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Red tape and fine print won't make the world a better place for not for profitsAI voice cloning: How programs are learning to pick up on pitch and tonebased in Clytha Park Road, adopted St David’s Hospice Care as its nominated charity a number of years ago and since then has completed a range of events to reach its fundraising milestone. The company initially set a target of raising £5,000 but after five years had raised £50,000. It then decided to go for £100,000. Over the years, the team has staged quiz nights, race nights, days and sports dinners. Managing director Phil Bessant even raised £10,000 after being put in the cells under Newport Market. Mr Bessant said: “Everyone in the office has been involved in the effort to raise money. I am delighted at the sum of money we have managed to collect and would like to thank all the people who have supported our effort over the years." Emma Saysell, chief executive of St David’s Hospice Care, said: “Phil Bessant and his marvellous staff have worked tirelessly over the years in their efforts to raise vital funds in so many ways." Before they plan events for 2025 and beyond the team at Phil Bessant Accountants is planning a party to celebrate achieving its target. The event will be held at the Fugitives Club in High Cross, Rogerstone.
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Should the U.S. increase immigration levels for highly skilled workers?Youtuber JackSepticeye Confirms Autism Diagnosis: 'Got The Confirmation...'
Some 83 Ipswich households are living in temporary accommodation, including 72 children, according to newly-released government figures. The figures which cover the earlier part of the year show that 27 households were in bed and breakfast accommodation, including nine with children. However, only one household with children stayed in bed and breakfast accommodation for more than six weeks. There also were not any households from the town in nightly paid privately-managed accommodation or any in temporary accommodation in other local authorities. Only two households that Ipswich Borough Council had a duty to help house did not have any accommodation found for them. Fifty households including 21 with children were staying in hostels, while five households were staying temporarily in local authority or housing association stock including three with children. There are 1.4 households in temporary accommodation in Ipswich per 1,000 - below the figure for England as a whole of 5.08 and London, where it is 18.85. Rushmere Labour borough councillor Alasdair Ross, Ipswich Borough Council's portfolio holder on housing, said: "Ipswich Borough Council have made helping families who have been made homeless as a top priority, we are also working with many families to help them find homes however we know that in Ipswich we will still require temporary accommodation and we are always looking to secure suitable accommodation to help Ipswich families." Borough councillor Alasdair Ross (Image: Lucy Taylor) Nelleke van Helfteren from Citizens Advice Ipswich said: "Households finding themselves homeless face a lot of issues as well as not having a secure roof over their head. "There are eligibility criteria for being accepted on to a housing application list which many households cannot meet. "Accessing housing in the private sector comes with large deposits, high rents, the need for a reference, and often guarantors. Many of our clients cannot access these. "If a tenant has been evicted from their previous accommodation, it is often difficult to be accepted by the council for help with housing."
Save Log in , register or subscribe to save articles for later. Save articles for later Add articles to your saved list and come back to them any time. Got it Normal text size Larger text size Very large text size W e know what you’ll be thinking as soon as your eyes finish glazing across this list in its entirely: not one Taylor Swift album made the cut. Not a one! Let us explain: this is the problem with asking people to select their top 10 albums from across 25 years. It’s a lengthy period and everyone had a different favourite Taylor Swift era, thus splitting the vote and meaning she missed out. It’s a travesty, but that’s how the cookie crumbles. More importantly, the albums on this list – chosen by our critics with an eye to quality, influence and legacy – offer an interesting snapshot of this millennium’s pop developments to date: the death of rock, the ever-increasing influence of dance and electronic music, and the, um, cult of Lin-Manuel Miranda. Leave your furious comments below. Since I Left You, The Avalanches (2000) Since I Left You is pure joy. The debut of Melbourne electronica savants The Avalanches is a sparkling celebration of music itself – a sonic saturnalia dedicated to music’s endless delights. The Avalanches began as obsessive music fans, spending countless hours raiding op-shop record bins and chopping up thousands of sounds, storing them on a clutter of floppy disks. They