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Tampa Bay (7-6) at Los Angeles Chargers (8-5) Sunday, 4:25 p.m. EST, FOX BetMGM NFL odds: Chargers by 3. Against the spread: Buccaneers 8-5; Chargers 9-4. Series record: Chargers lead 8-4. Last meeting: Chargers beat Buccaneers 38-31 in Tampa, Fla., on Oct. 4, 2020. Last week: Buccaneers beat Las Vegas 28-13; Chargers lost to Kansas City 19-17. Buccaneers offense: overall (3), rush (8), pass (6), scoring (5). Buccaneers defense: overall (28), rush (11), pass (30), scoring (22). Chargers offense: overall (24), rush (19), pass (25), scoring (13). Chargers defense: overall (11), rush (T-14), pass (8), scoring (1). Turnover differential: Buccaneers minus-2; Chargers plus-11. QB Baker Mayfield is trying to lead Tampa Bay to a fourth consecutive NFC South title. He’s already matched a career-best for touchdown passes with 28, but also hasn’t done as good a job of taking care of the football as a year ago. He threw for 295 yards and three TDs in last week’s 15-point win over Las Vegas. He also turned the ball over three times in the first half to help the Raiders stay close until the fourth quarter. WR Quentin Johnston bounced back from a couple of tough performances to make five catches for 48 yards and a touchdown against the Chiefs. But inconsistency has been the defining trait of the slow start to Johnston’s NFL career, so being able to follow it up will be telling. The Chargers needed the 2023 first-round pick to step up with rookie Ladd McConkey sidelined because of knee and shoulder injuries last week. With McConkey's status to play Sunday uncertain, Johnston could be called on again. Chargers RB Kimani Vidal vs. Buccaneers LB Lavonte David. Vidal, a rookie from Troy, seems to have increased his standing in the Chargers’ backfield that definitely missed J.K. Dobbins (knee). Vidal had eight carries for 34 yards while playing 53% of the offensive snaps in Kansas City, more than starter Gus Edwards. The Chargers are going to stick to the run under coach Jim Harbaugh, which means the newcomer Vidal will have to outfox a 13-season veteran in David. At 34, David remains a force, making seven tackles, a sack, a tackle for loss and recovering a fumble against the Raiders. He is eight tackles away from his 11th season of triple-digit stops. Bucs S Antoine Winfield Jr. left last week’s game with a knee sprain and is expected to be sidelined a couple of weeks. Leading rusher Bucky Irving has a back injury that will be evaluated as the week progresses. ... Chargers QB Justin Herbert is dealing with a sprained left ankle, but doesn't believe it is as serious as the right high ankle sprain he sustained in Week 2 against Carolina. Herbert was able to play through that ailment, which should bode well for his availability. While the Chargers won eight of the first nine meetings between the franchises, Tampa Bay took the past three. ... This will be the Buccaneers’ third trip to Los Angeles and second to SoFi Stadium, where they lost 34-24 to the Rams in September 2021. The Bucs are 7-1 in December/January regular-season games going back to last season. They’re 19-5 in those games going back to 2020, the first of Tom Brady’s three years with Tampa Bay. ... WR Mike Evans needs 17 receptions and 426 yards over the next four games to finish with his 11th consecutive season with at least 60 catches and 1,000 yards receiving. ... Evans had seven receptions for 122 yards and a TD the previous time Tampa Bay faced the Chargers (Oct. 4, 2020). ... The Bucs have rushed for 100-plus yards in 10 of 13 games. That’s after doing it just nine times over 34 games the past two regular seasons. ... With leading rusher Bucky Irving sitting out most of last week’s game against Las Vegas with a back injury, starter Rachaad White took up the slack with 90 yards rushing on 17 attempts — both season highs. He also scored two TDs, one receiving. ... White’s rushing TD was the 14th for Tampa Bay. That’s more than the Bucs scored on the ground in 2022 (five) and 2023 (eight) combined. ... The Chargers have turned the ball over a league-low six times. The franchise record for fewest giveaways in a season is 15, which they did in 2006 and 2017. ... Herbert hasn’t thrown an interception in 11 straight games. That is tied with Brady for the longest streak in NFL history. Brady closed out the 2010 regular season for New England without being picked off after Week 5. ... S Derwin James Jr. has three tackles for loss and two sacks in his past three games. ... PK Cameron Dicker has made 65 of 66 field goals under 50 yards in his career, with his 98.5% success rate the best in league history. Dicker has made all 30 attempts inside of 50 yards at home. ... The Chargers defense allowed 17 of 31 third down conversions (54.8%) in two games against the Chiefs. They have held their other 11 opponents to 45 of 146 (30.8%). The Buccaneers find ways to play shootouts, with eight of their games seeing the winner score 30 or more points. The Chargers find ways to play grinding affairs, with only two of their games seeing the winner score 28 or more points. Whoever dictates the style of play will determine how much fantasy value comes out of this game. AP NFL: https://apnews.com/hub/NFL
NEW YORK , Dec. 12, 2024 /PRNewswire/ -- Report on how AI is redefining market landscape - The vehicle leasing market in Europe size is estimated to grow by USD 12.17 billion from 2024 to 2028, according to Technavio. The market is estimated to grow at a CAGR of 4.5% during the forecast period. For comprehensive forecast and historic data on regions,market segments, customer landscape, and companies- Click for the snapshot of this report Report Attribute Details Base Year 2023 Forecast period 2024-2028 Historic Data for 2018 - 2022 Segments Covered Type (Passenger cars and Commercial vehicles), Mode Of Booking (Online and Offline), and Geography (Europe) Key Companies Covered ALD SA, Allane SE, Arval Service Lease, Bayerische Motoren Werke AG, Central Contract S.O.T Ltd., Central UK Vehicle Leasing Ltd., Deutsche Leasing AG, ExpatRide International Inc., Groupe BPCE, King and Mayr GmbH and Co. KG, LocautoRent S.p.A., Mercedes Benz Group AG, Millennium Leasing sp zoo, PKO Bank Polski, Porsche Automobil Holding SE, PSA Automobiles SA, Rivervale Cars Ltd., Sofina SA, and Stellantis NV Regions