughs] I collected lanterns. I was really into vintage lanterns. No, when I was a little kid, probably like 8 or 9 years old, when I got my first screen name, I went to the comic shop every day, and Green Lantern was my favorite superhero. Mooney: Green Lantern, of course. Y2K is now in theaters.
Mahindra & Mahindra Limited ( OTCMKTS:MAHMF – Get Free Report ) shares rose 9.6% during mid-day trading on Friday . The stock traded as high as $37.15 and last traded at $37.15. Approximately 185 shares traded hands during mid-day trading, a decline of 83% from the average daily volume of 1,070 shares. The stock had previously closed at $33.90. Mahindra & Mahindra Price Performance The business’s fifty day moving average is $35.05 and its 200 day moving average is $31.33. Mahindra & Mahindra Company Profile ( Get Free Report ) Mahindra & Mahindra Limited provides mobility products and farm solutions in India and internationally. The company operates through Automotive, Farm Equipment, Financial Services, Real Estate, Hospitality, and Others segments. It offers passenger and commercial vehicles, trucks, buses, vans, cars, utility vehicles, and electric vehicles; watercrafts; motorcycles, scooters, and mopeds; manufactures, assembles, and maintains various kinds of aircrafts and aircraft components, and aerostructures; offers construction equipment, such as backhoe loaders under the Mahindra EarthMaster brand; and road construction equipment comprising motor graders under the Mahindra RoadMaster brand. Further Reading Receive News & Ratings for Mahindra & Mahindra Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Mahindra & Mahindra and related companies with MarketBeat.com's FREE daily email newsletter .Sable Resources Ltd. ( CVE:SAE – Get Free Report ) fell 16.7% on Friday . The company traded as low as C$0.03 and last traded at C$0.03. 758,789 shares were traded during trading, an increase of 342% from the average session volume of 171,599 shares. The stock had previously closed at C$0.03. Sable Resources Trading Down 16.7 % The firm has a market capitalization of C$7.18 million, a P/E ratio of -0.63 and a beta of 1.08. The stock has a 50-day simple moving average of C$0.04 and a two-hundred day simple moving average of C$0.04. The company has a current ratio of 0.69, a quick ratio of 40.33 and a debt-to-equity ratio of 1.33. About Sable Resources ( Get Free Report ) Sable Resources Ltd. engages in the acquisition, exploration, and development of mineral resource properties in Mexico and Argentina. The company explores for gold, silver, copper, lead, zinc, and other deposits. It holds 100% interests in the Don Julio project covering an area of 63,314 hectares; the El Fierro project covering an area of 58,510 hectares; the El Fierrazo project, the Los Pumas project, and the Laspina project located in San Juan Province, Argentina; and the Vinata project and the El Escarpe project located in Mexico. Recommended Stories Receive News & Ratings for Sable Resources Daily - Enter your email address below to receive a concise daily summary of the latest news and analysts' ratings for Sable Resources and related companies with MarketBeat.com's FREE daily email newsletter .
Published 00:00 IST, November 28th 2024 The first round of the India-Japan Dialogue on Economic Security, including Strategic Trade and Technology, was held in Tokyo on Wednesday during which the two sides underscored the need for "closer collaboration" to protect economic interests. New Delhi, Nov 27 (PTI) The first round of the India-Japan Dialogue on Economic Security, including Strategic Trade and Technology, was held in Tokyo on Wednesday during which the two sides underscored the need for "closer collaboration" to protect economic interests and build resilient supply chains and critical infrastructure in identified sectors. Both sides also agreed to bring "concrete results" through enhanced holistic collaboration in focus areas, the Ministry of External Affairs said. The MEA said Foreign Secretary Vikram Misri paid his "first official visit to Japan on Wednesday in the current capacity", and had a series of meetings and interactions with senior officials in the government of Japan. His visit "reinforced the strong and enduring friendship" between India and Japan, rooted in shared values, mutual respect, mutual trust and commitment to regional stability, it said. "Foreign Secretary Vikram Misri co-chaired the 1st round of India-Japan Dialogue on Economic Security, including Strategic Trade and Technology, in Tokyo on November 27, 2024 along with Vice Minister, Ministry of Foreign Affairs of Japan, Masataka Okano," the ministry said. In another statement, the MEA said, "During the FS-Vice Ministerial Dialogue, they reviewed the entire spectrum of the India-Japan Special Strategic and Global Partnership, including political relations, defence and security, economic cooperation, and people-to-people ties, besides discussing regional and international issues of common interest." The India-Japan Dialogue on Economic Security, including Strategic Trade