stitched together the raggedly beautiful quilt that became Since I Left You on the fly, mad geniuses reinventing music with reckless, casual abandon. They sampled ’80s pop, old-school hip-hop, spaghetti westerns, forgotten comedy skits, wildlife recordings and even Sesame Street , and somehow transformed them into a coherent piece of manic surrealism. The wonderfully bizarre Frontier Psychiatrist and dreamy title track became unlikely hits, but the album is best consumed as a long, wandering journey – a fantastical odyssey to nowhere in particular. Impossibly layered but eminently accessible, complex but freewheeling and a little unhinged. It’s made by fanatics, but it’s for everyone. Tom W Clarke Is This It, The Strokes (2001) New York was about to change in 2001. Two planes flew into the twin towers, forever altering the city’s skyline and psyche. And The Strokes released their debut album, igniting the city’s music scene in a way that hadn’t happened since the heady days of CBGBs in the ’70s. They looked drop-dead cool, all stick-figure limbs in tight jeans, leather jackets and sneakers, like the Ramones before them. The duelling, intertwined guitars of Nick Valensi and Albert Hammond Jr. provided the bedrock for Julian Casablancas’ distorted, sinewy vocals, telling bleary-eyed tales of the city that never sleeps. These clarion calls from the streets of downtown Manhattan reverberated around the world, announcing that rock was back. Drugs, alcohol and musical drift would soon change The Strokes, but on Is This It they are forever preserved as the band that put the spotlight back on New York City and kicked down the door for other guitar-wielding groups to burst through in the Noughties. Barry Divola Discovery, Daft Punk (2001) Advertisement Gun to head, Homework (1997) is a better album than Discovery , but Daft Punk still made a mockery of the “second album syndrome” with their disco-inspired record that spawned enormous hits One More Time and Harder Better Faster Stronger , and a couple of their loveliest downtempo moments in Something About Us and Veridis Quo . Even Daft Punk’s so-called album tracks are peerless examples of their dazzling artistry, from the energy rush of Superheroes to the infectious dance-funk of High Life to the soulful disco house of Too Long , featuring Romanthony’s indelible vocals (he sung on One More Time , too). On Discovery , Thomas Bangalter and Guy-Manuel de Homem-Christo changed the electronic music landscape for the second time in four years, incorporating samples in ingeniously inventive ways and trading raw and gritty Chicago-inspired house for euphoric disco-pop that at once evoked the nostalgic wonder of childhood and romantic adventures in outer space. Annabel Ross Fever, K ylie Minogue (2001) Fever is our greatest pop artefact and the epitome of Kylie as queen of reinvention. After the misunderstood swing that was Impossible Princess (1997), an alt-pop pivot so disastrously received that she was dropped from her record label, Kylie had already dipped her toe into Euro-inflected dance-pop on Light Years (2000), producing the improbable comeback hits Spinning Around and On a Night Like This . But Fever upped the sophistication, eschewing the campy winks (we still love you sometimes, Light Years ′ Your Disco Needs You ) and delivering a masterpiece of sultry, slinky, romantic dancefloor euphoria. Beyond the no-skips tracklist – including Love At First Sight , Can’t Get You Out of My Head and Come Into My World - it’s ridiculous how well the album holds up almost 25 years on: with Fever , Kylie took the temperature of the next two decades of pop music, preempting a wave of club-centric stars from Robyn to Carly Rae Jepsen to Dua Lipa. I think this is what people actually mean when they call their favourite pop star mother . Robert Moran Back to Black, Amy Winehouse (2006) Amy Winehouse’s second and final album is a true time capsule, and a potent reminder of a talent and a life gone too soon. Hers was a once-in-a-generation voice that recalled the smoky jazz clubs of the 1960s, belied by her young age – 22 when this album was released – and the tumultuous personal life that the press preyed upon until (and beyond) her tragic death in 2011. Produced by Mark Ronson, Back to Black has some of Winehouse’s finest songs, such as the triumphant Tears Dry On Their Own and the sadly ironic Rehab . It’s all buoyed by bright, colourful musical backing that takes its cues and influences from across genres and eras – everything from doo-wop and ’60s girl groups to soul and R&B. But it’s the title track that’s the defining sound of this particular moment in 2000s history – a heart-wrenching, heartbroken performance that’s simultaneously infused with a quiet strength and fury. Giselle Au-Nhien Nguyen My Beautiful Dark Twisted Fantasy, Kanye West (2010) Advertisement Made during a period of exile imposed on (the artist formerly known as) Kanye West following his stage-bombing of a young Taylor Swift at the VMAs, My Beautiful Dark Twisted Fantasy captures a celebrity at