Covered Europe Region Outlook 1. Europe - Europe is estimated to contribute 100%. To the growth of the global market. The Vehicle Leasing Market in Europe report forecasts market growth by revenue at global, regional & country levels from 2017 to 2027. The UK vehicle leasing market is experiencing significant growth due to increased customer awareness and the high demand for passenger cars. This trend is driving the market forward, with car leasing becoming an increasingly popular choice for financing vehicles. The percentage share of car leasing is projected to increase during the forecast period. Additionally, the expansion of the e-commerce sector in the UK is contributing to the market's growth, as more businesses opt for leasing solutions to manage their fleet operations efficiently. For more insights on Europe's significant contribution along with the market share of rest of the regions and countries - Download a FREE Sample Segmentation Overview Get a glance at the market contribution of rest of the segments - Download a FREE Sample Report in minutes! 1.1 Fastest growing segment: The European vehicle leasing market is experiencing significant growth due to the cost-effective nature of leasing cars compared to buying them. Factors such as urbanization and increased Internet penetration are driving awareness about car leasing. Leasing offers customers the flexibility to upgrade to new models and purchase the vehicle at lease end. Car manufacturers, like AB Volvo with Care by Volvo, offer subscription-based leasing programs to boost revenue and brand penetration. The demand for SUVs, hatchbacks, and sedans in Europe is fueling growth in the passenger car segment. Customers' preference for convenience, safety, and modern technologies in vehicles is driving the adoption of advanced features and electrification. These trends, coupled with industry advancements, encourage customers to lease cars, leading to market expansion in Europe's passenger car segment during the forecast period. Research Analysis The European vehicle leasing market is experiencing significant growth, driven by the shift towards electric and hybrid electric vehicles. E-commerce platforms are increasingly becoming popular channels for buyers to lease new cars, enabling a seamless and convenient experience. Big data and blockchain technology are transforming the industry by providing insights into customer preferences and streamlining lease contracts. The tourism industry and smart cities are major sectors adopting vehicle leasing for their fleet needs. Automobile leasing companies offer a range of options from commuter cars to buses, recreational vehicles, and utility trailers. Car equipment rental is another growing segment, allowing lessees to customize their vehicles. The residual value of leased vehicles is a key consideration for both sellers and buyers, making the role of a leasing company crucial in determining fair market value. Rapid urbanization and the need for new vehicles continue to fuel the demand for leasing solutions. Market Overview The European vehicle leasing market is experiencing significant growth, driven by various factors including the rise of electric vehicles, e-commerce, and smart cities. Electric cars and hybrid electric vehicles are becoming increasingly popular due to awareness among consumers about air pollution and emission norms. The tourism industry and commuters are embracing on-demand mobility solutions, leading to increased demand for lease cars. Big data, IoT technology, machine learning, and blockchain are transforming the industry by providing verified data in real-time, enabling predictive maintenance and efficient transportation systems. Leasing companies offer finance leasing, long-term leasing, and gap insurance to cater to the diverse needs of buyers. The market also includes utility trailers, buses, recreational vehicles, and car equipment rental. Rapid urbanization, busy lifestyles, and population demand have led to the adoption of efficient transportation systems and the reduction of traffic congestion. The used car industry is also benefiting from the growth of the leasing market. Additional fees, carbon emissions, and climate change are becoming important considerations for both sellers and buyers. Leasing companies are focusing on customer service, providing diagnostic services for vehicles, and leveraging technology to enhance the leasing experience. The future of the vehicle leasing market in Europe looks promising, with continued innovation and the integration of technology to meet the evolving needs of consumers. Start exploring market insights by Download a FREE Sample Report in minutes! Key Topics Covered: 1 Executive Summary 2 Market Landscape 3 Market Sizing 4 Historic Market Size 5 Five Forces Analysis 6 Market Segmentation 7 Customer Landscape 8 Geographic Landscape 9 Drivers, Challenges, and Trends 10 Venodr Landscape 11 Vendor Analysis 12 Appendix About Technavio Technavio is a leading global technology research and advisory company. Their research and analysis focuses on emerging market trends and provides actionable insights to help businesses identify market opportunities and develop effective strategies to optimize their market positions. With over 500 specialized analysts, Technavio's report library consists of more than 17,000 reports and counting, covering 800 technologies, spanning across 50 countries. Their client base consists of enterprises of all sizes, including more than 100 Fortune 500 companies. This growing client base relies on Technavio's comprehensive coverage, extensive research, and actionable market insights to identify opportunities in existing and potential markets and assess their competitive positions within changing market scenarios. Contacts Technavio Research Jesse Maida Media & Marketing Executive US: +1 844 364 1100 UK: +44 203 893 3200 Email: media@technavio.com Website: www.technavio.com/ View original content to download multimedia: https://www.prnewswire.com/news-releases/vehicle-leasing-market-in-europe-100-growth-driven-by-europe-report-highlights-ais-impact-on-market-trends---technavio-302328863.html SOURCE Technavio( ) stock rocketed higher late Tuesday after the enterprise data storage company reported third-quarter earnings and sales that beat expectations. The company also said it had won a "design win" with a top-four hyperscale cloud provider for its DirectFlash data storage technology. Pure Storage said in a news release that it earned an adjusted 50 cents per share on sales of $831 million for its quarter that ended Nov. 3. Analysts polled by FactSet projected the Santa Clara, Calif.