and Technology, attended by stakeholder ministries, departments and agencies from both the governments, was announced during the India-Japan 2+2 ministerial meeting held in New Delhi on August 20. The meeting in Tokyo provided an "opportunity to exchange views on respective economic security policies, strengthen partnership for building industrial and technological resilience and promote collaboration in research and application of key technologies", the MEA said. Both sides underscored the need for closer collaboration to "protect economic interests, and build resilient supply chains and critical infrastructure in identified sectors, by way of policy facilitation" for business and academic partnerships between relevant actors in India and Japan, the statement added. "They also explored ways to facilitate talent exchange and upskilling in fields of common interest," it said. The two sides recognised the dialogue as a significant and timely step to bring contemporary relevance to the India-Japan Special Strategic and Global Partnership. During the Dialogue on Economic Security, Strategic Trade and Technology, the two sides covered topics related to economic security, supply chain resilience, and partnership in critical and emerging technologies. Misri met with other senior functionaries of the government of Japan, including Takehiko Matsuo, Vice-Minister for International Affairs, Ministry of Economy, Trade and Industry, Japan to discuss economic and high technology cooperation; Keiichi Ichikawa, Deputy Secretary General of National Security Secretariat and Assistant Chief Cabinet Secretary of Japan to discuss security and economic partnership; and Yoshimichi Terada, Vice-Minister for International Affairs, Ministry of Land, Infrastructure, Transport and Tourism to review cooperation for the MAHSR (Mumbai-Ahmedabad High Speed Rail) project. Besides, the foreign secretary interacted with Japanese policymakers and senior officials from key government ministries and agencies, including the Ministry of Environment, JETRO (Japan External Trade Organisation), JICA (Japan International Cooperation Agency) and JAXA (Japan Aerospace Exploration Agency). PTI KND KVK KVK Get Current Updates on India News , Entertainment News along with Latest News and Top Headlines from India and around the world. 23:59 IST, November 27th 2024UCF is set to hire Scott Frost as its head football coach, sources confirmed to ESPN's Chris Low on Saturday, a move that reunites the Knights with one of their most successful coaches in program history. Frost led UCF from 2016 to 2017 and led a remarkable turnaround in his second year, guiding the Knights to a perfect 13-0 season and a No. 6 finish in the Associated Press poll. Frost earned national coach of the year honors for that achievement and went 19-7 in his two seasons before leaving to take over Nebraska , his alma mater, in 2018. Frost, 49, joined the Los Angeles Rams ' coaching staff in September and has not coached at the college level since he was fired by Nebraska during the 2022 season. Editor's Picks Conference championship week live: Arizona State, Boise State likely into CFP field 3h ESPN staff How the conference championship games will shake out and impact the playoff field 1d Bill Connelly The UCF job opened on Nov. 30 when Gus Malzahn resigned to become the offensive coordinator at Florida State under coach Mike Norvell, who had previously worked for Malzahn as a graduate assistant at Tulsa in 2007 and '08. Malzahn went 28-24 in four seasons in Orlando while guiding the program through its transition to Power 4 football from the AAC to the Big 12 in 2023. The Knights have finished 6-7 and 4-8 in their first two seasons in their new conference and are seeking a spark from a head coach who turned the program into an offensive powerhouse in his two seasons in charge. Frost's 2017 UCF team featured the No. 1 scoring offense in FBS at 48.2 points per game and rolled to an undefeated season and an AAC title, a rapid turnaround following a 6-7 debut season. The Knights were left out of the four-team College Football Playoff but claimed a national championship after they defeated a Malzahn-led Auburn team 34-27 in the Peach Bowl to complete its 13-0 season. Frost left at the end of the season to rebuild Nebraska. The quarterback was a two-year starter for the Huskers and led the program to a national championship in 1997, but he struggled to achieve a turnaround during his five-year tenure as head coach. The Huskers went 16-31 under his leadership and did not achieve a winning season or play in a bowl game. Frost was dismissed three games into his final season and was paid a buyout of approximately $15 million. He was out of coaching in 2023. Prior to his first head-coaching stint at UCF, Frost worked as an assistant at Oregon from 2009 to 2015 and served as their offensive coordinator in 2014 when the Ducks made a run to the CFP national title game and quarterback Marcus Mariota won the Heisman Trophy. The Orlando Sentinel first reported that UCF was closing in on hiring Frost.