war with fame, a genius tortured by his singular vision, believing he’d never be truly understood or appreciated. This album changed everything. It is populist maximalism, totally unrelatable and deeply human. The keys on Runaway , the Chris Rock skits and Bon Iver sample, Nicki Minaj’s barn-storming turn on Monster . And the closer, the voice of Gil Scott-Heron asking, from 1970, “Who will survive in America?” Ye no longer has the answers or even the hypothesis. His relationship to fame and reality has become more protracted and upsetting in recent years. But for a moment in 2010, he went to hell and back, found bravery in his bravado, stole fire from the gods and handed it over to the world. Brodie Lancaster Emotion, Carly Rae Jepsen (2015) In a 2019 interview with Time , Carly Rae Jepsen shrugged her shoulders and said, “I think it’s very cool to be uncool and just shamelessly feel it all”. Shamelessly feeling it all has been the Canadian popstar’s MO, right from her 2012 breakthrough hit Call Me Maybe . The single was so impossibly huge that many people (not unfairly) slotted her into the file of “one-hit wonders.” But Jepsen returned in 2015 with EMOTION , an album that boiled over with yearning and lust and love and confusion and every other human feeling that Jepsen could conjure. Its lush, pristine ’80s synthpop production underscored Jepsen’s exceptional songwriting, with rushing, full-throated verses and choruses that lifted like an A380. Run Away With Me , with its now-iconic saxophone riff and screamable “take me to the feeling” refrain, and the aching title track, are high points in an album with no low ones. One of the most acclaimed pop records of the decade, it was an album that helped usher in the era of “poptimism” and unexpectedly cemented Jepsen as a cult pop hero. Jules LeFevre Hamilton, Original Broadway Cast Recording (2015) Having launched his hip-hop revolution of musical theatre with In the Heights , Lin-Manuel Miranda dared to dream higher still. What better subject for a transformational musical than that key revolutionary, Alexander Hamilton? Miranda uses rap to solve a problem faced since recitative faded from operatic fashion: communicating swathes of story rapidly, without resorting to dialogue (given that songs more efficiently communicate emotion). Rapping doesn’t just accelerate the dissemination, it lends the whole show momentum, and with Miranda brilliantly playing Hamilton, the performing matches the writing. His songs shame much new-century composing for musicals. My Shot has the anthemic “Rise up!” refrain, Helpless is an R&B classic, The Duel Commandments is frighteningly visceral, and The Room Where it Happens is wickedly catchy. High art meets thrilling music as the rhymes, among the most dazzling since Byron, fly at you with the velocity of grapeshot from a cannon. John Shand Lemonade, Beyonce (2016) Watching Beyoncé‘s visual album Lemonade for the first time felt like witnessing a pivotal shift in the singer-songwriter’s career. Beyoncè’s music often depicted female empowerment, but with Lemonade she got personal and political, tapping into darker emotions fuelled by betrayal and survival and explored themes of womanhood, blackness in America and her southern roots. It showcased her ability to transcend genres, incorporating gospel intro Freedom , a tribute to the Black Lives Matter movement; bringing country tones into Daddy Lessons , a song about her relationship with her father; and integrating electro beats into Sorry , which detailed an incident of infidelity and brought the phrase “Becky with the good hair” into popular use. Unsurprisingly, it was a commercial and critical success, earning nine Grammy nominations (famously missing out on album of the year to Adele) and becoming the best-selling album globally in 2016. Fans even co-opted the lemon emoji to showcase their appreciation. Vyshnavee Wijekumar Advertisement Brat, Charli XCX (2024) Charli XCX’s sixth studio album, Brat , is the high point for an artist whose underdog refusal to quit has made her the most consistently risk-taking pop star of her generation. Unlike her revisionist contemporaries, Charli XCX’s discography is entirely rooted in the 21st Century. Brat reflects our third millennium club-cultural zeitgeist, with executive producer A.G. Cook mischievously blitzing this century’s dominant dance music styles (electro house, techno and EDM) into three-minute bangers. Unlike most pop stars, who wrap themselves in an untouchable aura, Charli makes her ridiculous life feel relatable, like you’ve been invited into her stretch Hummer to pop bottles with Lorde, Billie Eilish and Troye Sivan (whose definitive remix appearances have supplanted the album versions). The Brat ethos says that simply by existing you’re worthy of having some fun in this life – and it doesn’t make you any less of a thoughtful, caring, intelligent person for doing so. Nick Buckley Loading Honourable mentions Stankonia , Outkast (2000) 1989 , Taylor Swift (2014) To Pimp a Butterfly , Kendrick Lamar (2015) Melodrama , Lorde (2017) Norman F—ing Rockwell! , Lana Del Rey (2019) What albums do you think deserve a place on the list? Tell us in the comments.Bay FC’s Beattie wins NWSL honor for breast cancer awareness advocacyNASSAU, Bahamas (AP) — Chucky Hepburn had 16 points, 10 assists and seven steals, Noah Waterman also had 16 points and Louisville beat No. 14 Indiana 89-61 on Wednesday in the opening game of the Battle 4 Atlantis. Louisville (4-1) beat a ranked team for the first time since topping Virginia Tech 73-71 on Jan. 6, 2021. Kasean Pryor scored 10 of his 14 points in the second half and Reyne Smith added 12 points for Louisville. Malik Reneau scored 21 points and Oumar Ballo added 11 for Indiana (4-1). Reneau reached 20-plus points for the eighth time in his career. The Cardinals led 37-29 at the break after making 7 of 17 from 3-point range and shooting 57% overall. Indiana missed six straight shots on two occasions in the first half, sandwiched around a string of seven missed field goals, as the Cardinals shot 9 of 29 (31%). Louisville exploded for 52 second-half points by shooting 66.7% from the field. Pryor missed only one of his six shots in the second half. Louisville quickly built a commanding lead in the second half after starting on an 11-2 run, highlighted by Pryor’s fast-break dunk . The lead reached 30 on freshman Khani Rooths’ alley-oop dunk that came during the Cardinals’ 16-0 run for a 78-40 lead. Louisville entered the week ranked sixth in the country in 3-point attempts per game at 34. The Cardinals attempted 27 against Indiana and made 10 of them — with four apiece from Waterman and Smith. Louisville also came into the game averaging 19 forced turnovers per game. The Cardinals scored 30 points off 23 Indiana turnovers. Louisville, which played its first road game of the season, plays on Thursday against the winner of Game 2 between West Virginia and No. 3 Gonzaga. Indiana moves to the consolation bracket to face the loser.
KANSAS CITY, Mo. — The Kansas City Chiefs earned a much-deserved extended rest after their Christmas Day rout of the Pittsburgh Steelers, which capped an unbeaten stretch of three games in 11 days and clinched them the No. 1 seed in the AFC playoffs. That extended rest? Well, it can be just about as long as Chiefs coach Andy Reid wants it to be. The Chiefs (15-1) face the Broncos in their regular-season finale next weekend, a game whose kickoff remains up in the air. But it will be at least 10 days after their 29-10 win in Pittsburgh, a nice rest for a weary team whose bye was back in Week 6. But with nothing to play for in that game, Reid could conceivably give some of his most important players the entire week off ahead of the playoffs. And now that the Chiefs have a first-round bye, that means they wouldn't face anybody until at least Jan. 18 in the divisional round, meaning a full 24 days between games. “It's been almost 10 weeks of football, grinding on this short schedule at the very end of the year,” Chiefs quarterback Patrick Mahomes said. “We'll see how Week 18 goes — who plays, who doesn't play. That's up to Coach. But having this break, getting healthy, getting ourselves ready for the playoffs, it was super important, especially with the guys we have banged up.” The Chiefs dominated the Steelers without four-time All-Pro defensive tackle Chris Jones, who was resting his sore calf on Wednesday. They also have not had cornerback Chamarri Conner, who has been out with a concussion, or D.J. Humphries, the former Pro Bowl left tackle who appeared in one game for Kansas City before straining his hamstring. All of them figure to be healthy for the playoffs. The same for guys who have been dealing with minor injuries, such as right tackle Jawaan Taylor, who played against the Steelers despite straining his hamstring the previous week against Houston, and running back Isiah Pacheco, who dinged up his ribs in the win in Pittsburgh. “It will definitely help with some of the guys that are banged up, to get guys back, freshened up a little bit,” said Reid, who has rested important players in Week 18 in the past, including last season against the Chargers. “I think it will be a positive for us.” The trick is to decide exactly how much rest to give everyone. For those dealing with injuries, that full 24-day span without a game could be exactly what they need. For others, it might be too long between games, and getting at least a half of play against the Broncos would help prevent some rust from setting in. “I was just talking to my family about it,” Chiefs cornerback Trent McDuffie said. “My rookie year, we were able to get, you know, all home games, and you just can't be out (on the road) in the playoffs. I mean, I'm excited to go out there. I know we got the first round, you know, off, but I mean, I can't wait to play now.” What’s working The Chiefs won the Super Bowl last season with a wide receiver group that — outside of Rashee Rice — was lacking in dynamic ability. But with the trade for DeAndre Hopkins, the return of Hollywood Brown from an injury and the