-based company would post adjusted earnings of 41 cents per share on sales of $815 million. For the same period a year earlier, Pure Storage posted adjusted earnings of 50 cents per share on sales of $763 million. For the current quarter, Pure Storage guided for sales of $867 million. Analysts were previously projecting $856 million January ending quarter, according to FactSet. The company now expects fiscal year sales of $3.15 billion, up from guidance for $3 billion it gave in August. On the , Pure Storage stock rallied more than 23% to 65.93 in after-hours action. Cloud Hyperscale Design Win Along with posting better-than-expected results, Pure Storage stock is likely being helped by announcing what it called a design win with a top-four hyperscaler. Pure Storage did not name the company in its press release, but the term is typically applied to tech giants ( ), ( ), ( ) and ( ). "Pure Storage has achieved another industry first in our journey of data storage innovation with a transformational design win for our DirectFlash technology in a top-four hyperscaler," CEO . "This win is the vanguard for Pure Flash technology to become the standard for all hyperscaler online storage, providing unparalleled performance and scalability while also reducing operating costs and power consumption." Pure Storage at an analyst presentation in June. Analysts viewed the news at the time as a positive step for the flash storage technology that Pure Storage offers. Hyperscalers typically rely on traditional hard disk storage. Pure Storage Stock Up 53% This Year Prior to earnings, Pure Storage gained 1% in Tuesday trading. Shares have gained 53% this year but are down about 12% since Pure Storage last reported earnings in late August. The company lowered its annual guidance for subscription-as-a-service contracts . Before that, Pure Storage stock was gaining momentum as a potential AI play on the increased needs for data storage. Coming into the report, Pure Storage stock had an IBD Composite Rating of 70 out of 99, according to . The score combines five separate proprietary ratings into one rating. The best growth stocks have a Composite Rating of 90 or better.DALLAS , Dec. 12, 2024 /PRNewswire/ -- The board of directors today declared a quarterly dividend of $0.2775 per share on the company's common shares, payable February 3, 2025 . Key Takeaways : The board of directors of AT&T (NYSE:T) today declared a quarterly dividend of $0.2775 per share on the company's common shares. The board of directors also declared quarterly dividends on the company's 5.000% Perpetual Preferred Stock, Series A and the company's 4.750% Perpetual Preferred Stock, Series C. The Series A dividend is $312.50 per preferred share, or $0.3125 per depositary share. The Series C dividend is $296.875 per preferred share, or $0.296875 per depositary share. Dividends on the common stock and Series A and Series C preferred stock are payable on February 3, 2025 , to stockholders of record of the respective shares at the close of business on January 10, 2025 . To automatically receive AT&T financial news by email, please subscribe to email alerts . About AT&T We help more than 100 million U.S. families, friends and neighbors, plus nearly 2.5 million businesses, connect to greater possibility. From the first phone call 140+ years ago to our 5G wireless and multi-gig internet offerings today, we @ATT innovate to improve lives. For more information about AT&T Inc. (NYSE:T), please visit us at about.att.com . Investors can learn more at investors.att.com . © 2024 AT&T Intellectual Property. All rights reserved. AT&T and the Globe logo are registered trademarks of AT&T Intellectual Property. View original content to download multimedia: https://www.prnewswire.com/news-releases/att-declares-dividends-on-common-and-preferred-shares-302330821.html SOURCE AT&T
Football clubs ‘alarmed’ by lack of consultation on regulator – Karren BradyOTTAWA — Incoming U.S. president Donald Trump is brushing off Ontario's threat to restrict electricity exports in retaliation for sweeping tariffs on Canadian goods, as the province floats the idea of effectively barring sales of American alcohol. On Wednesday, Premier Doug Ford said Ontario is contemplating restricting electricity exports to Michigan, New York state and Minnesota if Trump follows through on a threat to impose a 25 per cent tariff on imports from Canada. "That's OK if he that does that. That's fine," Trump told American network CNBC when asked Thursday about Ford’s remarks on the floor of the New York Stock Exchange. “The United States is subsidizing Canada and we shouldn’t have to do that," Trump added. "And we have a great relationship. I have so many friends in Canada, but we shouldn’t have to subsidize a country," he said, claiming this amounts to more than US$100 billion annually in unspecified subsidies. Meanwhile, an official in the Ford government says it's considering restricting the Liquor Control Board of Ontario from buying American-made alcohol. The province says the Crown agency is the largest purchaser of alcohol in the world. The province also says it could restrict exports of Canadian critical minerals required for electric-vehicle batteries, and bar American companies from provincial procurement. Ford doubled down Thursday on the idea of cutting off energy exports. The province says that in 2013, Ontario exported enough energy to power 1.5 million homes in those three states. "It's a last resort," Ford said. "We're sending a message to the U.S. (that if) you come and attack Ontario, you attack livelihoods of people in Ontario and Canadians, we are going to use every tool in our tool box to defend Ontarians and Canadians. Let’s hope it never comes to that." Ontario Energy Minister Stephen Lecce said the province would rather have co-operation with the U.S., but has mechanisms to "end power sale into the U.S. market" the day Trump takes office on Jan. 20. Alberta Premier Danielle Smith ruled out following suit. "Under no circumstances will Alberta agree to cut off