Get essential daily news for Fort Worth area Sign up to receive insightful, in-depth local stories today. 📩 The Fort Worth Community Arts Center will close its doors to the public at the end of the month, but that doesn’t mean the end of the nonprofit that manages the space. Arts Fort Worth, which managed the facility at 1300 Gendy St. for 22 years, will continue to manage the city’s public art and grant programs as well as serve as a resource for artists and other arts organizations within the community. The building was first constructed in 1954 with new additions in 1966 and 1976. “We’ve been able to do a lot of really meaningful things through this physical space,” said Wesley Gentle, executive director and president of Arts Fort Worth. “Those things have been tied to this physical space, and so much of the next step for us is taking that same energy ... (and) motivation for our community and doing it in a way that isn’t rooted in one spot.” Arts Fort Worth announced it would vacate the building in July, shortly after one of its anchor subtenants, KWC Performing Arts, abruptly announced its closure . The city-owned building is in need of roughly $30 million in repairs , which Arts Fort Worth would be responsible for, according to its lease agreement. Continuing operations there would not be financially sustainable, Gentle said last summer. City officials have explored different options for redeveloping the building. After issuing a request for proposals, hosting public presentations and announcing two finalists, the city ultimately decided not to move forward with either plan in May. The future of the building is still uncertain, but Mayor Mattie Parker assured residents at a 2023 City Council meeting that the location would continue to serve the arts community. Several artists and longtime Fort Worth residents paid homage to the center during a Dec. 6 open house event hosted by Arts Fort Worth. Artist Val Hunnicutt hopes that the building, which once housed the Modern Art Museum of Fort Worth, can be preserved. “It’s hard to think about not having it here,” she said. The mixed media artist said she always looked forward to Historic Fort Worth Inc.’s annual show when it was still hosted in the space, often creating new work for the occasion. Likewise, professional pianist and art collector Cynthia Ann Miller has fond memories of the space. “I don’t think I missed any of their shows when they had the whole place filled with art, and you could walk in for free and enjoy yourself,” she said. Miller has reverence for all of the wonderful things that happened there, she continued, but she wants people to look at this change as an opportunity. “It will not be the same,” she said. “It will be better. We will learn and we will grow.” During a presentation to attendees, Gentle shared how Arts Fort Worth is planning to better serve residents across the sprawling city. By hosting an arts summit at Texas Wesleyan University in March, Arts Fort Worth hopes to reach more people from the Poly neighborhood while also highlighting the resources that recently opened on the Eastside like Easyside , TUBMAN Gallery and Kinfolk House . “We do want to see you continue to pop up in other parts of town because then we have a different audience and it’s, you know, usually you have some people that’ll travel to find the resources they need, but oftentimes for any number of reasons, right?” Gentle said. “You just physically can’t get there. The time of day doesn’t work. When we move around, it’s easier to meet people where they are.” The space is one where many artists made their stage debut or participated in their first gallery show, and it has many meaningful memories for Gentle as well, he said. He remains hopeful that Arts Fort Worth will continue to make an impact moving forward. “It’s going to be a process, and I’m excited for the process. I hope more people get excited to join us and be a part of it because it’s only as good as the team that we’re working with, the partners you’re working with,” Gentle said. Marcheta Fornoff covers the arts for the Fort Worth Report. Contact her at marcheta.fornoff@fortworthreport.org. At the Fort Worth Report, news decisions are made independently of our board members and financial supporters. Read more about our editorial independence policy here . Get essential daily news for the Fort Worth area. Sign up for insightful, in-depth stories — completely free. Related Fort Worth Report is certified by the Journalism Trust Initiative for adhering to standards for ethical journalism . Republish This Story Republishing is free for noncommercial entities. Commercial entities are prohibited without a licensing agreement. Contact us for details. 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If you share our stories on social media, please tag us in your posts using @FortWorthReport on Facebook and @FortWorthReport on Twitter. You have to credit Fort Worth Report. Please use “Author Name, Fort Worth Report” in the byline. If you’re not able to add the byline, please include a line at the top of the story that reads: “This story was originally published by Fort Worth Report” and include our website, fortworthreport.org . You can’t edit our stories, except to reflect relative changes in time, location and editorial style. Our stories may appear on pages with ads, but not ads specifically sold against our stories. You can’t sell or syndicate our stories. You can only publish select stories individually — not as a collection. Any web site our stories appear on must include a contact for your organization. If you share our stories on social media, please tag us in your posts using @FortWorthReport on Facebook and @FortWorthReport on Twitter. by Marcheta Fornoff, Fort Worth Report December 7, 2024
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