emergence of rookie Xavier Worthy, the Chiefs have gone from a position of peril to one of profound strength. What needs help The Chiefs have struggled to the run the ball consistently the past few weeks. Pacheco gained just 18 yards on six carries before hurting his ribs against Pittsburgh, and Kareem Hunt was held to 20 yards on nine carries — a 2.2-yard average. Stock up Worthy has smashed through the rookie wall, just as Rice did at this point last season, and has proven to be more than a speedster. He had eight catches for 79 yards and a touchdown Wednesday, giving him at least five catches in each of his past five games. Stock down Pacheco has not been the same after missing more than two months to injury. He has been held to 55 yards rushing or fewer in each of his past five games, and he's averaging just 2.7 yards per carry over his past three. Injuries There were no significant injuries sustained against the Steelers. Key number 77 — Travis Kelce caught his 77th touchdown pass, breaking a tie with Hall of Famer Tony Gonzalez for the Chiefs record. Kelce finished with eight catches for 84 yards and a score against Pittsburgh, making him the third tight end in NFL history with at least 1,000 receptions. Gonzalez had 1,325 and Jason Witten had 1,228 while Kelce has 1,004 and counting. Next steps The Chiefs get the long weekend off before deciding who will play in Denver in their regular-season finale.Man City vs Tottenham live stream: How to watch Premier League game online
A TikTok sale under Trump? Experts say it could actually happen this time
Philadelphia Eagles coach Nick Sirianni apologized to Washington tight end Zach Ertz for his comments during a heated exchange following the Commanders' victory on Sunday, according to multiple reports. The player and coach were seen meeting for the routine postgame handshake, with Ertz instead offering a high-five to Sirianni, who was his head coach during the start of the 2021 season in Philadelphia. Instead, the two had to be separated by Eagles chief security officer Dom DiSandro, who then escorted Sirianni to a tunnel at Northwest Stadium, according to reports. Sirianni didn't like the intensity of Ertz's high-five and criticized his performance in the game, to which Ertz took exception, according to a report released Thursday morning on the "Uncovering the Birds" podcast with Jeff McLane of the Philadelphia Inquirer. Ertz, who was listed as questionable for the game after sustaining a concussion a week earlier in Washington's 20-19 victory at New Orleans, started on Sunday and had one catch on two targets for 12 yards as the Commanders won 36-33. Asked afterward about the incident, Sirianni told reporters: "Both of us said ‘congrats' to each other." Ertz, likewise, downplayed the meeting, telling an Inquirer reporter: "We just exchanged holiday pleasantries and kept it moving." Sirianni, who according to reports later apologized to Ertz over a Zoom call, met with media members on Thursday. He said that he keeps conversations with players private and that he has respect for Ertz. During the week leading up to the NFC Division contest, Sirianni said of Ertz: "I think, first and foremost, Zach is an all-time Eagle and was really honored to be around him, and he's still playing at a high level in this part of his career. "So, going through that and him moving on, us moving on in the organization, him getting another fresh start, that was always a tough one because I did really come to really value Zach Ertz the person, Zach Ertz the player. Enjoyed the time I had around him." The Eagles traded Ertz to the Arizona Cardinals on Oct. 15, 2021, during Sirianni's first season as head coach and with the Philadelphia organization. Philadelphia selected Ertz in the second round (35th overall) of the 2013 NFL Draft out of Stanford. He has 764 career receptions for 7,972 yards and 50 touchdowns in 166 regular-season games (128 starts) for the Eagles (2013-21), Cardinals (2021-23) and Commanders. Washington signed Ertz, 34, as a free agent in March. The three-time Pro Bowl selection (2017-19) has started all 15 games for the Commanders and has 55 receptions for 538 yards and four touchdowns. --Field Level MediaOver a week on from the earthquake the Port Vila community is taking stock of the impact of the disaster and how to best work towards infrastructure repairs and economic improvement. The official death toll of the earthquake is 12, according to the Government. "It's a very different Christmas but were still thankful to god that we didn't have a tsunami...it couldn't have been worse," said Vanuatu's caretaker Disaster Management Minister John Salong. "The state of emergency has been lifted...we want people to be back to normal is quickly as possible," he added.Should the U.S. increase immigration levels for highly skilled workers?ACHC INVESTOR ALERT: Lead Plaintiff Deadline Quickly Approaching; Robbins LLP Urges ...
Mohamed Salah future: Liverpool star's contract comments slammed by Jamie Carragher
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