oil and gas exports," she said. "Our approach is one of diplomacy, not threats." Michael Sabia, president and CEO of Hydro-Québec, said "it's not our current intention" to cut off Quebec's exports to Massachusetts or New York state, but he conceded it might be possible. "Our intention is to respect those contracts, both because they're legally binding, but also because it's part of, in our view, a sound relationship with the United States," he said. "It's a questionable instrument to use in a trade conflict." Manitoba Premier Wab Kinew would not directly say whether Manitoba would threaten to withhold hydroelectric exports. "We are preparing our list and starting to think through what those options should look like," he said. "I'm not going to make specific news today about items that we're looking at." Kinew added that some premiers felt retaliatory measures wouldn't work in a call Trudeau held Wednesday. Newfoundland and Labrador Premier Andrew Furey said "we have no interest in stopping" the export of energy to the U.S., adding that a trade war would hurt both countries. "We hope it is just bluster; we're preparing as if it is not," he said. Canada supplies more oil to the U.S. than any other country. About 60 per cent of U.S. crude oil imports are from Canada, and 85 per cent of U.S. electricity imports as well. Canada sold $170 billion worth of energy products last year to the U.S. It also has 34 critical minerals and metals the Pentagon is eager for. Trump has threatened to impose a 25 per cent tax on all products entering the United States from Canada and Mexico unless they stem the flow of migrants and drugs. Canadian officials have said it is unfair to lump Canada in with Mexico. U.S. customs agents seized 43 pounds of fentanyl at the Canadian border last fiscal year, compared with 21,100 pounds at the Mexican border. Canada since has promised more border security spending to address Trump's border concerns. Ford said that will include more border and police officers, as well as drones and sniffer dogs. This report by The Canadian Press was first published Dec. 12, 2024. — With files from The Associated Press, Liam Casey in Toronto, Lisa Johnson in Edmonton and Steve Lambert in Winnipeg. Dylan Robertson, The Canadian Press
Bruker director Richard Packer sells $193,682 in stockAs we build toward the 2024 Billboard Music Awards on Dec. 12 and Billboard’s Year-End Charts reveal on Dec. 13, check out our editorial list of staff picks for the best K-pop albums of the year. As is seemingly tradition, the K-pop industry has plenty to celebrate when reflecting on the year’s album milestones. 2024 featured record-breaking achievements, inventive breakthroughs and a wealth of impactful projects to solidify K-pop’s ever-growing global presence as a commercial and creative force. Stray Kids, ATEEZ and TWICE dominated the Billboard 200, earning their fifth, second and first No. 1 albums in America, respectively. Their successes contributed to a historic moment when three K-pop acts—BTS’ Jin, ENHYPEN and ATEEZ—simultaneously ranked in the top 10. Elsewhere, celebrated projects led several artists to their first-ever appearances on the Billboard 200, while rising, next-generation stars P1Harmony and BOYNEXTDOOR climbed to new peaks. But 2024 wasn’t just about breaking records, but also a year when artists pulled listeners deeper into their worlds. Beloved solo stars like ONEW, Baekhyun, Yves and D.O released their first projects under new labels, showcasing their individuality after departing longtime agencies. Meanwhile, superstars like IU, RM, DAY6, SEVENTEEN and tripleS delivered some of their most ambitious work yet, blending innovative concepts with personal storytelling. From K-pop icons to promising rookie acts, R&B wunderkinds and even one virtual boy band, check out our full list of the best K-pop album below — and be sure to check for our top K-pop songs of 2024 list, too. P1Harmony rises up the charts chart with each album release, and September’s Sad Song EP didn’t just mark their best positions yet (No. 16 on the Billboard 200 and No. 1 on World Albums), but their most expansive and involved work to date. The title track/single allowed P1H the chance to play with Latin pop and hip-hop sounds as the members took more creative control on songs they felt would round out their live setlists and become future fan favorites. Intak and Jongseob teamed up for the rap cut “WASP,” Jiung took the lead on rock anthem “Last Call,” as leader Keeho brought light reggae vibes for “It’s Alright.” No sad songs here — just impressive versatility shooting P1Harmony up the charts. – Jeff Benjamin RESCENE is a rookie girl group to keep your eye on in 2025. Living up to their name, which combines “scene” and “scent,” every corner of their first EP is infused with fragrant nostalgia and glistening melodies. From the dreamy pop ballad “New World” and blissed-out R&B of “Pinball” to their crown electro-pop jewel “LOVE ATTACK,” SCENEDROME is less sensory overload than a smooth spritz of perfume. Opener “Lucky You,” meanwhile, has a regal elegance that seems to signal the arrival of new K-pop queen bees. — Abby Webster Jin’s much-anticipated first set since being dismissed from military service in June is an impressively realized pop-rock debut. The open-road singalong “Running Wild” sounds like a lost banger from The Killers’ classic period, while “I’ll Be There” could have been a Fitz and the Tantrums favorite 15 years earlier. It’s not all ’00s retro, though: WENDY duet “Heart on the Window” has an ’80s-derived smoothness and modern pop sheen that could actually slot it right between Harry Styles and Sabrina Carpenter jams on contemporary top 40. Like pretty much every solo debut from a BTS alum thus far, Happy shows Jin already firmly in his own lane, and ready to speed toward individual success. — Andrew Unterberger EPEX solidified their place as a K-pop force to be reckoned with in 2024 with two full-length albums to showcase and expand their musical and conceptual ranges. Youth Chapter 2: Youth Deficiency captures a nuanced message of embracing deficiencies as part of one’s journey, presenting a relatable narrative that can resonate with today’s youth and flip the definition of deficiency. The LP builds on the foundation laid by Youth Chapter 1: Youth Days (which made Billboard ‘s Best K-Pop Albums of the Year So Far list earlier this year), which highlighted the ordinary moments of adolescence. In contrast, Chapter 2 ‘s eight tracks delve into themes of imperfection, choice and personal growth via standouts like the anthemic pop single “UNIVERSE,” the nostalgic synth-pop-rock gem “1997” and the reflective “Loner.” — J.B. Anchored by creatively contrasting singles like the rebellious, boundary-pushing “Dangerous” and the self-assured synth-pop anthem “Nice Guy,” BOYNEXTDOOR’s 19.99 encapsulates youthful camaraderie and freedom. The group’s ability to channel real-life experiences into their music adds an authenticity that resonates deeply with fans, helping them secure 19.99 as their first No. 1 on Billboard ’s World Albums chart and hit the top 40 of the Billboard 200, previewing the potential of these standout rookies. — J.B. IVE SWITCH cements the girl group’s status as industry trendsetters by showcasing their versatility and depth. With two lead singles, the irresistible, “No Diggity”-sampling party anthem “HEYA” and the intricate, tempo-shifting “Accendio,” the album balances commercial appeal with creative risk-taking. Meanwhile, tracks like “Ice Queen” and “Blue Heart” further enrich the record and speak to IVE’s larger themes of self-love, the latter being penned by member Jang Wonyoung as a meditation on the challenges of K-pop idol life, metaphorically describing the transformation of an idol’s heart into something icy yet resilient. — J.B. Stray Kids’ fifth No. 1 album on the Billboard 200 in under three years presents the octet succeeding in an impressive variety of styles. The growling rap-rock of album opener “Mountains” and near-reggaetón thunderousness of hit single “Chk Chk Boom” make for a bombastic one-two opening, but “Runner” starts out marching to a near-militaristic NY drill beat, then takes flight into a soaring drum-n-bass chorus. Meanwhile, “Twilight” marinates on a low-key piano shuffle, and the group’s self-titled anthem plays like a fist-pumping version of Justin Bieber’s “Ghost,” complete with one of the year’s best sing-along choruses. The Stray Kids might’ve ATE with the eight-track set, but their fans will also certainly leave feeling fed. — A.U. For the iKON member’s long-awaited full-length solo album, Nakseo makes a deeply personal and versatile record: DK wrote and co-produced every track. From the mellow, guitar-laden vibes of “LTNS” to the irresistible soul of “Groovin,” the album masterfully bridges R&B and K-pop to show his appreciation for both worlds. Collaborations with artists like Punch and his iKON bandmate Bobby enhance the album’s dynamic range, as do the album’s explorations of electronic and dance elements to add vibrancy to DK’s sonic palette. Closing with tracks like “??” and “Genre” leave the LP as an open-ended invitation for what’s to come and what DK can offer in his future musical moves. – J.B. While initially establishing themselves as princes of dark K-pop, ENHYPEN has been embracing lighter sounds and tones in recent releases to consistently great results. The initial ROMANCE : UNTOLD album was centered around excellent, experimental pop singles like “XO (Only If You Say Yes)” — co-produced by “Golden Hour” star JVKE — and the Cirkut-helmed “Brought the Heat Back.” The -daydream- expanded reissue tacks on two tracks with “Daydream” and “No Doubt,” which use brilliantly subtle minimalism to show that not every K-pop smash needs to go toward maximalism. – J.B. D.O. titled his third mini album BLOSSOM to represent his artistic development and growth, which is undeniably felt with his first music project under his independently established agency, Company SooSoo, inspired by his full name Doh Kyung Soo. The personal touches stemming from D.O.’s own label are felt throughout BLOSSOM , which ranges from fanciful to introspective for a cohesive EP. Lead single “Mars” enchants with its whimsical charm and sounds like it could easily make its way onto top 40 pop radio, while standout album cut “Simple Joys” highlights D.O.’s animated vocal delivery against an ocarina-focused production (both are co-produced by Norwegian singer-songwriter Peder Elias). Meanwhile, the buzz single “Popcorn” delights with its playful whistle hook, delivering a bouncy, earworm-worthy experience. We hear true growth in the EP’s final tracks like the acoustic-led “My Dear” and the poignant closing ballad “About Time,” which explore themes of love, regret and self-reflection. With BLOSSOM , D.O. proves that his journey as an independent artist is just beginning to bud. — J. B. ZEROBASEONE’s You Had Me at HELLO blends the polished production we’ve come to expect from the mega-selling boy band with satisfyingly complex details. Tracks like “Solar POWER” and “Feel the POP” shift tempos and genres while “SWEAT” has a soulfulness to an otherwise standard party jam. Meanwhile, “Dear ECLIPSE” dips into R&B territory to highlight the members’ soaring falsettos as the heartfelt harmonies in “HELLO” underline a maturity that transcends their origins on the singing competition Boys Planet . These layers make the album both approachable and rewarding for deeper listening. – J.B. SEVENTEEN deserve a victory lap. Last year, the self-producing K-pop superstars sold a reported 10 million albums globally, with two projects reaching the upper echelons of the Billboard 200 . That’s not what really matters, according to them: “I don’t need money or fame,” the guys say in their latest and embody in lead single “LOVE, MONEY, FAME” featuring DJ Khaled. But between seductive disco sashaying (“Rain”) and infectious Miami bass bounce (“Eyes on You”), Spill the Feels is still a toast to their unending ambition. Nowhere is this clearer than on “Water,” a braggadocious trap banger from the Hip-Hop Team: “I stand on oceans,” they rap. “Yet I still feel thirsty.” — A.W. Trust Me is an apt title for the decade-long wait for the GOT7 member’s project, which acts as a masterclass in blending R&B, hip-hop and pop through its 14 tracks. From the sultry bossa nova opener “LA SOL MI” to the nostalgic ’80s synths of “SHINE” with K-diva Sumin, and the effortless hip-hop hooks in “1 M I N U T E ,” Trust Me offers one of the most satisfying listening experiences in K-pop this year. The LP balances moody, sultry R&B moments with brighter, smoother pop highlights. His knack for collaborations shines, particularly on the seductive “Ponytail” with Sik-K and the introspective “Say Nothing” featuring LeeHi. While R&B-pop producer mastermind GRAY is the most frequent collaborator on the record, tracks like the all-English closing cut “Summer Blues” — produced by Korean-music veteran and XG collaborator Chancellor — push Yugyeom to new areas to flex skills beyond any one style or genre. — J.B. A project from former LOONA members HaSeul, HeeJin, Kim Lip, Choerry and JinSoul, ARTMS (the name is inspired by the Greek goddess of nature and wild animals) officially debuted this year with DALL under the recently launched label MODHAUS. If you loved LOONA’s melodies but wished the group had enjoyed a bit more leeway to get weird, ARTMS is for you. “Usually, the company tells us what to do, but now, since we’re active players and debuting again, we wanted to work on the identity of ARTMS. We gave a lot of input in the songs and concepts,” HeeJin told Billboard in October . The pumping pop of “Virtual Angel” shows off their gorgeous vocal blend; “Sparkle,” which the group wrote the lyrics for, has a swaggery ‘90s R&B flavor; “Flower Rhythm” brings to mind Ariana Grande when she’s melding the dancefloor with R&B rhythms; and “Candy Crush” – with its pillowy horns and even a flute – is as irresistible as the game. The album’s most unexpected moments might be its best. “I’m falling into your kaleidoscope” they sing on the woozy, disorienting “Butterfly Effect,” which sets the stage for the dark electro of “Birth,” an ambitious, marvelous song that evokes Reputation -era Taylor and explores how love can go wrong. — Joe Lynch Upon release, Fourever marked a triumphant new chapter for DAY6 to solidify the K-pop rock band’s place as a force in both the K-pop and global rock scenes with a reinvigorated sound. The project’s success was underscored by the chart-topping album cut “HAPPY,” which not only hit No. 1 in South Korea but also earned the band their first entry on the Billboard Global Excl. U.S. cha r t . With revving guitars and anthemic chorus, “HAPPY” encapsulates a universal yearning for joy, as the members plead “May I be happy?” and affirm their resolve with, “So help me / ...Tell me it’s okay to be happy.” Meanwhile, the album’s opening track and lead single, “Welcome to the Show,” signals DAY6’s readiness to take on the world’s biggest stages with stadium-sized, exhilarating hooks (the song seems like an instant crowd-pleaser and future concert staple). “The Power of Love” delights with buoyant synths, while “Get the Hell Out” channels punk fury with pounding drums and biting lyrics, and the haunting “Sad Ending” rounds out the album, blending eerie piano work with layered vocals to create a chilling, emotional closer. As DAY6 gear up for their 10th anniversary in 2025, this album cements their status as K-rock stars primed for growing recognition. – J.B. NMIXX lapped a few of their K-pop peers this year, all thanks to Fe304: Break ’s artful course correct that transformed the experimental girl group’s signature, polarizing “MIXX pop” genre-mashing into more of a subtle deconstruction. This time, singles “DASH” and “Soñar (Breaker)” kept pace instead of mid-song tempo switches that derail momentum. Spread out over 20 minutes, this rollicking EP is a rollercoaster ride of country twang and rock ( “Run for Roses” ), industrial hip-hop (“BOOM”), pulsing Jersey club (“Passionfruit”), delicate R&B (“XOXO”) and more. It’s thankfully not a total revision of their unique sound, which is why this “NMIXX, change up” sticks the landing. — A.W. A testament to Baekhyun’s artistic independence, Hello, World marks the EXO member’s first project outside his longtime label, SM Entertainment. The album showcases a newfound approach — he told Billboard how he was deeply involved in every aspect, from production to visual storytelling. Tracks like the bossa nova-inspired “Rendez-Vous” and the synth-pop lead single “Pineapple Slice” strike a perfect balance between his signature silky R&B stylings and experimental departures. Meanwhile, the powerhouse vocalist takes on new artistic challenges, like the rap-inspired “Cold Heart,” which highlights his growth as a performer. Hello, World is not just Baekhyun reclaiming his place as one of K-pop’s top soloists, but a reintroduction and a bold new era for his career. — J.B. Yves has big things on the horizon, and she knows it: “You know I fly high, just feel it/ I’mma go far, just give me a minute,” she bids on the A.G. Cook-inspired lead single “Viola,” a testament to the burgeoning soloist’s serious aesthetic chops. On the heels of that sonic sledgehammer (“Let’s get dumb and break sh-t,” it opens) come silky and sulky B-sides “Hashtag” and “Gone Girl” : “You’re five-star criminal for putting me aside,” Yves grouses with panache on the former. I Did ‘s closer “DIM” is truly in a lane of its own — the instrumental outro is a tearjerker even sans words. — A.W. A new chapter for ONEW following the SHINee leader and soloist’s departure from SM Entertainment, FLOW lets the K-pop veteran step into a more hands-on creative role, writing all six tracks to curate a more personal project in his first under GRIFFIN Entertainment. With a blend of dreamy synth-pop, jazz influences and innovative vocal deliveries, FLOW showcases ONEW’s artistry as both a performer and songwriter, capturing the essence of a seasoned artist unafraid to push boundaries. Lead single “Beat Drum” encapsulates the album’s playful yet profound themes, pairing percussion-driven beats with clever lyricism to reflect ONEW’s nearly two decades of dedication to music. The EP is a testament to his growth as an artist and the opportunities provided by GRIFFIN, a place that can encourage him to flourish to cement his legacy as a K-pop trailblazer but also set the stage for even greater heights in his solo career. – J.B. A landmark K-pop album of 2024, ASSEMBLE24 proves that a 24-member girl group can craft a cohesive and accessible listening experience. For the first time, every member of the two-year-old tripleS girl-group project united to deliver a genre-spanning record that is as ambitious as it is satisfying. The LP is centered around the empowering lead single “Girls Never Die,” which ingeniously ensures that each member gets a moment to shine and remains true to the LP’s name that all 24 stars are assembled and ready for action. The album’s sonic standout moments are plentiful: “White Soul Sneakers” delves into Afrobeats and acid funk amid entertaining tempo and musical shifts; “Midnight Flower” charms with a bubbly, ’80s-inspired pop-rock foundation; “Dimension” embodies a New Jack Swing groove; and “24” channels quintessential tripleS with strong synths, playful hooks and groovy percussions. ASSEMBLE24 feels like a celebration of the type of creativity and unity that is especially unique to K-pop. — J.B. “I’m a bit rusty,” NCT 127 say on “Walk,” though the line isn’t meant to be self-effacing. Rather, it’s a humble brag about the team’s je nais se quois — which has remained strong amid member exits and hiatuses — on full display on their sixth studio album. As always, the masterful production is in top form thanks to SM Entertainment’s elite squad behind the scenes. There are enchanting details to home in on with every song: saxophone grooves (“Orange Seoul”), dirty basslines (“Pricey”) and noirish, neo-soul flutes (“Rain Drop”). Plus, “Can’t Help Myself” and “No Clue” reassert their status as vocal powerhouses in the K-pop industry, rounding out one of their most cohesive projects yet. “I’m in the studio day and night,” Mark raps on “Intro: Wall to Wall.” And the effort is evident. — A.W. As a virtual boy band, PLAVE could have technically focused on a number of aspects beyond great songs but the CG-crafted boy band has music at its heart. ASTERUM: 134-1 opens with the smooth,r reggaeton-infused “Watch Me Woo!” — a track that will immediately grab anyone’s attention — before diving into the rock-pop brilliance of centerpiece single “Way 4 Luv.” Emotional highlights like “From” showcase the group’s harmonies over stark piano, while “Our Movie” picks up with R&B production mixed with shout-along choruses. The standout “Virtual Idol” directly confronts skeptics of PLAVE’s artistic legitimacy, flipping the narrative with a self-empowerment anthem built on an infectious hip-hop production. While PLAVE’s members are virtual, their talents are anything but artificial. Utilizing motion-capture technology, they bring a human depth to their projects, which is mirrored in the album’s masterful songwriting and production, with all five members heavily involved in crafting the sound. — J.B. “It’s us speaking to each other and encouraging each other,” Jihyo told Billboard in February of With YOU-th . It was clearly a conversation fans wanted to here; the next month, the EP gave TWICE their first No. 1 on the Billboard 200. The six-song project is bookended by tracks that emphasize the nine-piece band’s togetherness: “I Got You” is a sparkling, buoyant anthem with Carly Rae Jepsen vibes about how the girl group’s members rely on each other in a crazy world, and closer “You Get Me” is an uplifting song about a friend who always sees “the best me.” In between, TWICE flaunt determination and attitude on the thumping, chant-filled “New New,” flex into lightly funky territory on “BLOOM” (written by Jeongyeon) and experiment with Jersey club on “Rush,” which Chaeyoung wrote after finding inspiration in PinkPantheress. And they’re not slowing down – they recently dropped Strategy , featuring Megan Thee Stallion on the simmering title track. – J.L. IU did something rather unique when it comes to her (immaculate) discography: She released an album full of positivity. While the K-pop queen has released some of K-pop’s most devastatingly beautiful and masterfully melancholy songs, The Winning explores IU’s internal growth and personal satisfaction. Anchored by the poignant ballad lead single “Love Wins All,” which stars IU alongside BTS’s V in its cinematic music video, the anthemic track provides a grounded sense of hope. From the groove percussion on “Holssi” where IU confidently declares, “Fly high to bloom/ ...I’m gonna go to win,” to the aspirational synth-pop of “Shopper,” plus the seamless blend of musical generations and styles for “Shh..,” featuring NewJeans member Hyein, rock singer Wonsun Joe and narration from 86-year-old Korean music legend Patti Kim, the project epitomizes IU’s ability to innovate while maintaining a timeless essence. As we approach the end of 2024, The Winning is particularly apt title for IU’s latest project after the starlet sold out her first-ever U.S. tour this year, hitting six arenas across the States in support of the EP. — J.B. RM’s Right Place, Wrong Person is not just the best K-pop album of 2024 — it’s one of the year’s most daring musical statements across any genre. Across a tight 34 minutes, RM lays bare his psyche for listeners to enter, navigating themes of identity, vulnerability and liberation. Tracks like the introspective “Come Back to Me” (the English pre-release single would sound right at home on alternative radio) and the boundary-pushing “Domodachi,” featuring Little Simz, (boasting a blend of languages, emotions, sounds and cultural aspects) highlight his willingness to experiment to the point that the LP is as intricately sonic as it is emotionally personal. Building on the excellence of his 2022 solo debut Indigo (which Billboard named the best K-pop of that year ), this latest effort is a monumental leap and spits in the face of genre confines. RM effortlessly shifts from hip-hop to jazz, Afrobeats to punk while maintaining an artistic coherence uniquely his own. The album’s lyrics—balancing self-interrogation with poignant social commentary—find their perfect counterpart in lush productions crafted by his trusted TEAM RM collaborators, showcasing RM’s growth as both a musician and a storyteller. Beyond the music, RPWP gains added resonance through its companion documentary, RM: Right People, Wrong Place . The doc captures the BTS leader’s creative journey and the dichotomy between RM, the global superstar, and Kim Namjoon, the ordinary young man. This pairing of album and film solidifies RM’s position as a pioneer in making K-pop more personal and accessible today, but also as a vital voice in contemporary music. Whether he believes it, RM is indeed the right person in the right place to blend raw authenticity with visionary artistry to create a masterwork to transcends cultural and genre boundaries — and push us toward living in a less divided world. —J.B.
Trump Jr. didn’t like Kimberly Guilfoyle’s ‘style,’ family happy to see her go, reports say
Sentinel Opinion: Tougher ticketing; State ramps up enforcement of bad driving as fatalities continue to mountMADRID (AP) - Results from Spanish football: Spain LaLiga Friday's Match Getafe 2, Valladolid 0 Saturday's Matches Valencia vs. Betis, 8 a.m. Atletico vs. Alaves, 10:15 a.m. Las Palmas vs. Mallorca, 12:30 p.m. Girona vs. Espanyol, 12:30 p.m. Celta Vigo vs. Barcelona, 3 p.m. Sunday's Matches Osasuna vs. Villarreal, 8 a.m. Sevilla vs. Rayo Vallecano, 10:15 a.m. Leganes vs. Madrid, 12:30 p.m. Athletic Bilbao vs. Sociedad, 3 p.m. Friday's Match Mallorca vs. Valencia, 3 p.m. Saturday's Matches Barcelona vs. Las Palmas, 8 a.m. Alaves vs. Leganes, 10:15 a.m. Espanyol vs. Celta Vigo, 12:30 p.m. Valladolid vs. Atletico, 3 p.m. Sunday's Matches Villarreal vs. Girona, 8 a.m. Madrid vs. Getafe, 10:15 a.m. Rayo Vallecano vs. Athletic Bilbao, 12:30 p.m. Sociedad vs. Betis, 3 p.m. Monday's Match Sevilla vs. Osasuna, 3 p.m. Tuesday's Match Mallorca vs. Barcelona, 1 p.m. Spain LaLiga 2 Saturday's Matches Eibar 2, Racing Club de Ferrol 0 CD Castellon 1, Mirandes 3 Club Deportivo Eldense 2, Albacete Balompie 0 Racing Santander 2, Burgos CF 0 Levante 1, Elche 1 Gijon 1, Granada 2 Sunday's Matches Cadiz 2, Cordoba 0 Oviedo 3, Tenerife 1 Almeria 2, Deportivo 1 FC Cartagena 1, Huesca 0 Zaragoza 0, Malaga 0 Wednesday's Match Club Deportivo Eldense 2, Huesca 1 Friday's Match Racing Club de Ferrol 0, Levante 0 Saturday's Matches FC Cartagena vs. Almeria, 8 a.m. Granada vs. Cadiz, 10:15 a.m. Burgos CF vs. Eibar, 12:30 p.m. Cordoba vs. Zaragoza, 12:30 p.m. Malaga vs. Racing Santander, 3 p.m. Sunday's Matches Albacete Balompie vs. Tenerife, 8 a.m. Deportivo vs. Gijon, 10:15 a.m. Mirandes vs. Club Deportivo Eldense, 10:15 a.m. Huesca vs. CD Castellon, 12:30 p.m. Elche vs. Oviedo, 3 p.m. Tuesday's Match Almeria vs. Cordoba, 2:30 p.m. Wednesday's Matches Levante vs. Malaga, 1 p.m. CD Castellon vs. Racing Club de Ferrol, 1 p.m. Friday's Match Oviedo vs. Huesca, 2:30 p.m. Saturday's Matches Almeria vs. Granada, 10:15 a.m. Zaragoza vs. Albacete Balompie, 10:15 a.m. Cadiz vs. Deportivo, 12:30 p.m. Racing Santander vs. Mirandes, 12:30 p.m. Tenerife vs. Elche, 3 p.m. Sunday's Matches CD Castellon vs. Malaga, 8 a.m. Club Deportivo Eldense vs. Racing Club de Ferrol, 12:30 p.m. Levante vs. Burgos CF, 12:30 p.m. Gijon vs. Cordoba, 3 p.m. Monday's Match Eibar vs. FC Cartagena, 2:30 p.m.SEOUL, South Korea — South Korean President Yoon Suk Yeol declared emergency martial law late Tuesday before backing down, placing the military in control of all government and judicial functions in a power grab that came after months of political stalemate. The hours of crisis and chaos have thrown the future of his presidency into doubt. As the military and police sought to contain protesters who had poured into the streets around the National Assembly, the president announced he would lift the order as soon as he could convene his Cabinet, heeding a defiant vote from the opposition-led legislature. The Cabinet met before dawn Wednesday local time, according to South Korea’s Yonhap news agency, as protesters chanted for Yoon’s impeachment. Javascript is required for you to be able to read premium content. Please enable it in your browser settings.
CBC resurrects plans for live New Year’s Eve broadcast specials
Saquon Barkley hits 2K yards, Eagles crush Cowboys to win division
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